Lady Caroline Lamb herself used the animated response to Don Juan, Cantos I and II, to write a clever parody of the Byronic character and style in her "A New Canto" (1819), also published ...anonymously.6 Taking advantage of the resurgent gossip, William Barrymore brought forth "A new Melo-Drama, Glenarvon, founded on the popular Novel." Lord Ruthven Glenarvon is a literary descendent of the historical Lord Rutiiven, marauder, murderer, reputed warlock and dabbler in witchcraft.12 Glenarvon's first sexual conquest is Elinor St Clair, played by Mrs. Lamb, who was performing during this same season as Lady Georgia in the stage adaptation of Lady Morgan's popular romance of Florence Macarthy (June 16, 1819). Constantia (Marchioness de Voucour) in France; or, Heaven Points to the Murderer (December 2,1822); Hortensia in The Novice of St. Mark, based on M. G. Lewis, Veroni (June 23, 1823); Ina in Melmoth the Wanderer, based on Maturin's novel (July 14, 1823); Kawia (Enchantress of the Isles) in Thalaba, The Destroyer, Fitzball's adaption from Southey ( August 11, 1823); and Anniple Dumblane, the title role in H. M. Milner's Ward Woman of the Isles (April 19, 1824). 19Leonard W. Conolly, The Censorship of English drama, 17371824 ( Huntington Library, 1976), devotes separate chapters (4, 5, and 6) to the suppression of political representation, personal satire, and immorality. 20Cawdie O'Kelly was played by Randall, who was frequently cast in dialect parts as Irishman, Scotchman, or Gypsy. 21Zerbellini, Altamonte's son, was performed by Miss Thomlinson. Because her name does not appear again in the playbills of the Coburg, it may be assumed that she was an amateur introduced for this one occasion to play the cross-dressed role as a young boy. 22The events in the Masquerade, Act ??, scene iii, correspond to Glenarvon, 1.215-225 (the appearance of the Gipsey); 232-234 (the introduction of Zerbellini); and 11:129-134 (Elinor St. Claire sings at "And can'st thou bid my Heart forget").
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