The dramaturgy of the spectator Korneeva, Tatiana
The dramaturgy of the spectator,
2019, 20190516, 2019, 2019-05-24, 2019-05-09
eBook
The Dramaturgy of the Spectatordescribes the development of the modern theatre spectator, the modern playwright, and their complex relationship with sovereignty, power structures, and the emergent ...public sphere in the seventeenth through the eighteenth century.
The authors explore the convergence of dramatic theory, theatrical practice, and various modes of audience experience that contributed to the emergence of ‘public sphere(s)’ across early modern ...Europe — and in Asia.
The dramatic production of Giacinto Andrea Cicognini (Florence 1606–1649 Venice) provides a fruitful forum for reflection on the problematics of the political dimension of aesthetics and the ...aesthetic dimension of politics in the context of Italian Baroque tragedy. Brilliant and productive playwright and librettist, author of some forty-five prose tragedies,commedie regie e politiche, and sacred dramas—as well as of four opera librettos—Cicognini was a man of remarkable theatrical pedigree¹ as well as a courtier par excellence. From his earliest years, he was closely tied to the Medici court: he was introduced to the court at the
Introduction. Improving labour efficiency is the key to successful operation of any organization. Social and economic development of the state is largely depends on the in-depth study of labour ...efficiency management. These issues should be solved at certain enterprises at macro- and meso-economic levels.
Aim and tasks. The purpose of the article is to deepen theoretical and methodological principles and develop practical recommendations for improving labour efficiency.
Results. The generalization of theoretical and methodological provisions of the category of labour efficiency is carried out. Methodical approaches to the evaluation and measurement of labour efficiency at enterprises have been considered. It is established that labour efficiency, as an economic category, takes into account many aspects that reveal it through certain characteristics, which are expressed in labour productivity, quality and labour performance. It was found that increasing the production of surplus products can increase productivity, but will reduce its efficiency. It is noted that labour efficiency is a dynamic indicator that reflects evaluation of changes in the sum of indicators of labour quality and productivity, life quality of all stakeholders involved in the working process and the use of its results. It is proposed to consider the category "labour efficiency" in terms of qualitative and quantitative criteria and substantiate the essence of labour efficiency, which reflects qualitative component in the form of products of specific consumer quality with value added and quantitative component in the form of manufactured products to the amount of labour spent on its production. The method of building a model for determining the coefficients of rating of the factors of enterprise development using the method of linearization of the model of labour efficiency is proposed.
Conclusions. It is proposed to evaluate labour efficiency at the enterprise using a quantitative criterion which is the average hourly output of one employee, and a qualitative criterion which is the average hourly value added per employee. The increase in value added at the enterprise is achieved through the optimization of all production processes. The comparative complex analysis by means of the method of defining specific rating coefficients (SRC) of influence of development factors on labour efficiency at the machine-building enterprises is carried out. Proposals have been developed to evaluate optimal conditions for the development, stability and decline (bankruptcy) of machine-building enterprises.
The literary fairy tale, from its birth in the French salonnes of the seventeenth century, became a privileged space for critical reflection on the performance and constructedness of the cultural ...categories of gender and identity. From the perspective of Judith Butler’s theory of gender performativity, the essay investigates the narrative strategies through which women fairy-tale writers Mme d’Aulnoy and Mlle Lhérititer contested the patriarchal constructions of gender identities. More specifically, the analysis of the motifs of vengeance and rivalry in their versions of the Cinderella theme (Finette Cendron and L’Adroite Princesse, ou Les Aventures de Finette) reveals how the early modern French women authors created a new type of heroine who redefined the notions of feminine and brought under scrutiny the masculine conceptions of gender difference and social roles.
Partendo dall’analisi del Mondo alla roversa di Carlo Goldoni, allestito nel 1759 a Mosca dalla compagnia di Giovanni Battista Locatelli, il saggio si propone di ricostruire la circolazione e i ...canali di diffusione delle opere giocose italiane nell’Europa del Settecento. L’analisi delle modifiche introdotte nel libretto nel processo del transfer culturale rivela inoltre le ragioni che hanno spinto l’impresario ad accogliere determinate opere nel proprio repertorio e sulla risemantizzazione a cui esse sono state soggette in un diverso contesto politico-istituzionale. In una prospettiva più ampia, il saggio analizza le pratiche compositive delle compagnie italiane al di fuori dell’Italia, nonché il sistema produttivo dello spettacolo operistico nell’Europa centro-settentrionale e in Russia.
Il distacco della prassi teatrale dalla cornice istituzionale costituita da corti, salotti e accademie, così come la sua apertura a un pubblico diversificato, fanno sì che nel corso del Settecento la ...figura dello spettatore acquisti centralità nel campo sociale e culturale e diventi un interlocutore ineludibile da influenzare e manipolare nelle lotta per la conquista dello spazio centrale del parnaso teatrale. Prendendo in considerazione la commedia di Carlo Goldoni Il genio buono e il genio cattivo (1767), questo saggio esplora come il teatro veneziano del secondo Settecento si modella rispetto all'emergere di questo nuovo pubblico e quali innovazioni drammaturgiche esso sviluppa per costruire un diverso rapporto tra lo spettatore e la scena. Inoltre, l'articolo cerca di stabilire se le tecniche sceniche e gli espedienti sviluppati dai commediografi italiani per rispondere all'orizzonte d'attesa del pubblico siano entrati pienamente nel flusso delle pratiche e teorie teatrali che circolavano in Europa, scavalcando i confini delle culture nazionali.
It is by now well known that early modern theatre as an institution and cultural site represented a locus of accumulation and assembly for social, political, and ideological transformations and ...tensions that were aggressively reshaping private and public, individual and collective identities during the period from approximately 1500 to 1800. These centuries witnessed an explosion of dramatic theory and theatrical polemics, practice, and production in various dramatic genres; the birth of public playhouses open to socially diverse audiences; and an increased accessibility to dramatic texts through the novel medium of print that was actively forging a new kind of reading
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