Il racconto breve Láncszemek del prolifico scrittore Frigyes Karinthy (Ungheria, 1887 - 1938) ha una notorietà anche internazionale in quanto documenta gli inizi dell’elaborazione della teoria sui ...sei gradi di separazione. Viene presentata al lettore una nuova traduzione corredata di note.
Provider: EFG - The European Film Gateway EFG - The European Film Gateway - Institution: EFG - The European Film Gateway Istituto Luce - Cinecittà - Data provided by Europeana Collections- 81 - the ...conversation between the two: the woman reveals to the lawyer where Bartolomeo Regalia moved; the lawyer asks the woman why Bartholomew's theme; Teresa tells of the bad relationships that run between her and Bartholomew and, therefore, moves away- 44 - the interview between the two takes place at the bar counter: the lawyer Pasotti reports on the evidence found on the alleged innocence of Domenico Regalia, of the testimony of the Reni who would exonerate him- 2 - the carabiniere takes from a filing cabinet and a shelf of his office some practices- 45 - the carabiniere replies that, according to his opinion, it is not a case of homonymy, of an error and reveals that Domenico Regalia of San Carlo, before the conviction for fraud, was a prejudiced- 31 - Bartholomew, questioned by the lawyer, tells of his last meeting with his father- 38 - the Tavecchio speaks of Domenico Regalia as a good, honest worker of the establishment- 59 - the testimony, under oath, of Bonini who, questioned by the praetor on the scam suffered, declares that he never saw Domenico Regalia present in the courtroom- 98 - the lawyer greets his client, reassures him about his wife's state of health, so he suggests that he make the name of the real culprit- 95 - the magistrate closes the conversation with Pasotti saying that he, as magistrate, could acquit Domenico Regalia but it is not the Cassation- 54 - the lawyer informs the Bonini of the arrest of Regalia that the seller had denounced for a scam to his detriment; the Bonini expresses his satisfaction with the arrest, trying to avoid other questions from the lawyer; the lawyer intervenes by showing Bonini a photograph of his client; the Bonini does not recognize in the photograph the Domenico Regalia who has therefore cheated him; Bonini says that the lawyer who signed him, asks the lawyer, asks for the error, he was more than committed to the lawyer, to the lawyer, to the lawyer, he was to the lawyer, he was to the lawyer, to show the lawyer, to the empty of thirty years old man, to the lawyer, and he was to show the lawyer, to the lawyer, he was referred to the lawyer, to the lawyer, to the lawyer, to the lawyer, to the lawyer, to the lawyer, to the lawyer, to the lawyer, he was- 47 - Domenico Regalia tells of the theft, trying to justify his action- 74 - the kidneys is caught, in her beauty studio, with a group of clients- 55 - Pasotti, interviewed at the entrance of the Palace of justice in Milan, tells of his use of cassation and the review session- 97 - Domenico Regalia is lead by the lawyer who awaits him in the office of the director of the prison- 91 - the exchange of opinions between the two continues by car- 25 - Teresa tells the lawyer that Bartholomew is not his son, but a stepson of his.- 22 - the lawyer meets, on the doorstep, Teresa Regalia - played by A. Nicotra - wife of the alleged perpetrator- 108 - the lawyer shows and reads to the interviewer a copy of the judgment of the Supreme Court- 71 - the conversation between the two resumes: Mrs Reni reveals to the lawyer that Domenico Regalia made her the court and that, out of jealousy and revenge, she had denounced her husband- 37 - the lawyer begins to ask questions to the factory employee- 103 - the lawyer Pasotti reports to his client that he has done everything possible, that he has prepared the imprisonment to be passed to the judges; he formulates, therefore, the hypothetical interview he had by Domenico with his son Bartholomew; according to the lawyer, Domenico decided to protect his son, guilty of the scams, keeping silent and remaining in prison in his place- 51 - a man shows a handful of rice to a group of friends- 96 - the lawyer Pasotti meets the director of the Viterbo prison where his client was transferred- 63 - lawyer Pasotti rises and declares his agreement- 86 - the interview of the journalist at Pasotti: the lawyer tells of the meeting he had in the Ventimiglia prison with one of the alleged accomplices of Domenico Regalia and the fact that, even he, had not recognized his