Resumo: Trata-se de uma investigação que, à luz da história cultural, busca compreender cinco eventos ocorridos no Brasil nos anos 1920: Conferência Interestadual do Ensino Primário (Brasil, 1922); ...Congresso de Ensino Primário e Normal (Paraná, 1926); Primeiro Congresso de Instrução Primária (Minas Gerais, 1927a); Primeira Conferência Estadual do Ensino Primário (Santa Catarina, 1927); Primeira Conferência Nacional de Educação (1927), promovida por intermédio da Associação Brasileira de Educação. Como hipótese investigativa, apresenta-se a seguinte questão: que representações são possíveis de serem interpretadas acerca do campo educacional brasileiro nos ritos e nas materialidades das conferências e dos congressos ocorridos nos anos 1920? O percurso teórico-metodológico circundou referenciais da história cultural, considerando os conceitos de cultura material e representação.
Egy másik Phyllis és Flora Tuhári, Attila
Antik tanulmányok,
05/2022, Letnik:
66, Številka:
1
Journal Article
Recenzirano
Odprti dostop
Without doubt, one of the most outstanding piece of the goliard poetry is the anonymous poem which nowadays become known as Phyllis et Flora (Altercatio Phyllidis et Florae). It was preserved to us ...in many manuscripts, whose each one contains parts of diff erent length of this poem. One of these copies especially diff ers from any of others: it preserves a complete poem that begins with the eight initial stanzas of the original poem, and continues with seven new-composed stanzas until its end. After the discovery of this manuscript, it become part of the tradition of the poem although it was considered just as a very corrupt witness of the poem’s fi rst eight stanzas. However, in the recent past, thanks to a lucky occasion, it was discovered a second copy of this variant poem, transcribed at the same period as the already known one. Th e new discovery fundamentally changes our relation to the variant: the new copy has made it obvious, that this is not a peculiar composition of the fantasy of its scribe, but a self-suffi cient late variant of the original poem, which had been supposedly more widespread, than its traces testify. Not only the radical alteration of its length, but – due to its late construction – that of its content and thought is also remarkable.
The article is devoted to problem questions related to the young interdisciplinary field which received the status of political linguistics. The author describes the main directions of exploration ...and achievement of the scientific field and demonstrates a variety of approaches to the study of the phenomenon, at the same time manifesting the lack of its full scientific reflection in the linguistic area, as well as the instability of the terminological apparatus. The author emphasizes the classification features of genres of political text and problem moments of these genres naming. The discussion is opened around definition, qualification, classification etc. of the genre called mostly a slogan. The research generalizes the foreign and Ukrainian scholars’ work on the basis of the definition of such concepts as „haslo” („watchword”), „exhortation”, „motto”, „slogan” and, accordingly, „political haslo” („political watchword”), „political exhortation”, „political motto”, „political slogan”. The author proves that the term „political haslo” belongs to the original concepts of Ukrainian political linguistics. Examples of this small genre are differentiated on the basis of: 1) political haslo; 2) political haslo-exhortation; 3) political haslo-motto. The concept of „political slogan” is considered as a tribute to trend, as a result of globalization processes and close ties of commercial / political advertising. Any „political slogan” can be called a political haslo, but not every political haslo receives the status of slogan, because not every political slogan, as it was, contains unique advertising political proposal and does not always equally reflect the content of a political campaign, political brand, political „product” or „service”.
The article is an attempt to decode a literary text to identify an individual psychological content in it. On the basis of philological and psychological analysis it is proved that Shevchenko’s ...linguistic identity is characterized by two types of accentuation – emotive and affective-exalted. At the level of the text it is seen in the high frequency of emotions: tears, crying, in the repetition of verbal formulas containing motivational and volitional qualities, as well as in a peculiar syntactic and intonational phrase organization.
