Entre enquête et « mystères Facchi, Francesca
Cahiers d'études romanes (Aix-en-Provence),
11/2017, Letnik:
34
Journal Article
Recenzirano
Odprti dostop
Giulio Piccini, alias Jarro, revêt une importance considérable dans l’étude du policier italien, car avec les romans L’assassinio nel vicolo della Luna, Il processo Bartelloni, I ladri di cadaveri, ...La figlia dell’aria (1882-1884) il a introduit l’officier de police sériel dans notre littérature. Le cadre est un autre élément essentiel de ses textes : l’histoire se déroule dans la même Florence que celle qui est décrite dans Firenze sotterranea (1884), la célèbre enquête de Piccini. L’analyse comparée des ouvrages montre que la Florence des romans est dépeinte à la fois comme une « ville de mystères » et comme une « ville de l’enquête », caractéristiques que l’auteur a empruntées notamment à Sue et Gaboriau.
This paper aims to explore Karl Marx's reading of The Mysteries of Paris, in chapters V and VIII of The Holy Family (1845). It is about analyzing the mechanisms of ideological commentary in this ...text : Marx's purpose is here to demonstrate that socialism claimed by Eugène Sue is in fact no more than a form of paternalism which reproduces bourgeois morality. However, beyond the intention announced by Marx, this chapters show the involvement of the future author of Capital in the story telling and his attachment to the characters. The link between the cognitive interest and the affective dimension of Marx's reading will be the specific subject matter of this study.
Whereas the political press was totally freed at the begining of March 1848, the serial and more particularly the serial novel, continued to occupy the bottom page of a number of newspapers, more or ...less temporary, and even to take up a full page. Referring to the 'triumvirate of the serial novel' at the time of the July Monarchy - Alexandre Dumas, Paul Féval and Eugène Sue - it is necessary to analyze how the nature, the form and the contents of the serial novel and the status of a serial novelist participate to the project and the political ideas of the three authors, these latter being symptomatical of the politisation of their works (from the mere allusion to the political situation to the pedagogical function) and of the authors' will to assert their political legitimacy under the Second Republic. However, their cultural legitimacy, in face of the accusations of corrupting literature and journalism, being itself in doubt, their political legitimacy, confronted with accusations of denaturating politics became itself subject to approval. The cultural and political elite, from the extreme left to the extreme right wing, came together to express the need for a policy of good manners, that resulted in a list of works considered not to be dangerous for the everlasting minors of the 19th century, the workers, women and children that constituted the new readers. Nevertheless, despite the release of the one penny newpapers, the typographical changes and those of the organisation of the periodical press, the serial novelists strove, in the midst of the 19th century, to overide the scope of an urban, middle-class public. The condamnation of the serial novel through a tax imposed on it, in the summer 1850, just after the election of Eugène Sue to the National Assembly, by a more and more conservative republican regime, embodied then above all the fear and the belief of the elite in the influence of contemporary literature on customs and habits. //ABSTRACT IN FRENCH: Alors que la presse politique est totalement libérée au début de mars 1848, le feuilleton, et plus précisément le roman feuilleton, continue d'occuper le rez-de-chaussée de nombreux journaux, plus ou moins éphémères, voire d'apparaître en pleine page. En s'appuyant sur l'exemple du « triumvirat du roman feuilleton » sous la monarchie de Juillet - Alexandre Dumas, Paul Féval et Eugène Sue -, il s'agit d'analyser comment la nature, la forme et le contenu du roman feuilleton, le statut de romancier feuilletoniste servent le projet et les idées politiques des trois écrivains, ces derniers étant symptomatiques de la politisation des écrits et de la volonté des écrivains d'affirmer leur légitimité politique sous la Deuxième République. Toutefois leur légitimité culturelle, face aux accusations de corruption de la littérature et du journalisme, étant elle-même en question, leur légitimité politique, face aux accusations de dénaturation de la politique, devient aussi sujette à caution. Élites culturelles et élites politiques, de l'extrême gauche à l'extrême droite, se rejoignent dans un discours mettant en avant la nécessité d'une police des murs, qui se traduit par des listes d'ouvrages considérés comme non dangereux pour les éternels mineurs du xixe siècle, les nouveaux lecteurs que sont les ouvriers, les femmes et les enfants. Pour autant, malgré l'apparition de journaux à un sou, des changements typographiques et d'organisation de la presse périodique, les romanciers feuilletonistes peinent, au milieu du xixe siècle, à dépasser le cadre d'un public urbain et bourgeois. La condamnation, à travers la taxation du roman feuilleton à l'été 1850, juste après l'élection d'Eugène Sue à l'Assemblée nationale, par un pouvoir républicain de plus en plus conservateur, traduit alors avant tout la peur et la croyance des élites en l'influence de la littérature contemporaine sur les murs. Reproduced by permission of Bibliothèque de Sciences Po
Eugène Sue's Les Mystères de Paris (1842—43) guides readers through the lower-class and criminal sectors of Paris using the conventions of character typology popularized by the urban guides and ...tableaux of the 1830s and 40s. While these texts, exemplified by the physiologies, maintained that social distinctions could be made visible and could thus be "read" by the knowing observer, Sue demonstrates the extent to which deceit and disguise complicate this system of legibility. Working women—such as grisettes—were particularly constrained by the perception of them as types and, in a city where characters could adopt new identities as they inhabited new spaces, these women found themselves unable to move beyond their limited roles. Transforming workers into wives so that they might transcend their status as types, I argue that Sue ultimately carves out a safe (if circumscribed) space for women in the city.
Throughout the nineteenth century, French writers projected their fears of contagion and social instability onto the figure of the prostitute, fantasizing that these problems could be eradicated ...through her destruction, containment or punishment. Indeed, Edmond and Jules de Goncourt, in their physiologie La Lorette (1853), and Eugène Sue in his short story "La Lorette" (1854), sought to seal off the prostitute's threat in their writing by exposing her menace to society as the contagious purveyor of societal ills. Defining this literary figure through her social, historical, and economic context, this essay also underscores how and why the Goncourts and Sue protested her notoriety.
Eugene Sue and Herman Melville make strong racial statements in their nautical works, "Atar-Gull" and "Benito Cereno." These pieces appeared with settings that antedate the abolition of the slave ...trade. Sue and Melville present blacks who are superior to most of their white neighbors in intelligence, cunning, patience, and fortitude.
À l'occasion du bicentenaire de la naissance d'Alexandre Dumas père et du transfert de ses cendres au Panthéon, l'auteure s'intéresse aux nombreuses occurrences médico-pharmaceutiques qui ponctuent ...l'oeuvre du grand écrivain. Sa documentation irréprochable résultait de la fréquentation assidue de nombreux savants, que l'on découvre au fil de cet article.
Medical and pharmaceutical study through Alexandre Dumas' work.
Alexandre Dumas' work is rich in medical and pharmaceutical occurences. The author studies them in this article.
Raynal Cécile. Promenade médico-pharmaceutique à travers l'œuvre d'Alexandre Dumas. In: Revue d'histoire de la pharmacie, 90ᵉ année, n°333, 2002. pp. 111-146.
Provider: - Institution: - Data provided by Europeana Collections- Portret van Eugène Sue. In de bovenmarge zijn naam.- All metadata published by Europeana are available free of restriction under the ...Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: Herzog August Bibliothek Wolfenbüttel / Digitaler Portraitindex - Data provided by Europeana Collections- All metadata published by Europeana are available free of ...restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Référence bibliographique : De Vinck, 15858- Appartient à l’ensemble documentaire : Est19Vinck- All metadata published by Europeana ...are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
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