client, Domenico Regalia, in the photograph shown to him- 102 - the director of the prison - played by Parravicini Diego - moves away from the office, after taking cards from a closet- 23 - the interview between the two in the house: the lawyer asks the woman about Bartholomew Regalia, son of Domenico- 27 - the lawyer questions the young man who avoids answering questions- 85 - Bartholomew takes leave, contemptuous, of the lawyer- 24 - the lawyer looks for Barber Barber Barber Regalia in one of the streets of San Carlo; a man approaches him- 79 - a young man dries his hair inside one of the public toilets- 106 - interviewed on the stairs of the Palace of justice of Milan Pasotti tells what the result of his appeal was: Domenico Regalia risks serving his sentence for a crime he did not commit- 105 - the lawyer concludes, exposing his intention to proceed, to submit the imprisonment, prepared by him on the case, to the Court of appeal of Turin- 35 - a man, Mr. Tavecchio - played by F. Musazzi -, directs, in the square of the Valtorta furniture factory, a move of furniture- 73 - the lawyer shows, therefore, to the woman the photo of her client; Mrs Reni, astonished, confirms that Domenico Regalia, accomplice of her husband and known by her, is not the regalia of photography- 32 - Teresa and the lawyer discuss in the kitchen; the lawyer declares his intention to prove the innocence of Domenico Regalia but he needs evidence- 84 - the interview between the two: Bartholomew is reluctant to answer the questions asked by the lawyer regarding his father- 8 - the study of a lawyer with a table full of embodiments- 57 - a praetor announces in the house above the beginning of the review session of the first lawsuit brought against Regalia- 28 - Teresa Regalia's house: the woman sitting in a corner answers the lawyer's questions about her husband's life- 16 - Ezio Reni in the cell tells Domenico Regalia about the scams carried out and the complaint suffered together with his accomplices, among whom there was a regalia; Domenico Regalia reveals his identity to the kidneys that, however, gurdando him carefully in the face declares that the regalia, his appears, known by him, was another person, younger; concludes that a mistake of person was made- 68 - the conversation between the two: the wife of the kidneys - played by M. Bonfigli - tells of the scams carried out by her husband together with the accomplices, among whom Domenico Regalia quotes- This is a co-production RAI-Istituto Luce aimed at reconstructing a news item, a complex legal case concerning a crime for fraud for which, in 1964, an alleged perpetrator, Domenico Regalia, was convicted The protagonist of the film was the lawyer who was the defender of the defendant, Dante Pasotti, who, despite the investigations and evidence gathered on the innocence of his client during 1965, was unable to release Domenico Regalia The Supreme Court legally considers the evidence collected by the lawyer to be insufficent- 109 - the photographic image of Domenico Regalia in prison- 89 - Pasotti entertains himself to talk about the case with a masterful friend, going down an internal staircase of the courthouse; the masterful friend - played by Bartolucci G. - exposes his opinion to him on the case: the accomplices are unreliable witnesses so their testimony on the innocence of the true Dominic Regalia does not represent sufficient proof- 69 - a client of the aesthetician, in a bathrobe, suddenly enters the studio interrupting the interview between the two- 99 - Regalia Tace- 92 - the car crosses streets of Milan- 9 - the façade of the Palace of justice of Milan- 11 - the interview with the lawyer who tells the story of the accused accused accused of fraud and the reason for his decision to follow the criminal case- 77 - the lawyer buys a newspaper- 30 - Teresa, questioned, talks about her husband's work- 42 - lawyer Pasotti enters a city bar- 4 - close-up of Regalia surprised by the news- 19 - the lawyer Pasotti, interviewed by a reporter near the Palace of justice in Milan, summarizes the Regalia case and declares that he has carried out personal investigations- 34 - the lawyer leaves the shop- 21 - the lawyer Pasotti, by car, arrives in a popular neighborhood of the town- 90 - the two continue to place descending the stairs of the palace- 29 - Bartholomew Regalia sitting in his shop- 12 - exterior of the San Vittore prison in Milan- 112 - a photograph by Domenico Regalia- 101 - Regalia does not respond- 33 - Bartholomew abruptly leaves the