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Oroz, Tomislav
Narodna umjetnost, 12/2016, Volume: 53, Issue: 2Paper
U radu se promišljaju reprezentacije Balkana kroz analizu lika žene-mačke u specifičnim izričajima popularne kulture: filmskim ostvarenjima Vala Lewtona i Jacquesa Tourneura te raznolikim umjetničkim izričajima domaćih autora. Film Ljudi mačke iz 1942. godine, koji reprezentira opskurnu slika Balkana stigmatiziranu motivom kulturne rudimentarnosti, ujedno je i inspiracija indigenim umjetničkim ostvarenjima koja ironično eksperimentiraju stereotipnim animalnim predodžbama Balkana. Ontološka ambivalentnost koju evocira lik žene-mačke u navedenim ostvarenjima omogućuje promišljanje odnosa prostorne i temporalne podvojenosti Balkana analizom rodnih, političkih i klasnih aspekata.
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