This edition of his journal is perhaps the first serious scholarly effort to place Tocqueville's journey to Ireland in its proper intellectual, geographical, and historical context.
This work depicts Otto Bauer as the main politician of the SDAP and attempts a critical-analytical interpretation of his socio-political theories, which are shown against the background of the ...debates within the First and Second Internationals, political events within the SDAP, the international workers' movement, and the socio-historical processes in Austria and Europe at the time.
Gegenstand des Buches ist die Darstellung Otto Bauers als führende Gestalt des Austromarxismus und der SDAP, sowie die kritisch-analytische Lesart seiner philosophisch-historischen, wirtschaftlichen, soziologischen und sozialpolitischen Theorien, die vor dem Hintergrund der damaligen Diskussion in der II. und der III. Internationale, der politischen Ereignisse in der SDAP, der internationalen Arbeiterbewegung und den sozial-geschichtlich-politischen Prozessen in Österreich und in Europa gezeigt wurden. Der Schwerpunkt des Buches wurden auf die Analysen Bauers: Philosophisch-ethischen und historiosophischen Erörterungen, der Theorie des Imperialismus, der Theorie der Nation, der Lösung der Nationalitätenfrage, der Auffassung von den Wegen zu Sozialismus, der Kriegs- und Friedensfrage, der faschistischen Theorien, sowie auf seine politische Tätigkeit gelegt.
This is a translation from Bengali to English of the first ever woman's travel narrative written in the late nineteenth century when India was still under British imperial rule with Bengal as its ...capital. Krishnabhabini Das (1864-1919) was a middle-class Bengali lady who accompanied her husband on his second visit to England in 1882, where they lived for eight years. Krishnabhabini wrote her narrative in Bengali and the account was published in Calcutta in 1885 as England-e Bongomohila A Bengali Lady in England. This anonymous publication had the author's name written simply as "A Bengali Lady". It is not a travel narrative per se as Das was also trying to educate fellow Indians about different aspects of British life, such as the English race and their nature, the English lady, English marriage and domestic life, religion and celebration, British labour, and trade. Though Hindu women did not observe the purdah as Muslim women did, they had, until then, remained largely invisible, confined within their homes and away from the public gaze. Their rightful place was within the domestic sphere and it was quite uncommon for a middle-class Indian woman to expose herself to the outside world or participate in activities and debates in the public domain. This self-ordained mission of educating people back home with the ground realities in England is what makes Krishnabhabini's narrative unique. The narrative offers a brilliant picture of the colonial interface between England and India and shows how women travellers from India to Europe worked to shape feminized personae characterized by conventionality, conservatism and domesticity, even as they imitated a male-dominated tradition of travel and travel writing.
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Before Japan was 'opened up' in the 1850s, contact with Russia as well as other western maritime nations was extremely limited. Yet from the early eighteenth century onwards, as a result of their ...expanding commercial interests in East Asia and the North Pacific, Russians had begun to encounter Japanese and were increasingly eager to establish diplomatic and trading relations with Japan. This book presents rare narratives written by Russians, including official envoys, scholars and, later, tourists, who visited Japan between 1792 and 1913. The introduction and notes set these narratives in the context of the history of Russo-Japanese relations and the genre of European travel writing, showing how the Russian writers combined ethnographic interests with the assertion of Russian and European values, simultaneously inscribing power relations and negotiating cultural difference.
The musical thought and practice of canonical composers. What can music tell us—without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we ...access the inner lives not only of musicians from the past but of ourselves, today? In Ohne Worte five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought and practice of canonical composers like Berlioz, Mendelssohn, and Schumann. Their work challenges us to reconsider our musical practices and the voices manifested in them, and it encourages the creation of an art that is both historical and transcendental.