lawyer, declaring that he has nothing to do with his father's thing- 6 - a railway line resumed by a train in the running- 7 - Domenico Regalia washes his hands in the bathroom of a train in the running- 82 - the passage of a car through the streets of a popular and peripheral district of Milan- 110 - Pasotti explains the negative response of the Supreme Court for insufficence of evidence- 40 - the lawyer's car leaves the establishment- 83 - lawyer Pasotti meets Bartolomeo in one of the streets of the aforementioned neighborhood- 62 - lawyer de Fortis - played by L. Logli -, at the end of Luksic's interrogation, asks for the acquittal of the convicted person under the crime charged to him- 56 - Regalia is being questioned by her lawyer in a courtroom- 114 - the lawyer closes the interview hoping for a reform of the code and declaring that, if the false Domenico Regalia had murdered someone, the real Regalia would have wrongly served life imprisonment- 80 - the lawyer enters the waiting room of the public toilets and meets Teresa Regalia employed at the bathrooms- 13 - Regalia, questioned by the lawyer Pasotti in a room, tells of the interview with Ezio Reni, a fraudster- 50 - s
Provider: EFG - The European Film Gateway EFG - The European Film Gateway - Institution: Istituto Luce - Cinecittà EFG - The European Film Gateway - Data provided by Europeana Collections- Viterbo: ...giornalisti e curiosi attendono l'uscita di Arnaldo Graziosi dalla prigione- Arnaldo Graziosi esce dal carcere accompagnato da alcune persone- 1 - immagini di repertorio relative al processo Graziosi (1944): Graziosi durante il processo- Graziosi viene portato via in carrozza dopo la condanna, folla, poliziotti- Graziosi esce dal cancello del carcere, folla e fotografi lo circondano- Roma: Clark Gable cena insieme ad alcune ragazze in un ristorante romano- Italia: un uomo con due cavalli in una tenuta di campagna- De Chirico fa il ritratto ai due cavalli, attorno a lui Spataro e Tupini insieme ad altre persone- De Chirico mostra i disegni- 2 - i disegni di De Chirico- 3 - il cavallo guarda in direzione del disegno e nitrisce- Arnaldo Graziosi leaves the prison accompanied by some people- Graceful comes out of the prison gate, crowds and photographers surround him.- Graceful is taken away by carriage after the conviction, crowd, policemen- De Chirico shows the drawings- Viterbo: Journalists and curious await Arnaldo Paziosi's exit from prison- 2 - de Chirico's drawings- De Chirico portrays the two horses, around him Spataro and Tupini together with other people.- 1 - repertoire images related to the Graziosi process (1944): graceful during the process- 3 - the horse looks in the direction of the drawing and nitrishes- Italy: A man with two horses in a country estate- Rome: Clark gable dinner together with some girls in a Roman restaurant.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Notizia relativa a "Attività dei banditi e dei ribelli" a Molino del Piano (Firenze) riguardante "Gradi Federico", contenuta nella ...pagina 17 del Notiziario della Guardia Nazionale Repubblicana del giorno 12-04-1944- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
The subject of the article is the issue of virginity and the broader post-Tridentine spirituality using the example of the Maiden’s Palm or the Dissertation on Virginhood (Palma panieńska albo ...rozprawa o stanie dziewiczym, Kalisz 1607) by Szymon Wysocki, who translated the Italian work Trattato della verginita et dello stato verginale (Rome 1584) by Basili Gradi, introducing only minor editorial modifications. Attention is focused on the ideals and instructions contained in the Polish translation and its place and role in the panorama of 17th-century didactic works devoted to spirituality. The article shows what role Wysocki’s Polish translation could have played in monastic life and in the field of 17th-century literature. It also reveals what kind of translator Szymon Wysocki was, who did not belong to auctores unius libri and translated about 30 works into Polish. The reflection also covers the place of Maiden’s Palm (Palma panieńska) among other Old Polish translations. Perhaps its appearance resulted in the creation of similar didactic treatises intended for consecrated persons. The ideal of religious perfection presented in the Maidenly Palm, which was largely based on the biblical and patristic tradition, was certainly an expression of the participation of both Benedictine and Jesuit orders in the shaping of post-Tridentine spirituality.