The article is devoted to identifying the heuristic potential of visual materials in the study of cultural values and meanings, in the context of the problem of finding optimal ways of socio-cultural ...integration of forced migrants’ families and recipient communities. The study is based on the methodological principles of social culturology, which involves the consideration of artworks as individual realization cases of cultural forms. The article uses materials from the photo exhibition „Hope. Family. Community”. This Ukrainian Polish project is designed to draw attention to the problems and needs of people affected by the military conflict in Eastern Ukraine. The analysis of photos of the peculiarities of the socio-cultural integration of families from Eastern Ukraine and Crimea has been made. The format of the stand-case and its structural elements are described. The basic principles of socio-cultural management of the exhibition project „Hope. Family. Community” are outlined. The importance of visual materials in the study of integration processes in modern Ukrainian communities has been proven.
The article reveals the mechanisms allowing the author’s intention to destruct the structural-content organization of speech genres and influence the formation and perception of an artistic ...narrative. The research gives ground to outline a set of devices to make the communicative sense of artistic narratives odd, which is explained by the author’s creation of „unnatural” ontology of the narrated world; to outline various ways of semantic destruction of speech acts, and intentional breaches of the pragmatic conditions of the effective speech-genre structures creation and functioning. The result of these devices use is the
formation of the ontological, perceptional, behavioural, mental and some other types of textual (discursive, narrative) absurd. Mechanisms of creating intentional and/or nonintentional „unnatural” speech acts as constituents of artistic narratives are active sources of forming unusual communicative senses of aesthetic nature.
The Ukrainian-Russian diglossia led to the appearance of mixed speech, called surzhyk, in Ukrainian territories controlled by the Russian Empire. As a speech variant along with the dialects, surzhyk ...developed primarily in the speech of peasants and spread further in the newly built cities of Central, Eastern and Southern Ukraine from the end of the18th century. According to the language contact theory, surzhyk is a subcode for Ukrainian and Russian common language codes. At the same time, a number of political decisions during the Russian Tsardom and the Soviet empire led to the expansion of its functioning, often to a single language code. In the late 20th century, after the publication of researches on surzhyk, the emphasis was mainly on its negative impact on the national extension of the Ukrainian language. Thirty years of studying this phenomenon already shows the appearance of many linguistic studies, with a dominant of studies that use the descriptive analysis method. This research aims to focus on those opinions and approaches in recent research on surzhyk, which caused a certain resonance in linguistics and which have been continued. Also in this text, we present a vision of further perspective of (socio)linguistic analysis of mixed speech, based on the results of our own sociological survey.
At a time when Ukraine, even with some lag behind other European countries, is beginning to finally lose its traditional folklore, its practical museification is a crucial task. One of the most ...important tasks of this process is to explain the preserved and reconstruct forgotten rites in their song context. Kupala needs an important place among the urgent issues of such an understanding. The polysemy of this word itself testifies both to its antiquity and to the gradual path to the loss of some meanings. The analysis of similar holidays among the peoples of Europe shows that the Ukrainian holiday with this name has absorbed many meanings that could belong to other calendar holidays or were transferred from Ukraine and occasionally adapted to other dates or occasions. The material for the analysis were only texts that have a direct mention of the dome in its various forms. The Ukrainian token Kupala has several meanings: the name of the holiday, a ceremonial tree, a pile of bushes for the Kupala hearth, Kupala songs are called kupala in the far northwest. The lyrics associate the word with such ceremonial content as weaving wreaths, lighting a bonfire by a young woman and keeping it for three days, jumping over a fire, girls fighting for boys, orgiastic actions of young people („purchase sin”) and even natural punishment for it by abdominal pain, witchcraft is often mentioned.
The paper deals with the peculiarities of literary modeling the image of a genius in the novel „Mozart from Lamberg” by the modern Ukrainian writer B. Kolomiychuk. It is claimed that Franz’s ...motivation for genius was formed in childhood (his mother constantly reminded him of his father and tried to convince his son that he was the same genius composer as his father). He also had innate abilities of reality reflection and unique presentation of its essence (Franz heard music everywhere, different sounds inspired him to create new compositions). It is noted that in the novel the writer did not demonstrate the power of the inherited genotype, as well as the development of intelligence and favorable conditions for its strengthening. Franz was well aware that his father’s genius of composition would never be achieved. However, he still wanted to be worthy of his father’s memory. Such leading traits of Franz’s character as honesty and responsibility contributed to the fact that he established himself as a person who had his own unique abilities.
