The legendary sources of Flaubert's Saint Julien Bart, Benjamin F; Cook, Robert Francis
The legendary sources of Flaubert's Saint Julien,
1977, 20150529, 2016, 1977-12-15, 1977-01-01, Letnik:
36, 36.
eBook
Bart and Cook establish definitely what legendary sources were and show how Flaubert came into contact with them. Their extensive commentary compares the sources and theLégendein detail, explains the ...circumstances under which Flaubert used his materials, and analyses how they were woven into the texture of his own tale.
Some eighteen film directors from France to the United States, Germany to India, have applied themselves to the task of adapting Madame Bovary to the screen. Why has Flaubert's 1857 classic novel ...been so popular with filmmakers? What challenges have they had to meet? What ideologies do their adaptations serve? Madame Bovary at the Movies seeks to answer these questions, avoiding value judgments based on the notion of fidelity to the novel. In-depth analyses are reserved for the studio films of Renoir, Minnelli and Chabrol and the small-screen adaptation of Fywell. As the first book-length examination of the Madame Bovary adaptations, this volume, in addition to its pedagogical applications, will be a useful reference for scholars of literature and film and for those interested in the burgeoning field of adaptation studies.
In 1857, following the publication of Madame Bovary, Flaubert was charged with having committed an "outrage to public morality and religion." Dominick LaCapra, an intellectual historian with ...wide-ranging literary interests, here examines this remarkable trial. LaCapra draws on material from Flaubert’s correspondence, the work of literary critics, and Jean-Paul Sartre’s analysis of Flaubert. LaCapra maintains that Madame Bovary is at the intersection of the traditional and the modern novel, simultaneously invoking conventional expectations and subverting them.In 1857, following the publication of Madame Bovary, Flaubert was charged with having committed an "outrage to public morality and religion." Dominick LaCapra, an intellectual historian with wide-ranging literary interests, here examines this remarkable trial. LaCapra draws on material from Flaubert’s correspondence, the work of literary critics, and Jean-Paul Sartre’s analysis of Flaubert. LaCapra maintains that Madame Bovary is at the intersection of the traditional and the modern novel, simultaneously invoking conventional expectations and subverting them.
The ten essays of this comparative study examine the strange kinship of the francophone writers Gustave Flaubert, Samuel Beckett and Marie NDiaye, all of whom are linked, it is argued, by their ...common preoccupation with aesthetic, emotional and political failure.
Nas interlocuções do literário e do biográfico, interessa-nos lançar luz sobre o conceito sartriano de "psicanálise existencial"--método que visa compreender a constituição psíquica do indivíduo a ...partir de sua realidade sócio-histórica. O caso concreto sobre o qual Sartre se debruça no minucioso esforço de demonstração do seu tratado é Gustave Flaubert. O menino Gustave resiste a todas as incursões dos que se aventuram no difícil propósito de lhe ensinar a ler. Apontado como incapacitado: "você será o idiota da família", escolherá a passividade e a inércia como meio de se adaptar a um mundo que se lhe apresentava como execrável. Agindo como um ator, o menino mergulha no mundo imaginário da representação, tanto em sua vida quanto em seus projetos, encarnando a máxima sartriana expressa no estudo de Jean Genet: "o importante não é o que fazem de nós, mas o que nós mesmos fazemos daquilo que fizeram da gente". Palavras-chave: Sartre; Flaubert; imaginário; psicanálise existencial. In the interchanges of the literary and the biographical, we are interested in shedding light on the Sartrian concept of "existential psychoanalysis"--a method that aims to understand the psychic constitution of the individual from his socio-historical reality. Gustave Flaubert is the concrete case on which Sartre focuses in the meticulous effort to demonstrate his "treatise". The little Gustave resists all the attempts of those who set about the difficult task of teaching him to read. Regarded as incapable: "you will be the idiot in the Family", he chooses passivity and inertia as a means of adapting to a world that appears hateful to him. Acting as an actor, the boy plunges into the imaginary world of representation, both in his life and in his projects, embodying the Sartrian maxim expressed in Jean Genet's study: "what matters is not what they make of us, but what we ourselves make of what they have made of us". Keywords: Sartre; Flaubert; imaginary; existential psychoanalysis. Dans les échanges entre le littéraire et le biographique, nous nous intéressons à éclairer le concept sartrien de "psychanalyse existentielle"--méthode qui vise à comprendre la constitution psychique de l'individu à partir de sa réalité socio-historique. Le cas particulier dont s'occupe Sartre dans l'effort de démonstration de son traité est Gustave Flaubert. Le petit Gustave résiste à toutes les incursions de ceux qui se lancent dans la difficile tâche de lui apprendre à lire. Pointé du doigt comme inapte: "vous serez l'idiot de la famille", l'écrivain choisira la passivité et l'inertie comme moyen de s'adapter à un monde qui se présentait comme exécrable. Acteur, le garçon plonge dans le monde imaginaire de la représentation, à la fois dans sa vie et dans ses projets, incarnant la maxime sartrienne exprimée dans l'étude de Jean Genet: "L'important n'est pas ce qu'on fait de nous, mais ce que nous faisons nous-même de ce que l'on fait de nous". Mots-clés: Sartre; Flaubert; imaginaire; psychanalyse existentielle.