Background: Mesoamerica is one of the most important biodiversity hotspots on the planet. Despite significant efforts made over two centuries to contribute to the floristic knowledge of this region, ...our understanding of its flora is still scattered and uneven. Questions: What is the magnitude of the vascular plant species richness in the Usumacinta River Basin? Study site and dates: Usumacinta River Basin (Guatemala and Mexico), 1838-2018. Methods: We compiled the checklist by systematizing the floristic information acquired from various sources derived from numerous floristic and ecological studies. Results: We recorded 6,977 species, 1,892 genera and 274 families. The largest numbers of species (5,746) and records (58,859) correspond to the Mexican portion of the Usumacinta River Basin, compared to its Guatemalan counterpart (4,445 species and 19,952 records). The most species-rich families were Orchidaceae (598 species), Fabaceae (512), and Asteraceae (476). The prevalence of these and all other families with significant contributions to the flora varied among three elevation-defined sectors into which the Usumacinta River Basin was subdivided (lower, middle, and upper basin). Conclusions: The Usumacinta River Basin is a strategic region for plant biodiversity conservation as it hosts almost one third of all vascular plant species known for Mesoamerica and ca. 6 % of the entire flora in the Americas. Further botanical exploration should focus on those areas of the basin for which little or no information is available in order to gain a better appreciation of its flora.
The subject of the article is the issue of virginity and the broader post-Tridentine spirituality using the example of the Maidens Palm or the Dissertation on Virginhood (Palma panieńska albo ...rozprawa o stanie dziewiczym, Kalisz 1607) by Szymon Wysocki, who translated the Italian work Trattato della verginita et dello stato verginale (Rome 1584) by Basili Gradi, introducing only minor editorial modifications. Attention is focused on the ideals and instructions contained in the Polish translation and its place and role in the panorama of 17th-century didactic works devoted to spirituality. The article shows what role Wysocki's Polish translation could have played in monastic life and in the field of 17th-century literature. It also reveals what kind of translator Szymon Wysocki was, who did not belong to auctores unius libri and translated about 30 works into Polish. The reflection also covers the place of Maiden's Palm (Palma panieńska) among other Old Polish translations. Perhaps its appearance resulted in the creation of similar didactic treatises intended for consecrated persons. The ideal of religious perfection presented in the Maidenly Palm, which was largely based on the biblical and patristic tradition, was certainly an expression of the participation of both Benedictine and Jesuit orders in the shaping of post-Tridentine spirituality.
In this article, we will present a generalizations of the nеw technique for spеctral conjugatе gradient methods based on the descent condition that by using a simple method to prove the global ...convеrgence of the nеw method without the Wolfе line searches. Depending on our numerical experiments we can confirme that our proposеd mеthods are prеferable and in genеral superior to the classical conjugatе gradiеnt mеthods in tеrms of efficiеncy.
L’article explore comment des enseignants d’écoles francophones de l’Ontario conçoivent la planification d’une activité Maker. Dans la tradition du faites-le vous-même, l’engouement sans ...précédent en éducation pour ce type d’activité soulève certains défis et enjeux en termes de planification. Les résultats de nos analyses qualitatives d’entrevues avec deux enseignants (6e année et 11e année technologique) soulignent que trois actions sont réalisées par des enseignants pour planifier une activité Maker : 1) créer un esprit de communauté Maker; 2) implanter une mentalité Maker par les actes; et 3) adopter une planification dans l’action. Notre recherche souligne qu’une forme de planification que nous nommons la planification dans l’action semble spécifique aux activités Maker en salle de classe au primaire ou au secondaire.
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