Aunque gran parte de los libros de poesía traducida en Argentina y el resto de América Latina se editan actualmente de manera bilingüe, no existe un estudio que analice esta práctica editorial de ...forma integral en Argentina ni en otros países hispanohablantes. Este trabajo tiene como objetivo caracterizar el formato bilingüe de poesía contemporánea a partir de hipótesis teóricas sobre su función y sus efectos posibles en la publicación y la lectura de poesía traducida, y contrastar estas hipótesis con una perspectiva histórica del surgimiento y la evolución de esta práctica en el sector editorial argentino. Para ello, se establece un corpus a partir del relevamiento de los catálogos de bibliotecas públicas, de catálogos editoriales y consultas a editoriales particulares, que permite identificar el surgimiento de este formato en los años treinta con las traducciones de Langston Hughes por Jorge Luis Borges y Le cimetière marin de Paul Valéry por Néstor Ibarra, para luego consolidarse en Sur y otras revistas. Las publicaciones en este formato fueron en aumento, hasta que en el siglo xxi hubo una explosión de editoriales independientes que trajo consigo su mayor expansión. El estudio de un solo espacio editorial no permite arribar a conclusiones definitivas, pero es posible plantear que el significado de la edición bilingüe, originalmente asociado al cotejo, cambió con el paso del tiempo, y que la visibilización del texto extranjero en este formato tiene hoy en día un valor intrínseco.
Taking as a departing point the great tradition of Lorca studies and the vast
number of versions of his poetry and theatre in Italy, this article analyses the most recent
bilingual edition (prepared ...by Enrico Di Pastena, Pisa, ETS, 2019) of Lorca’s last tragedy,
La casa de Bernarda Alba, written in 1936 and staged for the first time on March 8th, 1945
in Buenos Aires. This work is Lorca’s dramatic masterpiece and the most translated and
staged among his plays, even in Italy, where Amedeo Recanati translated it for the first
time in 1946. Di Pastena’s edition is considered as regards its effective translation, the
study of its main topics and the accurate description of a good number of its European
performances (particularly in Spain and Italy) from the forties onwards.
Prendendo il via dalla grande tradizione di studi lorchiani e dalla messe di versioni della poesia e della drammaturgia del granadino in Italia, ci si concentra sulla più recente edizione bilingue (a cura di Enrico Di Pastena per i tipi della pisana ETS, 2019) dell’ultima tragedia dell’autore, La casa de Bernarda Alba, composta nel 1936 a pochi mesi dalla morte, e rappresentata postuma per la prima volta l’8 marzo 1945, a Buenos Aires. Capolavoro indiscusso del teatro di García Lorca, l’opera è la più tradotta e messa in scena tra le sue pièces, anche in Italia, dove per primo la restituì nella nostra lingua Amedeo Recanati, nel 1946. L’edizione di Di Pastena, accompagnata da un esaustivo apparato esegetico, viene qui analizzata per quanto riguarda l’efficace traduzione, la brillante disamina dei temi e motivi principali di questo cupo dramma della prigionia e dell’intransigenza, e l’accurata ricostruzione di un buon numero di suoi allestimenti scenici, dagli anni Quaranta a oggi, sui palcoscenici europei, in particolare spagnoli e italiani.
Prendendo il via dalla grande tradizione di studi lorchiani e dalla messe di versioni della poesia e della drammaturgia del granadino in Italia, ci si concentra sulla più recente edizione bilingue (a ...cura di Enrico Di Pastena per i tipi della pisana ETS, 2019) dell’ultima tragedia dell’autore, La casa de Bernarda Alba, composta nel 1936 a pochi mesi dalla morte, e rappresentata postuma per la prima volta l’8 marzo 1945, a Buenos Aires. Capolavoro indiscusso del teatro di García Lorca, l’opera è la più tradotta e messa in scena tra le sue pièces, anche in Italia, dove per primo la restituì nella nostra lingua Amedeo Recanati, nel 1946. L’edizione di Di Pastena, accompagnata da un esaustivo apparato esegetico, viene qui analizzata per quanto riguarda l’efficace traduzione, la brillante disamina dei temi e motivi principali di questo cupo dramma della prigionia e dell’intransigenza, e l’accurata ricostruzione di un buon numero di suoi allestimenti scenici, dagli anni Quaranta a oggi, sui palcoscenici europei, in particolare spagnoli e italiani.
