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Myth and Creolisation of Cultures and Performing Arts in the MediterraneanToporišič, TomažGledališče danes priča o novi vrsti kulturne mnogovrstnosti, o širokem spektru novonastajajočih razlik. Vzporedno pa poteka proces kreolizacije, ki postaja vedno bolj značilen za sodobno kulturo in ... uprizarjanje ter ga lahko definiramo kot prepletanje dveh ali več prej diskretnih kulturnih tradicij - kot nekakšno prepletanje podobnih, a vendar različnih koloritov, izhajajočih iz mitov, skupnih celotnemu sredozemskemu bazenu. Znotraj takšnega razumevanja kulture mora gledališče spregovoriti ne samo proti dominaciji, ampak tudi o pomenu marginalnosti, drugačnosti in lokalnih kontekstov. Kot zapiše Benjamin Lee, "živimo v času, ko nobena od vrednot kateregakoli posameznega kulturnega vidika ne more zagotoviti ustreznega okvirja za razumevanje sprememb, ki vplivajo na vse nas", vključno z dekolonizacijo kulturnih praks. Razmišljati moramo globalno, delovati pa lokalno, zavedati se moramo univerzalnih mitov, hkrati pa tudi lokalnih razmer in mitov, ki nas obkrožajo. V Sloveniji se strokovnjaki pogosto pritožujejo, da se razen specialistov nihče "mednarodno" ne zanima za lokalne mite in nacionalne teme. Ta teza preprosto ne zdrži: vsekakor pa je treba najti ustrezen način za predstavitev lokalnih in nacionalnih tem znotraj mednarodnega in globalnega konteksta.Source: Mit in pogled = El mito y la mirada = Le mythe et le regard = Myth and gaze ([Letn.] 9, [št.] 1, 2015, str. 104-116)Type of material - article, component part ; adult, seriousPublish date - 2015Language - englishCOBISS.SI-ID - 57341794
Author
Toporišič, Tomaž
Topics
Botticelli, Sandro |
kreolizacija |
uprizoritvene umetnosti |
pogled drugega |
Sredozemlje |
creolisation |
performing arts |
Mediterranean |
otherness
source: Mit in pogled = El mito y la mirada = Le mythe et le regard = Myth and gaze ([Letn.] 9, [št.] 1, 2015, str. 104-116)
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Toporišič, Tomaž | 33983 |
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