Following extended consultations with noted Shakespearean actor/manager Walter Hampden, Colman eased his way into the part; his efforts were rewarded with a Best Actor Oscar in 1948 (the only Oscar ...he ever received in a lengthy movie career). While A Double Life offers a fascinating example of Shakespeare's tragedy performed in the grand manner characteristic of late-nineteenth- and early twentieth-century romantic actors, it appears to show how interpretations of Shakespeare (especially in terms of acting styles) have shifted since the late Victorian era, when actor-managers toured the country as well as playing on Broadway with their repertoires. ...he took what was for him the safest option and used the screenplay to explore what might happen if individuals lose that mindfulness that helps to preserve their sanity as well as their reputations.
Antitropical distribution is a biogeographical pattern characterized by natural occurrences of the same species or members of the same clade in the middle‐ or middle‐to‐high‐latitudinal habitats of ...both hemispheres, either on land or in marine environments, without appearing in the intervening tropical environments. For most of the noted examples of Permian antitropical distribution, particularly in marine invertebrates, the causes of disjunctions have been mainly linked to either dispersal or vicariance models. Little attention has been paid to other possible mechanisms. This study investigated the antitropicality of some Permian neospiriferine brachiopods through detailed taxonomic revision, comparison of palaeobiogeographical distribution, and a phylogenetic analysis. Several species, previously assigned to Kaninospirifer, are here reassigned to other genera, especially to Fasciculatia in the northern hemisphere and to Quadrospira in the southern hemisphere during the Permian. Both Kaninospirifer and Fasciculatia appear to have been restricted to north‐western Pangea and north‐eastern Asia during the Permian, but there is no robust evidence to suggest their presence in the southern hemisphere to which Imperiospira and Quadrospira were confined. In spite of the distributional separation between the two pairs of neospiriferine genera in the Permian palaeobiogeographical regime, they share considerable numbers of morphological characters, such as a large shell, subdued fasciculation, and reduction of ventral adminicula. Notwithstanding these morphological similarities, our phylogenetic reconstruction of the neospiriferines does not support a close relationship between these genera. This therefore must indicate that these similar morphological features were independently acquired, probably with these taxa living in spatially separate but ecologically compatible environmental conditions in the mid‐latitudinal area of each hemisphere during the Permian. We regard this as an example of convergent evolution.
Gömülü kanin dişler konumları nedeniyle ortodontik olarak yerine alınamayacak durumdaysa, gömülü dişin ototransplantasyonu diğer bir tedavi seçeneği olarak düşünülebilir. Bu olgu sunumunda 13 ...yaşındaki bir kız çocuğunun ortodontik tedavi sürecinde gerçekleştirilen, migrate, gömülü 43 nolu dişinin transplantasyon ile yapılan tedavisi sunulmuştur. Hastada yapılan değerlendirmeler sonrasında; fonksiyon, fonasyon ve estetik olarak oklüzyonda çok önemli bir yer teşkil eden kanin dişin arka dahil edilmesinin yanı sıra, transplantasyon sonrası gerçekleşebilecek enfeksiyon, kök rezorbsiyonu veya ankiloz gibi patolojik bir durumun gelişip gelişmediği 8 aylık takip süresince incelenmiştir
The facies complex of basal moraines with glaciodynamic structures (common basal moraines) dominates among deposits of the given genetic type. These moraines represent glacial diamictons of diverse ...structure and lithology. Some of their features are also typical of sediments of other genetic types. Therefore, a comprehensive study of glacial diamictons and their occurrence mode on the glacial bed (unconsolidated or consolidated) within large outcrops is methodically correct. Only such studies can unravel the wide range of specific features typical of common basal moraines.
Chondrichthyan fish remains reported from the Permian (Kazanian) deposits of the Chiosha Bay, and the lower course of the Nadtey River of the Kanin Peninsula (Nenets Autonomous District, Arkhangelsk ...Region, Russia) include dental elements and scales belonging to
Stethacanthus
cf.
S. altonensis
(St. John et Worthen, 1875), Symmoriiformes gen. indet., “
Ctenacanthus
” sp. and “
Lissodus
” sp., Euselachii gen. indet.,
Adamantina benedictae
Bendix-Almgreen, 1993 and
Kanodus robustus
sp. nov. The latter genus is assigned to the previously monotypic family Psephodontidae. The record of
Stethacanthus
in the Middle Permian of Russia is its youngest occurrence worldwide, whilst the occurrence of Adamantina benedictae in the Middle Permian of the Kanin Peninsula is older than the Greenland record.
Gömülü üst kanin dişlerin ortodontik olarak sürdürülmesi, birçok ortodontist tarafından zor bir tedavi olarak değerlendirilmektedir. Gömülü dişlerin sürdürülmesi sırasında komşu dişlerde meydana ...gelebilecek kök rezorbsiyonları, rutin tedavi teknikleri dışında farklı mekaniklere ihtiyaç duyulması, ankraj gereksinimlerinin fazla ve farklı olması gibi nedenler tedavinin güçlüğüne sebep olarak sayılabilir. Bu çalışmada, Kilroy spring isimli gömülü kaninlerin sürdürülmesi amacıyla dizayn edilmiş, devamlı kuvvet uygulayan ve tüm üst dişlerden ankraj alan bir aparey kullanılarak tedavi edilen 2 vaka sunulmaktadır.
