Provider: - Institution: - Data provided by Europeana Collections- Postaviti dihanje nasproti ritmu glasbe, srečati gibalne impulze sodobnega plesalca z baročno glasbo, stopiti v dialog z začetniki ...sodobnega plesa. Plesni solo Milana Tomášika Off-Beat raziskuje odnos sodobnega plesalca do ritma ter vzporedno temu hodi po opni napeti med zunanjimi vplivi iz zgodovine plesa ter notranjo koncentracijo plesalca.- To confront breathing with the rhythm of music and the motor impulses of a contemporary dancer with Baroque music, to start a dialogue with the originators of contemporary dance. Dance solo Off-Beat by Milan Tomášik explores the attitude of a contemporary dancer to the rhythm and at the same time walks the membrane extended between the external influences originating from dance history and the dancer’s interior concentration.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Postaviti dihanje nasproti ritmu glasbe, srečati gibalne impulze sodobnega plesalca z baročno glasbo, stopiti v dialog z začetniki ...sodobnega plesa. Plesni solo Milana Tomášika Off-Beat raziskuje odnos sodobnega plesalca do ritma ter vzporedno temu hodi po opni napeti med zunanjimi vplivi iz zgodovine plesa ter notranjo koncentracijo plesalca.- To confront breathing with the rhythm of music and the motor impulses of a contemporary dancer with Baroque music, to start a dialogue with the originators of contemporary dance. Dance solo Off-Beat by Milan Tomášik explores the attitude of a contemporary dancer to the rhythm and at the same time walks the membrane extended between the external influences originating from dance history and the dancer’s interior concentration.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Postaviti dihanje nasproti ritmu glasbe, srečati gibalne impulze sodobnega plesalca z baročno glasbo, stopiti v dialog z začetniki ...sodobnega plesa. Plesni solo Milana Tomášika Off-Beat raziskuje odnos sodobnega plesalca do ritma ter vzporedno temu hodi po opni napeti med zunanjimi vplivi iz zgodovine plesa ter notranjo koncentracijo plesalca.- To confront breathing with the rhythm of music and the motor impulses of a contemporary dancer with Baroque music, to start a dialogue with the originators of contemporary dance. Dance solo Off-Beat by Milan Tomášik explores the attitude of a contemporary dancer to the rhythm and at the same time walks the membrane extended between the external influences originating from dance history and the dancer’s interior concentration.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Postaviti dihanje nasproti ritmu glasbe, srečati gibalne impulze sodobnega plesalca z baročno glasbo, stopiti v dialog z začetniki ...sodobnega plesa. Plesni solo Milana Tomášika Off-Beat raziskuje odnos sodobnega plesalca do ritma ter vzporedno temu hodi po opni napeti med zunanjimi vplivi iz zgodovine plesa ter notranjo koncentracijo plesalca.- To confront breathing with the rhythm of music and the motor impulses of a contemporary dancer with Baroque music, to start a dialogue with the originators of contemporary dance. Dance solo Off-Beat by Milan Tomášik explores the attitude of a contemporary dancer to the rhythm and at the same time walks the membrane extended between the external influences originating from dance history and the dancer’s interior concentration.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Postaviti dihanje nasproti ritmu glasbe, srečati gibalne impulze sodobnega plesalca z baročno glasbo, stopiti v dialog z začetniki ...sodobnega plesa. Plesni solo Milana Tomášika Off-Beat raziskuje odnos sodobnega plesalca do ritma ter vzporedno temu hodi po opni napeti med zunanjimi vplivi iz zgodovine plesa ter notranjo koncentracijo plesalca.- To confront breathing with the rhythm of music and the motor impulses of a contemporary dancer with Baroque music, to start a dialogue with the originators of contemporary dance. Dance solo Off-Beat by Milan Tomášik explores the attitude of a contemporary dancer to the rhythm and at the same time walks the membrane extended between the external influences originating from dance history and the dancer’s interior concentration.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Postaviti dihanje nasproti ritmu glasbe, srečati gibalne impulze sodobnega plesalca z baročno glasbo, stopiti v dialog z začetniki ...sodobnega plesa. Plesni solo Milana Tomášika Off-Beat raziskuje odnos sodobnega plesalca do ritma ter vzporedno temu hodi po opni napeti med zunanjimi vplivi iz zgodovine plesa ter notranjo koncentracijo plesalca.- To confront breathing with the rhythm of music and the motor impulses of a contemporary dancer with Baroque music, to start a dialogue with the originators of contemporary dance. Dance solo Off-Beat by Milan Tomášik explores the attitude of a contemporary dancer to the rhythm and at the same time walks the membrane extended between the external influences originating from dance history and the dancer’s interior concentration.