Antonio Watteau Casa Moreno. Archivo de Arte Español (1893-1953) Image
Provider: - Institution: - Data provided by Europeana Collections- Colección Duques del Infantado (Madrid)- Óleo sobre lienzo- All metadata published by Europeana are available free of restriction ...under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Mitología Casa Moreno. Archivo de Arte Español (1893-1953) Image
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Provider: - Institution: - Data provided by Europeana Collections- Real Academia de Bellas Artes de San Fernando (Madrid)- All metadata published by Europeana are available free of restriction under ...the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: Institut National d'Histoire de l'Art - Data provided by Europeana Collections- s.d.- 19e siècle- Nombre de vues du document : 1- Date de numérisation : 2002- All metadata ...published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Fragonard Le Rat, Paul (1849-1892) > Graveur Image
Provider: - Institution: Institut National d'Histoire de l'Art - Data provided by Europeana Collections- 1880- 19e siècle- Nombre de vues du document : 1- Date de numérisation : 2002- All metadata ...published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Date de numérisation : 2002- Nombre de vues du document : 1- All metadata published by Europeana are available free of restriction ...under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Date de numérisation : 2002- Nombre de vues du document : 1- All metadata published by Europeana are available free of restriction ...under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Fragonard's Progress of Love is among the most impressive decorative commissions of the eighteenth century, and this despite its sudden cancellation by Madame du Barry. Called upon to produce a ...series of panels for her pavillon at Louveciennes (designed by Claude-Nicolas Ledoux), Fragonard succeeded in uniting the gardens of the Villa d'Este with the landscape at Louveciennes. Recapturing the essence of villeggiatura and the vistas first experienced during his stay in Tivoli, Fragonard initiated an interplay of the real and painted setting. The Progress of Love became an escape, enticing Du Barry and her lover with its sensuous verdure. But reality destroyed all illusion, and Fragonard's fortune went the way of Du Barry's romance. Forced to choose between the tell-tale Progress of Love and an innocuous though fashionable replacement by Joseph-Marie Vien, Du Barry opted for propriety in her maison de plaisance. Years before, when spurned by Louis XV, Madame de Pompadour resorted to the iconography of friendship. Du Barry, facing a more serious predicament, drew upon the same iconography. However, even with l'amour et l'amitie ensconced in the last panel of the Progress of Love, fate ultimately displaced Fragonard's lovers at Louveciennes.
