In 1908 the artist-critic Walter Sickert (1860-1942) and the dealer-critic Robert Ross (1869-1918) engaged in a debate in the London art press and in their own private correspondence in which they ...discussed the idea of a "language of painting." Using their debate as a case study, this article investigates how these writers posited different approaches to the practice of viewing art. I show how they used the notion of a "language of painting" as a basis for discussing critical authority, the nature of art appreciation, the role of beauty and pleasure, and the value of form and technique. In doing so, I reveal how they both adapted and departed from the ideas and rhetorical practices of nineteenth-century art writing, in order to consolidate their own critical authority and to present diversified ways of speaking about art attuned to new developments in the art world. In a wider sense, this article contributes to ongoing scholarly revaluation of the Edwardian period, which aims to recover a sense of the era's innovation and heterogeneity.
In the early 1900s, London's art market and art press were parts of a complex system of interactions in a rapidly developing professional milieu where the boundaries between and among the roles of ...the art critic, artist, and dealer were still being defined. This article investigates the contributors-and their connections with the art market-to three newly founded specialist art periodicals: The Connoisseur (established 1901); The Burlington Magazine (begun 1903); and its little-known sales supplement, the short-lived Burlington Gazette (1903-1904). Whereas The Connoisseur had a close, uncomplicated relationship with the art market, with many dealers writing articles for it and advertising their wares on its pages, the Burlington and its Gazette had a more complex relationship with the trade: they took a moral, "purist" stance towards the commercial world while also participating in it.
U članku se prati razvoj i međusobni odnos poslovnoga djelokruga i uredskogaposlovanja te pismohrane Odjela za bogoštovlje i nastavu Zemaljske vlade za Hrvatskui Slavoniju, poglavito u registraturnim ...razdobljima 1892–1912. te 1914–1921.U osnovnim crtama djelokrug je stabilan, ali poslovanje se postupno povećava u opsegu,što prati i količina nastalih spisa. Povećanje opsega poslovanja i mjere povezane snjegovom modernizacijom te usklađivanje sustava označivanja spisa s podjelom poslova,utjecali su na organizaciju pismohrane, a prostorna ograničenja na višestrukoizlučivanje, koje se u pismohrani provodilo od 1902. do 1914., a vjerojatno i prije.Registraturni plan, koji je sastavljen od devet registraturnih svezaka 1892., doseže1914. dvadeset jedan svezak. U sljedećem razdoblju svesci su grupirani u trima skupinama,prema glavnim poslovima Odjela, a prate ih odgovarajući registri (I–III).Obrađen je i problem čuvanja i izlučivanja arhivskoga gradiva Odjela za bogoštovljei nastavu. Zbog nedostatka prostora provodilo se drastično izlučivanje, te je gradivonastalo prije 1892. sačuvano fragmentarno. Prostorni problemi s čuvanjem gradivarješavani su 1914–1917., nakon preuređenja i proširenja zgrada, odnosno prostora uOpatičkoj i Kamenitoj ulici. Gradivo nastalo nakon 1892. izlučeno je znatno selektivnije,a naročito ono koje datira 1907–1921.
portrety
odbitka na papierze srebrowo-żelatynowym
fotografia polska
Tyt. nadany przez katalogującego.
Nazwa aut. wg piecz. na rew.
Fot. z fot. wykonanej ok. 1905 r.
Portraits
print on silver gelatin ...paper
Polish photography
Tyt. given by the cataloger.
Car Name by the stove. Rev.
Fig. photo made around 1905
portrety
fotografia gabinetowa
fotografia polska
odbitka na papierze srebrowo-żelatynowym
Tyt. nadany przez katalogującego.
Na rew. nadr. w jęz. pol.
Portraits
Cabinet photography
Polish photography
...print on silver gelatin paper
Tyt. given by the cataloger.
Letter from Robert Ross (1869-1918, Canadian journalist, art critic and dealer, friend and literary executor of Oscar Wilde), Jesmond Hill, Pangbourne, to Aleister Crowley (1875-1947, English ...occultist, artist, novelist and mountaineer), concerning current and recurring troubles with Lord Alfred Douglas and Oscar Wilde’s De Profundis which Ross had prepared for publication.16 July 1914. Extent: 1 folio plus envelope.
Felső-eőri Cseresnyés László a III. oszt. Vaskorona rend lovagja, a katonai érdemkereszt tulajdonosa. 1888. augusztus 18-án a Ludovika Akadémia elvégzése után felavatták, és a cs. és kir. 32. ...gyalogezredhez került. 1891-92-ben, 1892-93-ban, majd 1896-97-ben is elvégezte a m. kir. központi honvéd lovasiskola tiszti tanfolyamát. 1889. aug. 18-án hadnagy a 16. honvéd gyalog fél dandárnál, 1892. május 1-jétől főhadnagy a m. kir. budapesti honvéd huszárezred II. osztályánál. 1901. május 1-jétől I. osztályú százados a m. kir. budapesti honvédhuszárezredben. 1905-től a szabadkai 5. század parancsnoka. Az első világháború alatt a szegedi 3. honvédhuszár ezrednél szolgált. Cserépy Árpád ezredparancsnok halála után a 3. honvédhuszár ezred parancsnoka, Bukovina felszabadítóinak egyike. A harctéren tüdőlövést kapott, Budapesten 1918. január 22-én hunyt el.
odbitka na papierze srebrowo-żelatynowym
fotografia polska
Tyt. nadany przez katalogującego.
print on silver gelatin paper
Polish photography
Tyt. given by the cataloger.
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