Provider: - Institution: - Data provided by Europeana Collections- Obvezno nedeljsko razkazovanje motorjev turistom in domačinom. - All metadata published by Europeana are available free of ...restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Fotografija je spomin na mamo Zofijo Okorn (por. Slemenjak) in strica, njenega brata Rada. Nastala je pri Ranžgerjevi (danes ...Bornškovi) kapeli, pri kateri je tradicionalno na veliko soboto ob 11:15 uri blagoslov velikonočnih jedi, v majskih večerih pa se na tem mestu ob pol osmih krajani Prekorij in okolice zbirajo k šmarnični pobožnosti. Prispevala: Breda Šter- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Ladijski motorist na potniški barki Lubnik na privezu v Kopru. Z Lubnikom so turisti pluli, na izletih, po morju slovenske obale od ...Debelega rtiča do izliva reke Dragonje v morje, domačini pa na kopanje na Debeli rtič. V ozadju so del Semedele, Markov hrib in Žusterna.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Cette thèse aborde l’institutionnalisation du système socio-technique qui a permis la mobilité automobile entre 1920 et 1950 au Portugal, un pays qui au départ n’est pas producteur de véhicules ...automobiles et demeure périphérique technologiquement, par l’étude de deux aspects qui sont complémentaires : la régulation de la circulation des automobiles et l’adaptation des routes aux nouveaux véhicules motorisés. C’est une étude sur l’appropriation et la construction de ce système en fonction des actions menées par les usagers, les ingénieurs, les législateurs, les clubs automobiles, les services de voirie ou les organes de l’administration routière. Pendant la période analysée et malgré des taux de motorisation assez faibles, le système socio-technique est institutionnalisé et stabilisé, accompagnant et dialoguant avec la définition des standards internationaux et en créant des structures qui ont influencé le développement de ce système pendant la deuxième moitié du XXe siècle.La façon dont l’institutionnalisation du système a été menée à terme a non seulement permis une augmentation importante du transport routier commercial (au détriment du développement des chemins de fer), mais a aussi protégé une culture élitiste de l’usage des voitures particulières et le développement du tourisme automobile, visible dans la régulation de la circulation et dans la construction de routes touristiques avec des caractéristiques techniques et des budgets spéciaux. Elle a aussi permis le développement de l’ingénierie routière au Portugal avec la création d’un organe autonome d’administration routière et avec la formation de plusieurs ingénieurs qui ont construit une oeuvre que s’est approprié le discours de l’Estado Novo comme un symbole de sa réalisation et de sa modernité. Ces acteurs ont participé à l’élaboration de connaissances techniques ainsi qu’aux négociations de normes sociales et morales et à la construction de représentations au niveau des pratiques des usagers, des discours et de la matérialité de ce système.
This dissertation focuses on the institutionalization of the sociotechnical system, underlying automobility, in Portugal, from 1920 to 1950. By taking into consideration that the country was technologically peripheral and originally no automobiles were locally manufactured, this work developed along two complementary aspects: the regulation of automobile circulation and the adaptation of roads to the new vehicles. This is a study focusing on the appropriation and construction of this system through the interventions of users, engineers, legislators, automobile clubs, road services and administration. In the period under consideration, despite the low rates of motorization, the sociotechnical system institutionalized and stabilized, by following and discussing the definition of international standards and creating structures, which influenced the development of this system, during the second half of the nineteenth century.The way in which the institutionalization of the car system developed allowed not only an increase in commercial road transport in detriment of railways, but also protected an elitist culture regarding the use of private cars and the development of automobile tourism, as shown by circulation regulations and in the construction of tourism roads with special technical and budgetary characteristics. It also allowed the development of road engineering in Portugal, with the creation of an independent organ for road administration and the training of engineers whose works were appropriated by the rhetoric of the dictatorial regime known as New State (Estado Novo) as a symbol of its own accomplishments and modernity. All these actors participated in the construction of a technical discourse and in the negotiations of social and moral norms, as well as of representations at the level of the users’ practices, discourses and the materiality of the sociotechnical car system.Key-words: Sociotechnical system; automobile mobility, Portugal, Estado Novo, roads, motorists.
