DA RÚSSIA PARA O MUNDO Vássina, Elena; Vinha, Marcia
Linguagem & ensino,
09/2022, Letnik:
25, Številka:
1
Journal Article
Recenzirano
O presente trabalho visa a compilar, descrever e analisar itens culturais-específicos (AIXELÁ, 2013) na tradução da prosa do escritor russo Ivan Búnin (1870-1953), ganhador do Prêmio Nobel de ...Literatura em 1933. Foram estudadas ocorrências em português, inglês e espanhol. Trata-se de uma análise qualitativa, embora pautada em um corpus substancial (132 ocorrências), que tem por objetivo compreender as abordagens domesticadoras e estrangeirizantes (VENUTI, 1995) utilizadas pelos tradutores, bem como seus efeitos no texto de chegada. As estratégias de Molina e Albir (2002) referenciaram a identificação e a análise das técnicas tradutórias de Schnaiderman (BÚNIN, 2016), Vinha (BÚNIN, 2014), Schneider (BÚNIN, 2011), Hettlinger (BUNIN, 2007), Struve (BUNIN, 1994) e Ancira (BUNIN, 1992). Em conclusão, o estudo aponta a predominância de domesticação.
The theme of the work is the mechanisms of implicit meanings verbalization infiction. The aim is to analyze stylistic convergence in the story of I.A. Bunin "The murderess" as an explication of ...subtext. The main methods are the following: denotative, chronotopic, stylistic, narrative, conceptual analysis. The main results identify stylistic mechanisms that provide an appropriate interpretation of the literary text. It is revealed that the stylistic convergence includes colorative gradation, parcelling, semantic-syntactic verbalization of perceptual concept, semantic-stylistic actualization of the "golden section", conceptual antonymy, semantic sound images. Implicit meanings are identified in the narrative development: stylistic techniques and mechanisms of implicit artistic meanings verbalization are distinguished in each macrosituation. The term "method" traditionally refers to the conscious using of stylistic means by the author; the term "mechanism" is understood as a synergistic process of organizing the text space as a result of interpretative operations. The described techniques and mechanisms add to the repertoire of artistic stylistics. The means of fiction temporality are nominated; the vertical chronotope in macrosituations is modelled. The special feature of Bunin's story composition is "the effect of eversion": it transfers the semantic emphasis from the criminal action to the assessment of this action. The analysis confirms ecphrasticityand visualization of the image of an icon of the phenomenon within the analyzed story. The main oppositions power / people is distinguished in the conceptual field. The role of stylistic device in the synergetic organization of the text is shown. The main conclusion is drawn that the implicitness, ambiguity and "multi-focus" of the author's assessment as a feature of Bunin's idiostyle is realized through the mechanism of stylistic convergence.
In addition to a number of articles on Merezhkovskii, Harold also published on Ivan Bunin and Fedor Sologub. 1971, when Harold first took on the post of Departmental Chair, marked the beginning of a ...long period of cutbacks in budgets that followed the years of rapid expansion of the university system.
This article offers a comprehensive examination of the editing, publication, reception, and after-effects of the almanac Pages from Tarusa (1961), a major, but little-analyzed, Soviet publication of ...the Thaw. Drawing on a wide range of memoir and local archive material, it argues that Pages was crucially shaped by Tarusa's position astride dacha territory and the “101st kilometer”, the borders of the metropolitan zone from which Gulag and exile returnees were banned. Pages’ diverse and flexible cohort, and its editing practices, were shaped by the migration, residency, and socializing practices associated with both these territories. The almanac's concern with cultural and social (re-)inclusion and innovation was visible both in its content (especially its overlooked documentary texts) and in the “emotional style” of its cohort and their activities in Tarusa. The almanac's production, as well as its content, epitomized key elements of Thaw sensibility and sociability that had hitherto largely been confined to private kompanii, and more inchoate. In concluding, the article outlines the subsequent development of these Thaw agendas and behaviors in the “Tarusa fraternity” and in Tarusa itself, including the emergence of samizdat and dissidence, as well as the “provincialization” of the local Soviet literary scene.
This paper explores the notion of nostalgia and its revealing nature in the formation of the autobiographical self, in cultural and gendered self-identity. Truth and lie are popular topics for ...discussion regarding autobiographies. Different from factual diversions there can sometimes take place prevarications when the authors try to conceal their emotions but their discourse makes these denied feelings obvious. Azerbaijani emigrant writer Banine's autobiography is analysed in this paper with the purpose to find evidences of nostalgia for her native land while living in Paris. Qualitative studies, discourse analysis, close reading are employed to unfold the author's cultural identity and her perception of this identity. The method of hermeneutic phenomenology is applied to find goes further than the author's own understanding or confession, to offer point of departure in the situation suggesting meanings which then allow the possibility of analysis, description, and interpretation. Through interpretation of microcontexts are offered insights into macrocontexts (the whole picture). The feeling of nostalgia which takes part in life-writings, has diverse expressions in different works what is influenced by culture, personality, social status of the authors. In Banine's autobiography it is multilayered and has been expressed both through silence and eloquent denial of its existence. Key words Power; autobiography; Banine; nostalgia; life-writing.
The paper reveals the main parameters of language modeling of emotions in the literary text, such as causation, temporal localization, intensity, external manifestation. Using the material of stories ...of the collection Dark alleys by I.A. Bunin, we analyze lexical and phraseological designates of emotion of fear which specify these parameters. Thus, the parameter of the causality of fear combines such particular characteristics as the 'objectivity of emotion', 'internal / external causation of emotion', 'connection with the intellectual and volitional spheres', etc.; time parameter – 'temporal actuality (episodicity) / timelessness (stability) of emotion', 'static / dynamic emotion', 'phasic flow of emotion', etc. It is revealed that I.A. Bunin's prose emphasizes not only individual aspects of emotions but also specific signs within these aspects. Thus, when portraying fear, the parameter of the external expression of emotion takes the leading place, and inside it – the sign 'physiological symptomatology'. The peculiarity of the linguistic expression of these parameters is determined, on the one hand, by the systemic relations of the emotions, which are projected onto the semantic space of the text, and, on the other hand, by the associative links of these units within the specific works. In the prose of I.A. Bunin fear is described not only as a simple emotional situation, but also as a component of complex emotions, denoted by oxymorons such as the rapture of horror, fear of happiness, etc. Due to the use of such multicomponent names, the boundaries of the emotional world of heroes are widened, and the possibility of "combining" different experiences is emphasized.
This paper analyzes the creative interaction between Ivan Bunin and Lev Shestov. After providing constructive feedback on observations and reflections from the preceding scholarly literature on the ...subject the author argues that the main point of convergence between the writer and the philosopher is their works on Leo Tolstoy. The study includes a textual analysis of the elements of Shestovian discourse that were discovered in Bunin’s essay
The Liberation of Tolstoy
. The author argues that the ending of
The Liberation of Tolstoy
can be understood only in the context of existentialist discourse. Bunin's objections to the Shestov's view of Chekhov’s creative work have been studied in detail. In general, Bunin does not appear to be a “disciple” of Shestov, as he is engaged in a philosophical dialogue with him on equal terms. Existentialism is the closest philosophical tradition to Bunin’s thought than any others that arose in the twentieth century.
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