The Ways of Zen Tsai, C. C; Bruya, Brian
2021, 2021-07-27, Letnik:
21
eBook
From bestselling cartoonist C. C. Tsai, a delightfully illustrated collection of classic Zen Buddhist stories that enlighten as they entertain C. C. Tsai is one of Asia's most popular cartoonists, ...and his editions of the Chinese classics have sold more than 40 million copies in over twenty languages. In The Ways of Zen, he has created an entertaining and enlightening masterpiece from the rich collections of the Zen Buddhist tradition, bringing classic stories to life in delightful language and vividly detailed comic illustrations. Combining all the stories previously published in Tsai's Wisdom of the Zen Masters and Zen Speaks, this is the artist's largest collection of selections from the most important and famous Zen texts.The story of the illiterate wood-peddler Huineng, who improbably rises to become the most famous Zen patriarch, is joined by others that trace the development of the five major sects of Zen Buddhism through other masters such as Mazu, Linji, and Yunmen. A shattered antique, a blind man carrying a lantern, sutras set on fire, a cow jumping through a window—each story leads the reader to reflect on fundamental Buddhist ideas. The Ways of Zen also features the original Chinese text in side columns on each page, enriching the book for readers and students of Chinese without distracting from the English-language cartoons.Filled with memorable anecdotes and disarming wisdom, The Ways of Zen is a perfect introduction to Zen Buddhism and an essential addition to any Zen collection.
From bestselling cartoonist C. C. Tsai, a delightfully
illustrated version of the classic work of Daoist
philosophy
C. C. Tsai is one of Asia's most popular cartoonists, and his
editions of the ...Chinese classics have sold more than 40 million
copies in over twenty languages. Here, he works his magic again
with a delightful graphic adaptation of the complete text of
Laozi's Dao De Jing , the beloved source of Daoist
philosophy. Masterfully transforming Laozi's challenging work into
entertaining and enlightening episodes, Tsai offers a uniquely
fresh, relevant, and accessible version of one of the world's most
influential books.
After opening with Laozi's biography from the Shi Ji ,
Tsai turns the stage over to Laozi, who patiently explains his
ideas to his earnest students (and us). Laozi describes the
spontaneity of natural processes, the paradoxical effects of
ethical precepts, the limits of language, the values of simplicity,
and, above all else, how to go with the flow. In brief episodes
that tantalize and inspire, he takes us into the subtle
complexities of human existence. Ultimately, Laozi, a master
visionary, guides us to the mountaintop to reveal an expansive view
of life.
A marvelous edition of a timeless classic, this book also presents
Laozi's original Chinese text in sidebars on each page, enriching
the book for readers and students of Chinese without distracting
from the English-language cartoons. The text is skillfully
translated by Brian Bruya, who also provides an illuminating
introduction.
The Southern Star/La Estrella del Sur, primer periódico uruguayo, fue fundado durante las “Invasiones Inglesas” y duró de mayo a julio de 1807. Tenía formato bilingüe inglés-español y no era dirigido ...de manera explícita por los invasores. Este trabajo analiza la naturaleza bilingüe del periódico y la relación de las operaciones de traducción, entendida aquí como transediting, con los condicionamientos mediáticos y materiales del órgano de prensa: colaboraciones, formato y características ortotipográficas. Teniendo en cuenta que el periódico no era dirigido necesariamente a un lector que leyera en los dos idiomas, se busca determinar hasta qué punto el inglés y el español funcionan como dos dominios independientes, al tiempo que la dimensión material de la página impresa los aúna. De esta forma, buscamos demostrar que el aparente descuido y la omisión de fragmentos literarios en la traducción del inglés al español responde a una línea editorial consciente de la importancia de la traducción, y que la omisión es consecuencia de una figuración específica del lector en español. Para desarrollar esto, en el artículo primero se discuten los antecedentes críticos sobre el bilingüismo y sobre la traducción en este periódico; luego, se las características generales de la relación que establece el bilingüismo, para finalmente analizar las estrategias de traducción en las citas literarias, la red de colaboradores, sobre todo en poesía, y el metadiscurso acerca de la traducción en fragmentos del texto periodístico.
