El presente artículo presenta una serie de apuntes que buscan una aproximación a la dimensión política del concepto de ritornelo en Deleuze, por ello, no posee un carácter concluyente sino que su ...única pretensión es mostrar una problemática implícita, nos parece, en el ritornelo y su dimensión política, es decir, la expresión de la dimensión política en la relación del ritornelo con el cuerpo, dicha relación, nos mostraría al acto de resistencia como una alternativa política. Para ello; en el primer apartado se revisan algunas características del ritornelo que, a nuestro criterio, son imprescindibles para comprender su dimensión política. En el segundo apartado presentamos una serie de apuntes que permiten aproximarnos a su dimensión política y al modo como ésta se relaciona con la creación de un Cuerpo sin Órganos problematizando dicha relación y mostrando que ésta se articula a partir de la resistencia como una alternativa política. Este recorrido nos permitirá mostrar en la conclusión que efectivamente existe una relación entre el ritornelo y el cuerpo sin órganos y que es solo a partir de su manifestación en el cuerpo que puede expresarse su dimensión política.
The aim of the study is to analyze Joseph Brodsky’s poetic cycle “July Intermezzo” (1961), to identify the peculiarities of jazz strategies of the “big” poetic text and its components, to realize the ...connection between the cycle and the musical nature and to trace the artistic and semantic functions of the techniques chosen by the poet. The main methods used in the research process are cultural-historical and structural-semantic, as well as intertextual, presupposing the study of the dialogue between poetic and musical texts. The result of the work includes an analytical awareness of Brodsky’s jazz strategies in the process of creating a complex genre entity at the junction of music and poetry and their semantic interpretation, and comprehension of the process of adapting musical practices in the space of poetic text. It is demonstrated what means and techniques Brodsky used to appeal to the canons of jazz improvisation, and what mechanism of transfer of the rhythm and melody of jazz pieces to new poetic texts were employed. It is also shown how the theme of love develops in the texts “In a Letter to the South” and in “A Play with Two Pauses for a Sax-Baritone”, and how the nature of the “big poem”, to which Brodsky was attracted in the early 1960s, contributed to the realization of the poet’s creative search. It has been found by the authors of the article that against the background of other musical genres (romance, waltz, song, intermezzo, already recorded in the titles of the poems of the cycle), in the texts “In a Letter to the South” and in “A Piece with Two Pauses for a Sax-Baritone”, the musical “poetics” of the verse tends to the variative-improvisational dynamics of jazz and to freedom of its rhythm and movement.
A. Einführung
I. Begriffsabgrenzung
Die Vielfalt dessen, was unter die Bezeichnung Intermezzo fällt, drückt sich nicht allein in den einzelnen (im strengen Sinn gegeneinander unaus...
Si presume che Domenico Cimarosa (1749-1801) abbia composto Il maestro di cappella tra il 1786 e il 1791 a Pietroburgo, dov’era stato invitato dalla zarina Caterina II. Non si conosce un autografo ...della musica, né un libretto. Un’unica fonte tramanda il brano, uno spartito per canto e piano edito a Lipsia da Hofmeister intorno al 1813, che lo definisce "ein burleskes Intermezzo" (intermezzo burlesco).Il percorso didattico qui proposto si indirizza alle classi dell’ultimo biennio della Scuola primaria; si lascia eventualmente estendere al prim’anno della Secondaria di primo grado.
Jeden z sześciu numerów jednoaktowej opery Echo w lesie, dotychczas uznawanej za dzieło Józefa Elsnera, w rzeczywistości wykorzystuje muzykę duetu „Con un aria schizzinosa” z opery Il furbo contra ...il furbo Valentina Fioravantiego, w praktycznie niezmienionej postaci. Zapożyczenie, choć sygnalizowane na premierowym afiszu, dotąd nie zostało zidentyfikowane. Odkrycie to przekreśla niektóre tezy stawiane przeze mnie w artykule „Echo w lesie Józefa Elsnera i Wojciecha Pękalskiego – późny pogłos włoskiego intermezza na warszawskiej scenie narodowej?” (Muzyka 65 (2020) nr 2), choć zarazem dodaje nowe argumenty za uznaniem premierowego pochodzenia zachowanej partytury Echa.
Recently, the minimum number of reticulation events that is required to simultaneously embed a collection P of rooted binary phylogenetic trees into a so-called temporal network has been ...characterized in terms of cherry-picking sequences. Such a sequence is a particular ordering on the leaves of the trees in P. However, it is well-known that not all collections of phylogenetic trees have a cherry-picking sequence. In this paper, we show that the problem of deciding whether or not P has a cherry-picking sequence is NP-complete for when P contains at least eight rooted binary phylogenetic trees. Moreover, we use automata theory to show that the problem can be solved in polynomial time if the number of trees in P and the number of cherries in each such tree are bounded by a constant.
The article focuses upon the system of colors that could be shaped via analysis of the prose by M. Kotsiubynsky. Colors which the writer used in his oeuvres are shown in its correlations with the ...underlying ideas of the prose. These correlations are realized via using of contrasting colors.For more than a century and a half, the literary work of M. Kotsiubinsky has been attracted attention of many scholars. After all, the author still is a point of interest for researchers because of diversity of topics and literary trends which synthesized the writer’s creativity. It has caused emergence of different, and, therefore, often opposite, interpretations. M. Kotsiubynsky’s creative work has become the object of research for many scholars, such as S. Efremov, M. Zerov, A. Muzychko, A. Shamray, O. Chernenko, Y. Kuznetsov, V. Ageeva, M. Kotsiubynska, Y. Polishchuk, etc.The relevance of the research is that in our time there is no concrete and unified view on certain issues of the artist’s creativity. Therefore, there are different perspectives and theories. In our time M. Kotsiubinsky’s creative work needs a new re-reading.A characteristic feature of the writer’s work is the inherent traits of impressionism. The subject of interest for M. Kotsiubinsky was that one could reproduce the real course of a hero’s mental processes, his or her personality, mood, impressions with the help of color, sound impressions. That is, verbal paints in prose works by M. Kotsiubinsky act as imaginative and expressive means capable to influence the creative and figurative perception of the canvas.The color palette in the writer’s works was not limited to spectral colors. The author used warm and cold shades depending on its psychological impact on hero’s mind. As a master of psychological analysis, M. Kotsiubynsky accurately selected one or another color in a verbal canvas, and color, in turn, fulfilled the relevant role of influence on reader, providing positive or negative expression.Thus, the study of the artist’s style is impossible without taking into account the range of associations, those expressive means that flow from the related arts in which the artist is realized. M. Kotsiubynsky deeply grasped the means of other arts, because he clearly understood it.
PDF