Investigation of the distribution of basalts, dolerites, and tuffs in the Kanin–Timan–Pechora large igneous province was completed by generalization of data of geological surveys and analysis of the ...data of deep drilling. The province appears like a nonisometric ellipse and extends northwestward for a distance of nearly 850 km at the width of 250–500 km. Its area is nearly 285 000 km
2
. The area of the volcanic rocks is about 85 500 km
2
. The volume of eruptive material alone could be equal to 1000–1200 km
3
. The age of formation of the traps corresponds to the late period of activity of the process and was less than 7 mln. y. The formation of the province was result of the action of short-lived and low intensity plumes. But it was one of the episodes of the Late Devonian superplume event in the East European platform. The province is separated by an amagmatic area from neighboring magmatic provinces of the same age. The distance between borders of the provinces is 200–400 km.
Estetiska transformationer Lindgren, Anne-Li; van Vulpen, Wilhelmina
Pedagogisk forskning i Sverige,
2016, Letnik:
21, Številka:
1-2
Journal Article
Recenzirano
Odprti dostop
Den här artikeln handlar om förskolebarn, konstpedagogik, materialitet och filosoferna Gilles Deleuze (1925-1995) och Felix Guattari (1930-1992). Mer precist vill vi, med hjälp av tre huvudbegrepp ...(assemblage, rhizom och nomadologi) hämtade från nyss nämnda filosofer, analysera fram vad materialitet och rum kan ha för betydelse i en förskoleklass möte med en konstutställning. I mötet är många mänskliga och icke-mänskliga kroppar inblandade. Vi söker svar på frågor om hur estetisk gestaltning (konst) och estetiska relationer (materialitet) kan förbinda mänskliga kroppar, materialitet och rum. Vi riktar ett särskilt fokus mot just barns inblandning i hur mänskligt-materiella relationer skapas i en konsthalls och en förskolas rum. Analysen visar hur rum för konst (gestaltning) och rum för estetiska relationer (materialitet) samskapas i och via mötet med en kanin av plast; hur de konst-estetiskt-materiella relationer som samskapas i mötet med kaninen förbinder olika rum, kroppar och materialiteter med varandra. Genom att följa en kanin framträder oväntade detaljer som viktiga, liksom hur olika förståelser av estetik kan sätta en analys i rörelse.
In this paper we conduct an analysis of the visits of two preschool groups to an exhibition at an art center. The visit was composed of three parts; first a cultural worker presented the exhibition in the art center, then the groups returned to preschool where they used photos from the visit to reflect on it and to prepare for the last part, which consisted of a session in the art center’s studio to create art of their own. The exhibits, created by the Finnish artist Anu Tuominen, were mainly constructed using recycled materials and furniture collected into constellations, with such titles as (our translations): “Real circles of color with sunflowers” (Figure 1), “To fix a neckpiece” (Figure 2), or “To keep oranges and carrots” (Figure 2). When the groups visited the studio they brought their own recycled materials to be used in their own artwork, as well as using materials provided by the studio. Our analysis is based on an ethnographic study in which one student followed the groups between the different events, making notes, taking photographs and using an audio recording device. All adults had given their written consent to participate in the study, including the children’s parents, as well as the children themselves (verbal consent). When we analyzed the material, our first reflection was that the children had very little space to move freely within the exhibition, or to make their own explorations. It so happened that one child tried to break loose from the group, and was given a friendly caution to stay in the group (which they did). The visit was then controlled by the culture worker, preschool teachers and the art institution itself. There was little indication of any influence from ideas suggesting that children’s own choices of how to move are a form of expression or to create a space in which children can present an exhibition, or that touch can open up alternative interpretations in relation to verbally communicated understandings. We then explored other ways to understand what was going on during the visits (i.e. the whole process), and became inspired by research influenced by Gilles Deleuze (1925–1995) and Felix Guattari (1930–1992), which aims to understand art and pedagogy in new ways by including the material and the relational in any analysis. During the reflection process we realized that we were witnessing two different understandings of aesthetics; on the one hand aesthetics as fine art and an expression of genres, the beautiful and sublime, and on the other hand aesthetics as material relations, movements and space–material explorations. In the analysis, we explore how both these ways of understanding “aesthetics” are set in motion, and we show how both understandings are relevant and produce different interpretations of the art studio visit as a process in which agency is produced in complex ways by both human and non-human agents. We argue that it is important to highlight both understandings of aesthetics in order to understand the complexity of the event taking place. In the analysis, we focus on material details highlighted by children during the visit. More specifically, we follow and engage with a girl’s “discovery” of a plastic rabbit (Figure 3), and how this rabbit becomes a material agent in the whole event; how the girl, the rabbit and different adults activate and create each other in a process of “becoming with” (Lee 2005) human and non-human agents, as well as in relation to aesthetics as art and aesthetics as material-relationality. We suggest that the plastic rabbit (Figure 3), introduced by a girl child early in the art visit process, transforms into the shape of a painted rabbit (Figure 4) at the end of the process, when the group of children produce their own artwork in the studio. In between these two differing, yet coherent, realizations, the rabbit was made an agent in the preschool via photographs and a girl’s sensory (touch) engagement with the photos. In addition to analyzing the agency of the rabbit and how it co-produced actions with humans and other materials, we show how it moves between the different (institutional) spaces (including the university via us researchers) and thus also becomes an agent taking part in producing these locations.
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