U radu se na temelju izvornoga arhivskoga gradiva istražuje jedan aspekt
kulturne politike Jugoslavije i Hrvatske prema iseljeništvu – gostovanja glazbenih umjetnika i kulturno-umjetničkih društava u ...zemljama iseljavanja 60-ih i 70-ih godina XX. stoljeća. U kratkom prikazu iseljeničke službe na saveznoj i republičkoj razini daje se uvid
u njezinu ulogu u formiranju i realiziranju te nadzor nad tim dijelom kulturne politike. Nastojanje Jugoslavije da ostvari organizacijski i ideološki nadzor nad tim aktivnostima dodatno je ilustriran primjerima dvojice hrvatskih popularnih pjevača – Ive Robića i Vice Vukova.
Based on the original archives, the paper explores one aspect of the cultural policy of Yugoslavia and Croatia towards emigration—guest appearances by music artists and cultural and artistic societies in the countries of emigration in the 1960s and 1970s. The policy towards emigrants, especially ‘temporary workers abroad’, has been particularly important since the early 1960s, as emigration began to be perceived as a
vital force, for both political and economic reasons. Therefore, the emigration service in the 1960s expanded and operated through several working bodies at the federal and republican levels, and played an essential role in the formation and implementation as well as the supervision of cultural policy towards emigrants. The idea was to maintain and strengthen the influence of self-managing socialist Yugoslavia in the ‘Seventh Republic’, and to neutralise the impact of political émigrés averse to the communist regime as much as possible. Music, as a segment of cultural policy, was a trump card that was known to have good reception with the audience, and guest appearances by musicians—singers and cultural and artistic societies—became very popular and frequent in Western Europe and overseas. Visits thus became a
medium of ideological and promotional activities towards emigrants; organisers, performers, programs, and performances were regularly monitored by the state and Party bodies, diplomatic missions, and the State Security Service. Among the implementers of cultural policy towards emigrants, a significant role was played by the Heritage Foundation of Croatia, which operated according to the instructions of state and Party bodies, but had the best insight into the situation among immigrants and maintained continuous relations with them. Yugoslavia’s efforts to gain organisational and ideological control over
musical guest appearances are further illustrated through the examples of two Croatian popular singers—Ivo Robić and Vice Vukov.
Provider: - Institution: - Data provided by Europeana Collections- S predstavo smo gostovali v Domu upokojencev Brežice. Tri generacije – mlada, srednja in starejša – smo se z roko v roki sprehodile ...po poteh, ki vodijo v srca ljudi. Na plan so prišli številni spomini. Nekateri izmed stanovalcev so namreč akademika prof. dr. Jožeta Toporišiča tudi osebno poznali.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Prvi svjetski rat nije skroz prekinuo splitska kazališna događanja. U teškim ratnim okolnostima na pozornici, često pretvaranoj za prigodničarske i karitativne sadržaje, zbivali su se i događaji koji ...svjedoče o nastojanjima da se i kazališnom riječju umanje ratne nedaće. U nedostatku pravog kazališta tu su ulogu preuzimali agilni diletanti, a znatnoj živosti pridonosila su i česta kazališna gostovanja, osobito
su na cijeni bili laki komediografski komadi, strani i domaći. U splitskim izvedbama profiirala su se i značajna imena koja će se dokazati i u drugim sredinama. Kako arhivskih zapisa o predstavama u tom vremenu gotovo i nema, lokalna kronika, Naše jedinstvo i Dan, pomaže nam u rekonstrukciji kazališnih zbivanja, a pokoja šira deskripcija i osvrt na predstavu, glumce i odjek kod publike pruža nam podatke
i za reljefniji teatrološki okvir.
Provider: - Institution: - Data provided by Europeana Collections- 12. maja 2016 smo s predstavo gostovali na Cankarjevih dnevih 2016 na Vrhniki v Grabeljškovi dvorani. K sodelovanju nas je povabila ...Cankarjeva knjižnica Vrhnika.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: Koroška osrednja knjižnica dr. Franca Sušnika - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the ...Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Izvedba opere Gorenjski slavček v telovadnici šole OŠ Šentrupert. V glavni vlogi operna pevka Vilma Bukovec (rojena v Trebnjem), ...primadona ljubljanske operne hiše.Fotografijo nam je posredoval gospod Jože Zupan.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Laške mažuretke so se leta 2001 udeležile Evropskega prvenstva v Londonu.- All metadata published by Europeana are available free ...of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- - All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- - All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Tekmovanje v korakanju in izvajanju „show“ programa v Avstriji.- All metadata published by Europeana are available free of ...restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
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