Women`s Ministry in the Gospels Miguel Luna
Asia-Africa Journal of Mission and Ministry(AAMM),
02/2014, Letnik:
9
Journal Article
Women`s Ministry in the Gospels explores the role of women in the gospels and their function and responsibilities in supporting Jesus` ministry together with His disciples. This article focuses on ...women who made a unique contribution as Jesus traveled around fulfilling His missions. It explains the service they provided before His suffering and after His resurrection and how the Holy Spirit continued empowering them to share Jesus` mission and ministry.
이 연구는 요한복음 4장에 나타난 예수님의 사마리아 여인과의 대화를 중심으로 기독교상담을 구성하는 몇 가지 중요한 요소들을 검토하였다. 성경에 나타난 예수님의 대화를 충실히 검토하는 것은 복음주의 기독교상담의 형성을 위한 기본적인 연구임에 틀림이 없다. 이 연구는 우선 사마리아 여인의 정체성과 요구가 무엇인지를 분석하고, 이를 기초로 복음주의 기독교상담의 ...목적, 기독교상담자의 기본자세, 변화를 위한 전략, 그리고 기독교상담의 과정을 검토하였다. 변화를 위한 전략에서는 접촉의 전략, 공감적 이해의 전략, 직면의 전략, 행동화의 전략을 다루었다. 기독교상담의 과정에서는 제랄드 이건의 9단계 상담모델과 이 대화를 비교하였다. 연구자는 상담의 일반적인 원리와 전략들을 대화분석의 틀로 활용함으로써 성경과 상담이론의 대화를 시도하였다. 이를 통하여 연구자는 복음주의 기독교상담은 보다 더 철저하게 하나님의 말씀에 근거해야 하며, 동시에 일반적인 상담의 원리와 전략들을 말씀에 근거하여 취사선택할 수 있어야 함을 보게 된다. 하나님의 말씀은 충족성을 지닌 말씀이다. 그러나 진지한 학문적 성과는 하나님의 말씀의 탄광에서 더 많은 보화를 캐내는 일에 기여할 수 있을 것이다.
This study examines some important elements that constitute Christian counseling, centering on Jesus` conversation with the Samaritan woman in John 4. Faithfully examining the conversation of Jesus in the Bible must be a basic research for constructing evangelical Christian counseling. This study first analyzes the identity of the Samaritan woman and her needs. Based on this, it examines the purpose of Christian counseling, the basic attitudes of Christian counselors, strategies for change and process of Christian counseling. In the section of strategies for change, the study deals with the strategies of contact, empathic understanding, confrontation and induction into action. In the process of Christian counseling, this dialogue is compared to Gerald Egan`s nine-step counseling model. The researcher attempts a conversation between the Bible and counseling theories by employing the general principles and strategies of counseling as a framework of analysis. Through this work, the researcher finds that evangelical Christian counseling must be more strictly based on the Word of God. Also Christian counselors should be able to pick and choose among the general counseling principles and strategies based on the Bible. We believe in the sufficiency of the Word of God. Nonetheless, a serious academic performance will be able to contribute to discovery of more treasures from the mines of God`s Word.
A Woman at a Well Peppard, Michael
The World's Oldest Church,
01/2016
Book Chapter
Odprti dostop
OF THE MANY MEANINGS and metaphors attached to the rites of initiation, a central one remains to be examined: how did Christians in Dura-Europos imagine the descent, reception, or incarnation of the ...Holy Spirit?
In his study “Baptismal Patterns in Early Syria,” liturgical historian Bryan Spinks records a hunch about how Syrian Christians understood the connection between the ritual of anointing and the descent of the Holy Spirit at initiation.¹ What text or narrative would they have had in mind to lend meaning to the ritual? Previous scholars have usually looked to the baptismal accounts of Jesus himself, and indeed
ES El presente Trabajo Final de Grado, presenta el estudio de una obra anónima de relativo pequeño formato con la representación del pasaje evangélico de Cristo y la samaritana. El anónimo pintor ha ...respetado con minuciosidad descriptiva todos los datos que aportan las fuentes literarias en relación con el entorno paisajístico y la aparición de la ciudad de Sicar, la comunicación asertiva de Cristo sentado y la presencia de la mujer de pie ante el pozo de Jacob. La obra de carácter anónimo presenta todas las características de la pintura del periodo academicista si bien no hemos podido adentrarnos en el siempre comprometido proceso de expertización y estudio de su autoría. En cambio, el hallazgo de otras dos pinturas bajo los mismos postulados gráficos, técnicos y estéticos, nos han llevado a hipotetizar sobre una misma producción para las obras de la cual la presentamos en este TFG. Se correspondería probablemente con el modelino o boceto para la consecución de las otras. Deberíamos suponer por tanto que se trató de una representación con mucho éxito y que el anónimo pintor recurrió a la misma fuente gráfica en diferentes ocasiones. Resulta bastante difícil hipotetizar un periodo concreto para la obra, así como una adscripción cronológica, si bien a partir del estudio de la materia y la técnica, así como de la enmarcación, proponemos un arco cronológico alrededor del último tercio del siglo XVIII o principios del siglo XIX. La obra presenta un estado de conservación bastante deficiente pudiéndose constatar la friabilidad de los estratos pictórico, así como del deterioro estructural del soporte textil. La presencia de lagunas y pérdidas en mayor medida localizadas en el margen inferior; si bien algunas también afectan a la zona comprometida del rostro; no llegan a interrumpir la comprensión narrativa de la escena. A simple vista parece que la obra no ha sido sometida a ninguna intervención restauradora en el pasado por lo que la estratificación de suciedad medioambiental y progresivo oscurecimiento del primitivo barniz están eclipsando la supuesta vivacidad del cromatismo primigenio de la obra. Será, por tanto, este proceso de limpieza y el consecutivo estudio de los protocolos de limpieza uno de los apartados más importantes a tener en cuenta en la propuesta de intervención.