Provider: EFG - The European Film Gateway EFG - The European Film Gateway - Institution: Istituto Luce - Cinecittà EFG - The European Film Gateway - Data provided by Europeana Collections- Eisenower ...next to foster Dulles makes a statement to the press- 46 - women in kimonos dance in an office doing the roundabout around a man sitting at the desk- 23 - an actress gets off a speedboat and is twisted by photographers- 12 - epoda photographs of the population centers on the banks of the Danube- 45 - men and women on the plowed fields dance from the name\ "Awa\"- 30 - photographers perched on the walls surprise the couple on leaving the church- 28 - port of Ischia and rocks lapped by the sea- 26 - Coret keeps a small dog on a leash- 31 - the bride and groom climb a convertible car among the admired stools of the crowd- 41 - the men of the orchestra play typically Neapolitan percussion instruments and with bizarre shapes- 16 - on the fair square of Primiero authority on stage- 34 - dancers dance on stage in front of a large audience- Venice film festival: Wing of an airplane flying over the lagoon- 29 - the spouses surrounded by photographers and guests- 8 - nationalist army soldiers deployed on a square and while marching in neat rows- 24 - La Schiaffino smiles among the crowd of reporters and photographers- Paolo Panelli gesticola holding a photographic appliance in his hands- 1 - map indicating the Formosa region- 6 - operators resume President Eisenhower holding a press conference- 25 - on the beach they toast in Rosi swimsuit, La Valeri and Walter Chiari- 20 - two women sitting on the edge of a motorboat greet by waving their hand- 7 - us army ships escort nationalist China ships- 13 - plant showing with a drawing the isthmus of the Suez canal- 33 - the car with the two spouses on board slowly moves away- 27 - festival Palace; flags of the different countries on the roof of the palace fly- Alberto Sordi lying on the beach buys from a street vendor a bunch of grapes- 38 - on an allegorical wagon were reproduced of the airplanes on which women are sitting- Tokushima: Japanese women dance in a courtyard; women take traditional oriental footwear in the shape of open sandals to their feet.- Suarez looks in the direction of the goal- Robert stack in swimsuit- Ennio Girolami holds an arm resting on a woman's shoulder- Piedigrotto: Bright neon sign- Lea Padovani smiles as she walks through Lido- Ischia: Headlines with photographs- Haya Hararit smiles- Folco Lulli on the lido- Primiero fair: View from the top of the town- De Sica gets off an airplane- 36 - papier-mâché seahorses on the party wagons- 11 - measuring instruments next to the engineer's portrait- 4 - a soldier with a goal focuses military targets- 9 - Primiero fair population in the square- 40 - orchestra\ "La racchia\" dances and plays in the streets of Naples- 22 - photographers perched on the roof of the motorboat cabin- 39 - men and women in folkloric costumes dance on a parade cart- 5 - warships in the Formosa Strait- 44 - men and girls dance in the street- 43 - public applauds- 37 - parade of floats- 32 - the two spouses kiss each other- 3 - soldiers shoot with crawling cannons- 2 - view from the top of a city- 19 - boats and speedboats in the water of the lagoon- 18 - bronze statue of Louis Negrelli- 17 - public present applauds- 15 - Egyptians with camels on the banks of the canal- 14 - ship in the Suez canal- 10 - portrait of Luigi Negrelli- 47 - men women to children in folkloric clothes dance on the fields and on the streets- 21 - aboard a Yvonne de Carlo boat together with her husband; the woman carries a sailor's cap on her head and makes the military salute- 42 - a man holds a coffee grinder in his neck whose crank he rotates- 48 - dancing procession through the streets of the city at night- Luchino Visconti walking around the Lido; dark sunglasses door- 35 - a black child smiles looking into the lens- 1 - carta geografica che indica la regione di Formosa- 2 - vista dall'alto di una città- 