Dao De Jing Laozi, C. C. Tsai / Brian Bruya
2020, 2020-08-18, Letnik:
7
eBook
From bestselling cartoonist C. C. Tsai, a delightfully illustrated version of the classic work of Daoist philosophy C. C. Tsai is one of Asia's most popular cartoonists, and his editions of the ...Chinese classics have sold more than 40 million copies in over twenty languages. Here, he works his magic again with a delightful graphic adaptation of the complete text of Laozi's Dao De Jing, the beloved source of Daoist philosophy. Masterfully transforming Laozi's challenging work into entertaining and enlightening episodes, Tsai offers a uniquely fresh, relevant, and accessible version of one of the world's most influential books.After opening with Laozi's biography from the Shi Ji, Tsai turns the stage over to Laozi, who patiently explains his ideas to his earnest students (and us). Laozi describes the spontaneity of natural processes, the paradoxical effects of ethical precepts, the limits of language, the values of simplicity, and, above all else, how to go with the flow. In brief episodes that tantalize and inspire, he takes us into the subtle complexities of human existence. Ultimately, Laozi, a master visionary, guides us to the mountaintop to reveal an expansive view of life.A marvelous edition of a timeless classic, this book also presents Laozi's original Chinese text in sidebars on each page, enriching the book for readers and students of Chinese without distracting from the English-language cartoons. The text is skillfully translated by Brian Bruya, who also provides an illuminating introduction.
"Tristan Corbière is a poet who tests language to the limits, dislocating normal syntax, revelling in self-contradictory affirmations, and piling up puns. Born in Brittany in 1845, he died at only ...29, leaving to future readers a scattered assortment of texts. This collection brings together several less well-known pieces, some early versions of published poems, and others which were handwritten into his own copy of his only published collection, Les Amours jaunes. Presented as a bilingual edition, this volume offers the first English translations of many of these writings, all of which testify to Corbière’s sly humour, linguistic glee, formal innovation and mordant self-irony. Playful and comic, Corbière’s work is also experimental, subversive and moving. The texts are translated by Christopher Pilling, an award-winning poet, playwright and translator. He is a founder of the Cumbrian Poets workshops, which he has hosted for 35 years, a convenor of Skiddaw u3a, and the organiser of translation days and readings in Keswick. He has translated the work of a number of poets, mainly from French but also from Latin. A beneficiary of the Royal Literary Fund, Christopher is also a member of Parkinson’s UK. Oysters, nightingales and cooking pots provides a fitting sequel to Christopher Pilling’s translation of Tristan Corbière’s Les Amours jaunes, published as These Jaundiced Loves in 1995. The volume is edited by Richard Hibbitt and Katherine Lunn-Rockliffe. Please note that this volume is available in multiple formats for your convenience. If you wish to view the French and English texts side by side to compare the original and translation, please download the free PDF file of the volume and select two-page view or purchase a printed copy. Readers may prefer to download and cite from the PDF version of this book. This has a specific DOI and has a fixed structure with page numbers. Guidance on citing from other ebook versions without stable page numbers (Kindle, EPUB etc.) is now usually offered within style guidance (e.g. by the MLA style guide, The Chicago Manual of Style etc.) so please check the information offered on this by the referencing style you use."
The letters of Alessandra Strozzi provide a vivid and spirited portrayal of life in fifteenth-century Florence. Among the richest autobiographical materials to survive from the Italian Renaissance, ...the letters reveal a woman who fought stubbornly to preserve her family's property and position in adverse circumstances, and who was an acute observer of Medicean society. Her letters speak of political and social status, of the concept of honor, and of the harshness of life, including the plague and the loss of children. They are also a guide to Alessandra's inner life over a period of twenty-three years, revealing the pain and sorrow, and, more rarely, the joy and triumph, with which she responded to the events unfolding around her. This edition includes translations, in full or in part, of 35 of the 73 extant letters. The selections carry forward the story of Alessandra's life and illustrate the range of attitudes, concerns, and activities which were characteristic of their author. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997. The letters of Alessandra Strozzi provide a vivid and spirited portrayal of life in fifteenth-century Florence. Among the richest autobiographical materials to survive from the Italian Renaissance, the letters reveal a woman who fought stubbornly to prese.
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