EN The final degree s work involve the study of an unattributed picture which has a little format with the representation of the biblical passage Christ and the samaritan woman . The anonymous painter has respected with meticulously description, every givens that we can found in the literary sources about the landscape and the Sychar aparition, the Christ assertive conversation and the presence of the samaritan woman standing by the Jacob s water well side. The nameless painting has all the characteristics of the academicist period, but we couldn t get into the expertise and authorship study. Instead, the discovery of the three new paintings about the same graphic, technic and estetic characteristics, led us to hypothesize about a similar production for the painting which is present in this TFG. That s maybe, a model or a sketch for the production of the other three ones. In relation to this, we should supose that the painting was succeful at the time, making the author use this sketck in many ocasions. It s difficult specify a concret period of the picture, apart from the cronological description. However, attending the study of the artistic technic, the materials used and the frame, we set chronologically the piece around the last third of the s.XVIII or the s.XIX beginings. Within the conservative characteristics, the painting presents an a deficient state of conservation, showing a friability of the pictoric strata, apart from the structural deterioration of the woven. In the lower fringe, there are lacunas and pictoric losses crossing the face of the Christ, nevertheless they don t affect the narrative comprension in their totalily. By visual study, we can sense the no intervention of the painting since it were made. The initial cromatism as well as pigments vivacity, is been affected by the surface dirt and the barnish dim. Therefore, the cleaning process along with the cleaning protocol will be the most important parts to consider in the intervention proposal.
EN The final degree s work involve the study of an unattributed picture which has a little format with the representation of the biblical passage Christ and the samaritan woman . The anonymous painter has respected with meticulously description, every givens that we can found in the literary sources about the landscape and the Sychar aparition, the Christ assertive conversation and the presence of the samaritan woman standing by the Jacob s water well side. The nameless painting has all the characteristics of the academicist period, but we couldn t get into the expertise and authorship study. Instead, the discovery of the three new paintings about the same graphic, technic and estetic characteristics, led us to hypothesize about a similar production for the painting which is present in this TFG. That s maybe, a model or a sketch for the production of the other three ones. In relation to this, we should supose that the painting was succeful at the time, making the author use this sketck in many ocasions. It s difficult specify a concret period of the picture, apart from the cronological description. However, attending the study of the artistic technic, the materials used and the frame, we set chronologically the piece around the last third of the s.XVIII or the s.XIX beginings. Within the conservative characteristics, the painting presents an a deficient state of conservation, showing a friability of the pictoric strata, apart from the structural deterioration of the woven. In the lower fringe, there are lacunas and pictoric losses crossing the face of the Christ, nevertheless they don t affect the narrative comprension in their totalily. By visual study, we can sense the no intervention of the painting since it were made. The initial cromatism as well as pigments vivacity, is been affected by the surface dirt and the barnish dim. Therefore, the cleaning process along with the cleaning protocol will be the most important parts to consider in the intervention proposal.
ES El presente Trabajo Final de Grado, presenta el estudio de una obra anónima de relativo pequeño formato con la representación del pasaje evangélico de Cristo y la samaritana. El anónimo pintor ha respetado con minuciosidad descriptiva todos los datos que aportan las fuentes literarias en relación con el entorno paisajístico y la aparición de la ciudad de Sicar, la comunicación asertiva de Cristo sentado y la presencia de la mujer de pie ante el pozo de Jacob. La obra de carácter anónimo presenta todas las características de la pintura del periodo academicista si bien no hemos podido adentrarnos en el siempre comprometido proceso de expertización y estudio de su autoría. En cambio, el hallazgo de otras dos pinturas bajo los mismos postulados gráficos, técnicos y estéticos, nos han llevado a hipotetizar sobre una misma producción para las obras de la cual la presentamos en este TFG. Se correspondería probablemente con el modelino o boceto para la consecución de las otras. Deberíamos suponer por tanto que se trató de una representación con mucho éxito y que el anónimo pintor recurrió a la misma fuente gráfica en diferentes ocasiones. Resulta bastante difícil hipotetizar un periodo concreto para la obra, así como una adscripción cronológica, si bien a partir del estudio de la materia y la técnica, así como de la enmarcación, proponemos un arco cronológico alrededor del último tercio del siglo XVIII o principios del siglo XIX. La obra presenta un estado de conservación bastante deficiente pudiéndose constatar la friabilidad de los estratos pictórico, así como del deterioro estructural del soporte textil. La presencia de lagunas y pérdidas en mayor medida localizadas en el margen inferior; si bien algunas también afectan a la zona comprometida del rostro; no llegan a interrumpir la comprensión narrativa de la escena. A simple vista parece que la obra no ha sido sometida a ninguna intervención restauradora en el pasado por lo que la estratificación de suciedad medioambiental y progresivo oscurecimiento del primitivo barniz están eclipsando la supuesta vivacidad del cromatismo primigenio de la obra. Será, por tanto, este proceso de limpieza y el consecutivo estudio de los protocolos de limpieza uno de los apartados más importantes a tener en cuenta en la propuesta de intervención.
This paper investigates the question whether the Gospel of John treats women any differently from what was customary in ancient Israel and New Testament times. The first section deals with this ...aspect as comparative material. What follows is a systematic, albeit cursory treatment of the sections of the gospel where women feature in the text. Feminist theology is not a vital part of the discussion but is treated as a phenomenon seeking to secure itself in Scripture passages.
