Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Lettre autographe signée. - Hector Berlioz a été promu officier de la Légion d'Honneur le 12 août 1864. - Collection Macnutt- ...Correspondance- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- afisze teatralne- Tekst równol. pol., ukr.- All metadata published by Europeana are available free of restriction under the Creative ...Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
This article presents a study between the Mérimée's novel Carmen and its Bizet's homonym opera from a comparatist perspective, to understand the transmodalisation and mythification process, and also ...the difference of success between hypotext and hypertext. To that end, it analyses the treatment of the opera's actants in comparison with the novel's actants, but it highlights above all the enhancement brought by the transmodalisation.
En este artículo analizamos la evolución de tres rasgos escénicos de la ópera Carmen de Bizet: el orientalismo, los gitanos y el baile español. Las acotaciones del libreto y la escenografía de sus ...primeras representaciones son el resultado de la evolución de aspectos que comenzaron a desarrollarse en las principales escenas parisinas a partir de 1820. Los decorados y la indumentaria se convirtieron en los recursos plásticos que crearon el color local español en la escena parisina. Unos elementos escénicos que se pusieron al servicio del ballet a principios del siglo xix y que tendrían su difusión en la literatura de viajes a partir de 1840.
Bu çalışmada Georges Bizet’nin ve Prosper Mérimée’nin Carmen eserleri incelenmiş; kişilerin romandaki ve operadaki karakteristik yapısı ele alınmıştır.Yapılan çalışmanın ilk bölümünde, Bizet, ...Mérimée, Halévy, Meilhac’nın hayatı ve eserleri üzerinde durulmuştur.İkinci bölümde, eserlerin yazıldığı romantik dönem, müziğe ve edebiyata etkileriyle birlikte ele alınmış, dönemin önemli sanat akımı verismo anlatılmıştır.Üçüncü bölümde, Mérimée’nin Carmen romanının doğuşu ve konusu anlatılmış, Bizet’nin Carmen operasının; doğuşu, konusu, Türkçe librettosu, karakter incelemeleri üzerine çalışılmış, operanın konusunu aldığı Carmen romanıyla benzerlikleri ve farklılıkları incelenmiş, edebi eserin sahneye aktarılırken uğradığı değişim ele alınmıştır.Bu çalışmanın amacı, Carmen operası ile ilgili gerek sahne üstü, gerek sahne arkasında çalışacak olan yaratıcı kadro, solist ya da öğrencilerin eserin nasıl ortaya çıktığı, hangi sanat akımlarından etkilendiği, eserin müzikal ve teatral yorumunda neler beklenebileceği konuları hakkında bilgilenmelerini sağlayacak bir kaynak oluşturmaktır.
Against a backdrop of philology's falling on “hard times” in the English-speaking world and critical calls for a return to philology, this article assesses the state of the philologist in fiction. ...This unlikely protagonist appeared in the 1860s in Europe and has retained a robust presence in fiction, with a crop of new texts appearing across the globe in recent decades. Using critical and historical texts on philology, this article returns to the nineteenth-century origins of the fictional philologist to examine the different kinds of philological reading such fiction demands and critiques. Fictional texts examined in detail include Gustav Freytag's The Lost Manuscript (Die verlorene Handschrift) and Prosper Mérimée's short story “Lokis,” along with George Eliot's Middlemarch. The article identifies common tropes (such as the philological swamp) and embraces a translingual view of philology in interrogating fiction writers' different approaches to the philologist. Ultimately, the reader is asked to consider whether a more nuanced understanding of philological praxis might emerge through fiction as a counterpoint to critical and theoretical arguments.
PDF
