In Anime’s Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. Engaging with film, animation, and media studies, as well as analyses of consumer ...culture and theories of capitalism, Steinberg offers the first sustained study of the Japanese mode of convergence that informs global media practices to this day.
The one vs. the many Woloch, Alex; Woloch, Alex
2003., 20090209, 2009, 2003, c2003.
eBook
Does a novel focus on one life or many? Alex Woloch uses this simple question to develop a powerful new theory of the realist novel, based on how narratives distribute limited attention among a ...crowded field of characters. His argument has important implications for both literary studies and narrative theory. Characterization has long been a troubled and neglected problem within literary theory. Through close readings of such novels as Pride and Prejudice, Great Expectations, and Le Pre Goriot, Woloch demonstrates that the representation of any character takes place within a shifting field of narrative attention and obscurity. Each individual--whether the central figure or a radically subordinated one--emerges as a character only through his or her distinct and contingent space within the narrative as a whole. The "character-space," as Woloch defines it, marks the dramatic interaction between an implied person and his or her delimited position within a narrative structure. The organization of, and clashes between, many character-spaces within a single narrative totality is essential to the novel’s very achievement and concerns, striking at issues central to narrative poetics, the aesthetics of realism, and the dynamics of literary representation.
"Characters" are those fictive beings in novels whose coherent patterns of behavior make them credible as people. "Character" is also used to refer to the capacity-or incapacity-of individuals to ...sustain core principles. When characters are inconsistent, they risk coming across as dangerous or immoral, not to mention unconvincing. But what is behind our culture's esteem for unwavering consistency?Out of Character examines literary characters who defy our culture's models of personal integrity. It argues that modernist writers Henry James, Gertrude Stein, and T. S. Eliot drew inspiration from vitalism as a way of reinventing the means of depicting people in fiction and poetry. Rather than regarding a rigid character as something that inoculates us against the shifting tides of circumstance, these writers insist on the ethical necessity of forming improvisational, dynamic social relationships. Charting the literary impact of William James, Charles Darwin, Friedrich Nietzsche, and, in particular, Henri Bergson, this book contends that vitalist understandings of psychology, affect, and perception led to new situational and relational definitions of selfhood. As Moses demonstrates, the modernists stirred by these vital life lessons give us a sense of what psychic life looks like at its most intricate, complex, and unpredictable.
•Hydrogen water (HW) treatment significantly delayed pericarp browning of litchi.•HW treatment maintained fruit quality of litchi during postharvest storage.•GSH and secondary metabolites played ...vital role in HW-delaying pericarp browning of litchi.•H2O2 might play a positive role in HW-delaying pericarp browning of litchi.
Litchi fruit were exposed to 0.7 PPM hydrogen water (HW) before storage at 25 ± 1 ℃. HW treatment delayed the pericarp browning and maintained the total soluble solids (TSS) of litchi fruit. Then, a total of 25 antioxidant system-related characters were determined to evaluate the effects of HW on antioxidant system during pericarp browning. Compared with control pericarp, the pericarp of HW-treated litchi fruit exhibited higher levels of superoxide radical (O2−·) scavenging activity, glutathione (GSH), monodehydroascorbate reductase (MDHAR), polyphenol oxidase (PPO) and total flavonoids during whole storage, higher levels of hydrogen peroxide (H2O2), catalase (CAT), glutathione disulfide (GSSG), ascorbate oxidase (AAO) and total phenols only on day 1, and higher levels of ascorbate peroxidase (APX), total anthocyanin, glutathione reductase (GR) and glutathione peroxidases (GPX) at later stage of storage. Those HW-induced antioxidant system-related characters might directly or indirectly enhanced the antioxidant capacity and delayed the pericarp browning of litchi.
