Simfonični orkester Radia Ljubljana je bil ponovno ustanovljen v maju leta 1945. Orkester je bil sprva številčno in tudi tehnično šibek. Potem ko so se mu pridružili glasbeniki tržaškega orkestra, se ...je izvajalski aparat tehnično in posledično tudi interpretacijsko izboljšal. Ko se je potreba radijskih oddaj po fizični prisotnosti orkestra zmanjšala, se je število koncertnih nastopov povečalo. Posledica tega je bila večja prepoznavnost orkestra, o čemer priča tudi večje število na orkester vezanih glasbenih objav v dnevnem časopisju.
Provider: - Institution: - Data provided by Europeana Collections- Dansbandssångerskan Lena Pålsson i Wizex orkester har rökpaus vid dansspelning i Karlsnäslogen. Okänd fotograf, bilden från ...Sydöstrans arkiv.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Tamburaška sekcija Svobode (Zgodovinski arhiv Celje, SI_ZAC/1524).- All metadata published by Europeana are available free of ...restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
A. Das OrchesterI. Herleitung und BegriffsbestimmungDas Wort Orchester stammt aus dem Griechischen (zur Etymologie →Orchestra I.; zur Begriffsgeschichte im Überblick s. M. Staehelin 1981). In der ...Ant...
Kapelle Ruhnke, Martin
MGG Online,
11/2016
Reference
I. Begriff und Bedeutung im MittelalterMit dem Wort Kapelle (engl. chapel, frz. chapelle, lat. capella, ital. cappella) bezeichnet man in der heutigen deutschen Umgangssprache einerseits ein kleines ...K...
Provider: - Institution: - Data provided by Europeana Collections- Ansambel Kapučino: Anton A. Grebenšek – saksofon, Ciril Zdovc – harmonika, Milan Šteharnik – kitara, David Slatinek – bobni, Lado ...Planko – kitara, Tina Slatinek – vokal- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
For nylig blev Centre for Historical Performance Practice (CHiPP) oprettet på Afdeling for Dramaturgi og Musikvidenskab, Aarhus Universitet. I det følgende fortæller jeg lidt om, hvad historical ...performance practice kan dække over, hvorpå jeg applikerer begrebet på tre forskellige forestillinger, jeg har oplevet i løbet af foråret 2019.
Masterworks of 20th-Century Music introduces more than one hundred of the greatest compositions by world-renowned composer that have entered the standard orchestral repertory. The author surveyed ...dozens of major American orchestras to focus on those works that an average audience member is most likely to hear. Concertgoers who are intimated by the modern repertoire finally have a single resource that will help them understand and enjoy it. Like an educated guide, he walks the listener through the piece, explaining how all the elements come together to form a unified whole. This book serves the general reader interested in 20th-century music, plus students, teachers, and scholars.
This book traces the emergence of the orchestra from 16th-century string bands to the ‘classical’ orchestra of Haydn, Mozart, Beethoven, and their contemporaries. Ensembles of bowed stringed ...instruments, several players per part plus continuo and wind instruments, were organized in France in the mid-17th century and then in Rome at the end of the century. The prestige of these ensembles and of the music and performing styles of their leaders, Jean-Baptiste Lully and Arcangelo Corelli, caused them to be imitated elsewhere, until by the late 18th century, the orchestra had become a pan-European phenomenon. Spitzer and Zaslaw review previous accounts of these developments, then proceed to a thoroughgoing documentation and discussion of orchestral organization, instrumentation, and social roles in France, Italy, Germany, England, and the American colonies. They also examine the emergence of orchestra musicians, idiomatic music for orchestras, orchestral performance practices, and the awareness of the orchestra as a central institution in European life.
Suita za mali orkester (1932) Demetrija Žebreta je edino orkestralno delo tega skladatelja, ki je nastalo v času študija pri Slavku Ostercu, prvo tehtnejše (večje) delo, ki je vredno obravnave in ...edinstveno delo v orkestralnem opusu po parodično-satirični vsebini. S predstavljeno analizo skladbe naj bi prek ločene obravnave posameznih strukturnih parametrov med seboj razločili »stare« kompozicijske idiome od »novih« z ozirom na kategorijo »umetniškega« ter v njej razbrali nastavke značilnosti kasnejših Žebretovih orkestralnih skladb. Med slednjimi so variacijskost (razvojnost) melodike in ritmike, inkongruentna metrika, vertikalna in horizontalna polimetrija, polnozvočna orkestracija, »nova« tonalnost, »nova« akordika, »nova« tekstura, enovitost motivično-tematske in siceršnje mnogoterosti ter mojstrstvo strukturiranja (napenjanja) daljših simfoničnih lokov.
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