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Postaviti dihanje nasproti ritmu glasbe, srečati gibalne impulze sodobnega plesalca z baročno glasbo, stopiti v dialog z začetniki ...sodobnega plesa. Plesni solo Milana Tomášika Off-Beat raziskuje odnos sodobnega plesalca do ritma ter vzporedno temu hodi po opni napeti med zunanjimi vplivi iz zgodovine plesa ter notranjo koncentracijo plesalca.- To confront breathing with the rhythm of music and the motor impulses of a contemporary dancer with Baroque music, to start a dialogue with the originators of contemporary dance. Dance solo Off-Beat by Milan Tomášik explores the attitude of a contemporary dancer to the rhythm and at the same time walks the membrane extended between the external influences originating from dance history and the dancer’s interior concentration.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Postaviti dihanje nasproti ritmu glasbe, srečati gibalne impulze sodobnega plesalca z baročno glasbo, stopiti v dialog z začetniki ...sodobnega plesa. Plesni solo Milana Tomášika Off-Beat raziskuje odnos sodobnega plesalca do ritma ter vzporedno temu hodi po opni napeti med zunanjimi vplivi iz zgodovine plesa ter notranjo koncentracijo plesalca.- To confront breathing with the rhythm of music and the motor impulses of a contemporary dancer with Baroque music, to start a dialogue with the originators of contemporary dance. Dance solo Off-Beat by Milan Tomášik explores the attitude of a contemporary dancer to the rhythm and at the same time walks the membrane extended between the external influences originating from dance history and the dancer’s interior concentration.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Postaviti dihanje nasproti ritmu glasbe, srečati gibalne impulze sodobnega plesalca z baročno glasbo, stopiti v dialog z začetniki ...sodobnega plesa. Plesni solo Milana Tomášika Off-Beat raziskuje odnos sodobnega plesalca do ritma ter vzporedno temu hodi po opni napeti med zunanjimi vplivi iz zgodovine plesa ter notranjo koncentracijo plesalca.- To confront breathing with the rhythm of music and the motor impulses of a contemporary dancer with Baroque music, to start a dialogue with the originators of contemporary dance. Dance solo Off-Beat by Milan Tomášik explores the attitude of a contemporary dancer to the rhythm and at the same time walks the membrane extended between the external influences originating from dance history and the dancer’s interior concentration.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- The first glimpse of the installation evokes a smile, with its Daliesque images scattered about dreamily- some bizarre, others witty ...- and of course the intentional play of Daliesque symbols. But just like Dali, where we know that behind every image there is an encyclopaedia of knowledge and the latest scientific discoveries, Matej Filipčič uses such pieces as well, through which he is trying to capture the essence of the French queen by meticulously placing the objects, manipulating them and erasing their meaning tocreate a new one in order to evoke in the visitor the author’sown mind process, so as to trigger new associations of yesterday, the day before yesterday, of today and tomorrow.
Each current moment carries with it a trace of the past and future. Two lovers that are destroying themselves must only remember how much they used to love one another. It is all still there; the time that we have fabricated in order to renderthings from happening at the same time. We count the minutes of Cleopatra-who set up our modern-day calendar together with her astronomers - without thinking that without her, time,as we understand it today, would pass differently. How would it pass without Antoinette? ...
Vesna Milek- Katero zgodovinsko osebnost bi povabili na klepet ob kavi in zakaj?
Francosko kraljico Marijo Antoinetto. Ker je njeno življenje zaznamoval preplet zgodovinskih dogodkov, saj se je njena usoda odigrala v zadnjih rojalističnih vzdihljajih pred rdečim zastorom francoske revolucije. Ker je bila postavljena na mesto kraljice tujemu ljudstvu, ki ga ni razumela. Ker so se uresničile besede njenega brata Jožefa II.: "Revolucija bo grozna, če je ne pripraviš ti." Njena zgodba je presek zgodb evropske zgodovine, francoske revolucije in usode ženske, ki si je želela živeti svoje življenje odmaknjeno od kraljevskih ceremonialov in dvorne etikete. Njeno skrivno življenje je botrovalo številnim zgodbicam in obrekovanjem, ki so krožila o njej. Bila je Madame Veto, Petite rousse, Madame Deficite, Louve autrichienne, Reine martyre … Vendar, kdo je pravzaprav bila in je Marija Antoinetta danes?
Soočenje z njo razgalja njeno podobo, razloge njenih dejanj, njene osebne stiske in veselja, kot jih vidimo danes z dvestoletno časovno distanco. Na videz se je spremenilo marsikaj, a v resnici se ni. Marija Antoinetta je živela in vladala v času mešanja različnih ideologij, v času, ko sistem tako kot danes ni več zmogel akumulirati samega sebe. Ali torej tudi mi potrebujemo revolucijo? Mogoče revolucijo duha? Mogoče nam lahko pri tem s svojim zgodovinskim zgledom marsikaj razjasni ona, Marija Antoinetta, ki je živela in vladala v času, ko sistem ni več zmogel vzdržati in je preprosto počilo. In vse je prišlo na dan.
Eva Kraševec- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
