Provider: - Institution: - Data provided by Europeana Collections- "Play Back"
Nobody lives in direct present - we all connect things and events with the power of our personal and collective ...memories. How do we play the memories in our heads? Backward or forward? Do we change, edit, repeat or interpret them? We can do everything to them, everything.
Some of the most intimate, loving ones are called back to our present and played back in our bodies with the help of one of the most "mundane" feeling requisites - the love song. No wonder that one of the most famous film quotes ever is a line from Casablanca. Play it again, Sam.
The memory is a medium of time. Yet strangely, when a memory is closest to us, it is also the farthest away, excruciatingly so. Just as unfulfilled desire.
Phaedra is a metaphor for unrequited love. It is a medium for all archetypes of love sentiments. In love with her step son, she rages, weeps, moans, blushes, curses, pales, raves, vindicates, wakes mythological monsters, murders, betrays... Her inner monologues become confession. Enone, her nurse, is the medium to soak in all her words and deeds. If we play back Phaedra, we hear a dialogue, two stories, remembrance and oblivion.
Foucault once wrote about Racines theatre that in it, every day is overtaken by a night, which eventually ends in a day. All things happen twice; from up-close and afar, inside and out. Between sunrise and sunset. Natures most beautiful medium of feeling.
Irena Štaudohar- "Play back"
Nihče ne živi v neposredni sedanjosti: vsi povezujemo stvari in dogodke z vezivom osebnega in kolektivnega spomina. Na kakšen način si v glavi vrtimo spomine? Nazaj ali naprej? Jih spreminjamo, popravljamo, ponavljamo, jih interpretiramo? Vse, prav vse znamo storiti z njimi.
Nekatere najbolj intimne, ljubezenske, prikličemo v svojo sedanjost in si jih zavrtimo nazaj v svoje telo, s pomočjo najbolj "banalnih" pripomočkov za sentimente – z ljubezensko popevko. Ni čudno, da je eden najbolj znanih filmskih izrekov vseh časov prav stavek iz Casablance: "Zaigraj še enkrat, Sam."
Spomin je medij časa. A paradoksalno, ko nam je nek spomin najbolj blizu, je obenem tudi najbolj neznosno daleč. Kot neuslišane želje.
Fedra je prispodoba nesrečne ljubezni, je medij vseh arhetipov za ljubezenska čustvovanja. Zaljubljena je v pastorka, nori, joka, vzdihuje, rdeči, preklinja, bledi, blazni, se maščuje, zbudi mitološke pošasti, mori, izdaja... Njeni notranji monologi postanejo izpoved in medij, ki vase posrka vse njene besede in dejanja, je Enona, njena dojilja. Če zavrtimo Fedro nazaj slišimo dialog, dve zgodbi, spomin in pozabo.
Foucault je o Racinovem gledališču zapisal, da v njem vsak dan izpodrine neka noč, ki se na koncu konča z dnevom. Vse stvari se dogodijo dvakrat; od blizu in daleč, znotraj in zunaj. Med vzhodom in zahodom sonca. Najlepšim naravnim medijem sentimenta.
Irena Štaudohar- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Scene from the performance Confi-dance. Confi-dance is a dance about sharing secrets, a dance about the consolation and the comfort ...one finds in a dance.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Scene from the performance Confi-dance. Confi-dance is a dance about sharing secrets, a dance about the consolation and the comfort ...one finds in a dance.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Scene from the performance Confi-dance. Confi-dance is a dance about sharing secrets, a dance about the consolation and the comfort ...one finds in a dance.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Parodos, created and performed by “natural - non professional” dancers, Fičo Balet, 2013.- All metadata published by Europeana are ...available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- The first Moving Cake was made in 2003. Slovene dance producers make it every two years with the same recipe, but always with fresh ...ingredients and present it to international selectors and audiences. The Moving Cake Festival is a condensed presentation of the best of Slovene dance productions in the last two years.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Scene from the performance The Shape of Things- All metadata published by Europeana are available free of restriction under the ...Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Scene from the performance The Shape of Things- All metadata published by Europeana are available free of restriction under the ...Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Puppet from the 2009 exhibition From Sketch to Puppet, a traditional annual puppet exhibition at Bežigrad Gallery that presents the ...creative process ranging from a sketch to a drawing, from a sculpture as a study to a puppet as a total sculpture.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- INTERIERI is a short film, which juxtaposes the theatre mise-en-scéne to film narration and the principles of fragmented dramaturgy ...to editing. It is inspired by the performance with the same title about the fictional actress, and in the film genre her story becomes a mixture of fiction and documentary films.- INTERIERI so kratek film, ki gledališko mizansceno soočijo s filmskim kadriranjem in princip fragmentirane dramaturgije z montažo. Inspirian je z istoimensko predstavo o izmišljeni igralki, njena zgodba pa v filmskem žanru postane mešanica fikcije in dokumentarca.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