3 - soldati sparano con i cannoni cingolati- 4 - un soldato con un obiettivo mette a fuoco dei bersagli militari- 5 - navi da guerra nello stretto di Formosa- 6 - operatori riprendono il presidente Eisenhower che tiene una conferenza stampa- Eisenower accanto a Foster Dulles fa una dichiarazione alla stampa- 7 - navi dell'esercito statunitense scortano le navi della Cina nazionalista- 8 - soldati dell'esercito nazionalista schierati su una piazza e mentre marciano in file ordinate- Fiera di Primiero: vista dall'alto della cittadina- 9 - popolazione di Fiera di Primiero in piazza- 10 - ritratto di Luigi Negrelli- 11 - strumenti di misurazione accanto al ritratto dell'ingegnere- 12 - fotografie d'epoda dei centri abitati sulle rive del Danubio- 13 - pianta che mostra con un disegno l'istmo del canale di Suez- 14 - nave nel canale di Suez- 15 - egiziani con cammelli sulle rive del Canale- 16 - sulla piazza di Fiera di Primiero autorità sul palco- 17 - pubblico presente applaude- 18 - statua in bronzo di Luigi Negrelli- Mostra del cinema di Venezia: ala di un aeroplano che sorvola la laguna- 19 - barche e motoscafi nell'acqua della laguna- 20 - due donne sedute sul bordo di un motoscafo salutano agitando la mano- 21 - a bordo di un'imbarcazione Yvonne De Carlo assieme al marito; la donna porta sul capo un berretto da marinaio e fa il saluto militare- Haya Hararit sorride- 22 - fotografi appollaiati sul tetto della cabina del motoscafo- 23 - un'attrice scende da un motoscafo e viene attorniata dai fotografi- De Sica scende da un'aeroplano- 24 - la Schiaffino sorride in mezzo alla folla di cronisti e fotografi- Alberto Sordi sdraiato sulla spiaggia compra da un venditore ambulante un grappolo d'uva- 25 - sulla spiaggia brindano in costume da bagno Rosi, la Valeri e Walter Chiari- Ennio Girolami tiene un braccio poggiato sulla spalla di una donna- Robert Stack in costume da bagno- Paolo Panelli gesticola tenendo tra le mani un apparecchio fotografico- Lea Padovani sorride mentre passeggia per il Lido- Folco Lulli sul lido- 26 - la Coret tiene al guinzaglio un cane di piccola taglia- Suarez guarda in direzione dell'obiettivo- Luchino Visconti a passeggio per il Lido; porta degli occhiali da sole scuri- 27 - palazzo del Festival; sventolano le bandiere dei diversi paesi sul tetto del palazzo- Ischia: titoli di giornali con fotografie- 28 - porticciolo di Ischia e scogli lambiti dal mare- 29 - gli sposi attorniati da fotografi e dagli invitati- 30 - fotografi appollaiati sui muretti sorprendono la coppia all'uscita dalla chiesa- 31 - gli sposi salgono su un'automobile decappottabile tra gli sguradi ammirati della folla- 32 - i due sposi si baciano- 33 - l'automobile con a bordo i due sposi si allontana lentamente- Piedigrotta: insegna luminosa al neon- 34 - ballerini ballano sul palco davanti a un pubblico numeroso- 35 - un bambino di colore sorride guardando nell'obiettivo- 36 - cavallucci marini di cartapesta sui carri della festa- 37 - sfilata di carri allegorici- 38 - su un carro allegorico sono stati riprodotti degli aeroplani sui quali sono sedute delle donne- 39 - uomini e donne in costumi folcloristici ballano su un carro della sfilata- 40 - orchestra "La racchia" balla e suona per le strade di Napoli- 41 - gli uomini dell'orchestra suonano strumenti a percussione tipicamente napoletani e dalle forme bizzarre- 42 - un uomo tiene al collo un macinino per caffé di cui fa ruotare la manovella- 43 - pubblico applaude- Tokushima: donne giapponesi ballano in un cortile; le donne portano ai piedi le tradizionali calzature orientali a forma di sandali aperti- 44 - uomini e bambine ballano per la strada- 45 - uomini e donne sui campi arati ballano la danza dal nome "Awa"- 46 - donne in kimono ballano in un ufficio facendo il girotondo attorno a un uomo seduto alla scrivania- 47 - uomini donne a bambini in abiti folcloristici danzano sui campi e per le strade- 48 - corteo danzanta per le strade della città di notte- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
