The unclear and dispersive content of allegory as a figure which presents one thing in words and another in meaning with its etymology and rhetorical definitions (aliud verbis, aliud sensu); its ...protean rhetorical-stylistic, hermeneutic, and generic character; and its substantial presence in aesthetically rich literary texts, from canonic texts and philosophical and didactic poems and tractates, all the way to trivial and referential genres-eludes disciplined investigation of allegory within the framework of just one scientific field. In the history of allegory there are records of different humanistic, scientific paradigms with varying emphasis, which for heuristic purposes can be broken down into several focal points: rhetorical-stylistic facticity of allegory, receptive process of reading/interpreting allegory, allegory as a literary type/category. By following the denoted focal points, along with exploring the theoretical-historical heritage, this study investigates the (figurative) tropological, hermeneutic and literary-theoretical content of allegory and thereby begins to open a significantly broader investigative field.
The Homeland War in Croatia (1991-1995) resulted with a relatively great production of various hybrid nonfiction genres. War journalism in the mainstream media mainly reported facts by young ...unexperienced journalists. War reporting was dry and nowhere close to literary journalism. With one exception. In November 1991, Joža Vlahović, the doyen of Croatian journalism went to the frontline as a war reporter. This resulted in a series of short stories that fall into a wider scope called new journalism, literary journalism, immersion journalism, or narrative nonfiction. Hence, the research of these texts which were first published as war reports in 1991 in newspapers, and twenty years later gathered in a book significantly titled “Onaj rat je bio bolji” (That War Was Better), is a multidisciplinary research effort within literature and communication sciences to investigate these brilliant stories of a specific genre in always intriguing common ground of literature and journalism.
Domovinski rat u Hrvatskoj (1991.-1995.) rezultirao je relativno velikom produkcijom različitih žanrova hibridne publicistike. Ratno novinarstvo u vodećim medijima uglavnom su pisali mladi neiskusni novinari. Ratno izvještavanje bilo je suhoparno i ni blizu književnom novinarstvu. Uz jednu iznimku. U studenom 1991. Joža Vlahović, doajen hrvatskog novinarstva, odlazi na bojišnicu kao ratni izvjestitelj. To je rezultiralo nizom kratkih priča koje spadaju u širi opseg nazvan novo novinarstvo, književno novinarstvo, uronjeno novinarstvo ili narativna publicistika. Stoga je istraživanje ovih tekstova koji su kao ratni izvještaji prvi put objavljeni 1991. godine u novinama, a dvadesetak godina kasnije objedinjeni u knjizi znakovitog naslova “Onaj rat je bio bolji”, multidisciplinarno istraživanje unutar književnosti. i komunikacijske znanosti kako bi istražili ove briljantne priče specifičnog žanra u uvijek intrigantnim dodirnim točkama književnosti i novinarstva.
Znanstveni skup Kriza humanistike, koji su organizirali Odsjek za filozofiju i Katedra za hrvatsku književnost Filozofskoga fakulteta u Osijeku s planiranim terminom 26. i 27. ožujka 2020., nije ...održan. Stvarnosno „ulijetanje“ krize svijeta učinilo je održavanje skupa ne samo nemogućim (iz „epidemioloških razloga“), nego i nepriličnim, nepristojnim, zapravo bizarnim. Govoriti o krizi humanističkih znanosti u srcu krize svijeta isto je kao i govoriti o apokalipsi koja se upravo odigrava. „Kada je kraj blizu“, govorio je Derrida, „više nije vrijeme da se kaže istina o apokalipsi.“1 Kraj kraja sna o humanizmu humanističkih znanosti jasno je još prije četrdesetak godina izrekao Lyotard (La condition postmoderne, 1979). Kriza humanističkoga znanstvenoga znanja proizlazi iz unutrašnjeg podrivanja načela legitimnosti znanja. Ne postoji u ovom trenutku narativ kojim bismo opravdali svrhu i cilj humanističkoga znanja. U dugom
povijesnom luku od antičkih i srednjovjekovnih artes liberales, programa renesansnoga humanizma studia humanitatis do modernih humanističkih znanosti u okviru Humboldtova neohumanizma stigli smo do postmodernoga antihumanizma, posthumanizma i transhumanizma. Humanistika se kao i sveučilište nalazi u ruševinama (Readings).
The Ethnomyth of Šokci Psihistal, Ruzica
Narodna umjetnost,
2011, 20110101, Letnik:
48, Številka:
1
Journal Article
Recenzirano
Odprti dostop
While this study intends to chart the present state of the ethnomyth of Šokci in Slavonia, it will also take some obligatory detours into Slavonian and Šokci literary imagology where the basic ...Šokci mythologems lie. I am going to analyze the most striking components: myths of origin of Šokci and of imaginary Šokci ancestral land, founding memory figures (“great Šokci”), established images of identity preserved in literary icons of the Šokci world (Đuka Begović, Tena) and recent Šokci cultural practices including the procedures through which the tradition is being renewed or constructed. The study attempts to point not only to the background of the rhetorical operations of the replacement of the Slavonian name with the Šokci name but also to contribute to a better understanding of the personal, non-Šokci insider position in Slavonia which is interspersed in the mesh of Šokci ethnomyths. For comparative and heuristic purposes a cursory overview of the fate of ethnomyth of Šokci in Serbia (Voivodina) is given.
