Pravorečje slovenskega jezika je v 20. stol. odigralo pomembno vlogo pri oblikovanju govora v dramskem gledališču. Vendar pa sta jezikoslovje in teatrologija kot znanosti samostojni entiteti, ki sta ...se skozi čas razvijali vsaka po svojih zakonitostih. Članek skuša nakazati, da odrski govor lahko pojmujemo kot gledališki znak (v sodobnem terminološkem pomenu) že pred 20. stol. in da je Župančičev jezikovni nazor s prvenstvenim poudarjanjem pravorečja in posledično s specifičnim pojmovanjem odrskega govora kot gledališkega znaka pripeljal do dejstva, da je bila kljub koncu literarnega gledališča odrskemu govoru v sedemdesetih letih 20. stol. očitana konservativnost, ki jo lahko očitamo tudi nekaterim sodobnim realizacijam odrskega govora v slovenskem dramskem gledališču.
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