Mickey Mouse, Betty Boop, Donald Duck, Bugs Bunny, Felix the Cat, and other beloved cartoon characters have entertained media audiences for almost a century, outliving the human stars who were once ...their contemporaries in studio-era Hollywood. In Animated Personalities, David McGowan asserts that iconic American theatrical short cartoon characters should be legitimately regarded as stars, equal to their live-action counterparts, not only because they have enjoyed long careers, but also because their star personas have been created and marketed in ways also used for cinematic celebrities. Drawing on detailed archival research, McGowan analyzes how Hollywood studios constructed and manipulated the star personas of the animated characters they owned. He shows how cartoon actors frequently kept pace with their human counterparts, granting “interviews," allowing “candid" photographs, endorsing products, and generally behaving as actual actors did—for example, Donald Duck served his country during World War II, and Mickey Mouse was even embroiled in scandal. Challenging the notion that studios needed actors with physical bodies and real off-screen lives to create stars, McGowan demonstrates that media texts have successfully articulated an off-screen existence for animated characters. Following cartoon stars from silent movies to contemporary film and television, this groundbreaking book broadens the scope of star studies to include animation, concluding with provocative questions about the nature of stardom in an age of digitally enhanced filmmaking technologies.
In this note, we prove that if $G$ is solvable and ${\rm cod}(\chi)$ is a $p$-power for every nonlinear, monomial, monolithic $\chi\in {\rm Irr}(G)$ or every nonlinear, monomial, monolithic $\chi ...\in {\rm IBr} (G)$, then $P$ is normal in $G$, where $p$ is a prime and $P$ is a Sylow $p$-subgroup of $G$.
Chaucer introduces the characters of the Knight and the Prioress in the General Prologue to The Canterbury Tales . Beginning with these familiar figures, Elizabeth Fowler develops a new method of ...analyzing literary character. She argues that words generate human figures in our reading minds by reference to paradigmatic cultural models of the person. These models—such as the pilgrim, the conqueror, the maid, the narrator—originate in a variety of cultural spheres. A concept Fowler terms the social person is the key to understanding both the literary details of specific characterizations and their indebtedness to history and culture. Drawing on central texts of medieval and early modern England, Fowler demonstrates that literary characters are created by assembling social persons from throughout culture. Her perspective allows her to offer strikingly original readings of works by Chaucer, Langland, Skelton, and Spenser, and to reformulate and resolve several classic interpretive problems. In so doing, she reframes accepted notions of the process and the consequences of reading. Developing insights from law, theology, economic thought, and political philosophy, Fowler's book replaces the traditional view of characters as autonomous individuals with an interpretive approach in which each character is seen as a battle of many archetypes. According to Fowler, the social person provides the template that enables authors to portray, and readers to recognize, the highly complex human figures that literature requires.
Seneca's Characters addresses one of the most enduring and least theorised elements of literature: fictional character and its relationship to actual, human selfhood. Where does the boundary between ...character and person lie? While the characters we encounter in texts are obviously not 'real' people, they still possess person-like qualities that stimulate our attention and engagement. How is this relationship formulated in contexts of theatrical performance, where characters are set in motion by actual people, actual bodies and voices? This book addresses such questions by focusing on issues of coherence, imitation, appearance and autonomous action. It argues for the plays' sophisticated treatment of character, their acknowledgement of its purely fictional ontology alongside deep – and often dark – appreciation of its quasi-human qualities. Seneca's Characters offers a fresh perspective on the playwright's powerful tragic aesthetics that will stimulate scholars and students alike.
This monograph addresses fundamental syntactic issues of classifier constructions, based on a thorough study of a typical classifier language, Mandarin Chinese. It shows that the contrast between ...count and mass is not binary. Instead, there are two independently attested features: Numerability, the ability of a noun to combine with a numeral directly, and Delimitability, the ability of a noun to be modified by a delimitive modifier, such as size, shape, or boundary modifier. Although all nouns in Chinese are non-count nouns, there is still a mass/non-mass contrast, with mass nouns selected by individuating classifiers and non-mass nouns selected by individual classifiers. Some languages have the counterparts of Chinese individuating classifiers only, some languages have the counterparts of Chinese individual classifiers only, and some other languages have no counterpart of either individual or individuating classifiers of Chinese. The book also reports that unit plurality can be expressed by reduplicative classifiers in the language. Moreover, for the constituency of a numeral expression, an individual, individuating, or kind classifier combines with the noun first and then the numeral is integrated; but a partitive or collective classifier, like a measure word, combines with the numeral first, before the noun is integrated into the whole nominal structure. Furthermore, the book identifies the syntactic positions of various uses of classifiers in the language. A classifier is at a functional head position that has a dependency with a numeral, or a position that has a dependency with a generic or existential quantifier, or a position that represents the singular-plural contrast, or a position that licenses a delimitive modifier when the classifier occurs in a compound.
