Much of the literary and cultural theory developed throughout the twentieth century relied on modernist texts and artefacts as both example and paradigm. This Dictionary collects, categorises and ...intersects literary, aesthetic, political and cultural terms that in one way or another came into being through the debates, conflicts, co-operations, experiments – individual and collective – that characterised modernism. In concise entries from international experts, it presents the terms, categories, concepts, tropes, movements, forged through the modernist upheavals (at once aesthetic and political), highlighting their genealogy, their modernist ‘newness’, and their historical longevity.
The virilio dictionary Armitage, John
2013., 20130513, 2013, 2013-05-31, 2013-05-13
eBook
The first dictionary dedicated to the work of Paul Virilio, offering you clear and contemporary direction through the work of Virilio, the French critic of art and technology.
In this paper, we propose a novel fine-grained dictionary learning method for image classification. To learn a high-quality discriminative dictionary, three types of multispecific subdictionaries, ...i.e., class-specific dictionaries (CSDs), universal dictionary (UD), and family-specific dictionaries (FSDs), are simultaneously uncovered. Here, CSDs and UD, respectively, model the patterns for each class and the patterns irrespective of any class. FSDs can help reveal the shared patterns between multiple image classes, by filling the gap between the patterns in CSDs and UD. The dependence among image classes is revealed by the shared FSDs, and a common FSD can be assigned to several classes to represent their residual. Finally, the most discriminative FSD for each class is identified by minimizing the sparse reconstruction error. Extensive experiments are conducted on different widely used data sets for image classification. The results demonstrate the superior performance of the proposed method over some state-of-the-art methods.
Üks peaesinejatest Marja Lahelma tõi oma ettekandes „The Good, the Bad, and the Ugly - Approaching Decadence in the Context of Finnish Art History" välja, kuidas erinevalt Eestist oli Soomes selgeid ...dekadentsi ilminguid väga palju - kunstnikud töötasid koos ühise patriootilise eesmärgi nimel. 1 W. P. Wood. Cambridge University Press, https://dictionary.cambridge.org/us/dictionary/english/ edgelord (vaadatud 8.
Reseña de la obra de Gago Gómez, Laura, Léxico disponible árabe marroquí de Tánger-Arcila. Estudio y diccionario, en Libros de las islas 6, Cádiz - Córdoba, Editorial Uca - UcoPress, 2021, 96 pp. + ...330 pp.
Trois décennies après le premier colloque sur les articulations entre lexicographie et littérature dans le domaine français aux XIX
e
et XX
e
siècle, dont il fut le concepteur et un des deux ...organisateurs, l’auteur dresse un bilan évaluatif des recherches concernant les rapports variés des écrivains aux dictionnaires, puis focalise sa réflexion sur la “littérarité” dont différents analystes ont crédité certains dictionnaires. La conjonction d’un examen critique de leurs appréciations et de l’exploration de la production lexicographique française postérieure à la Deuxième Guerre mondiale débouche sur une circonscription raisonnée des intersections de celle-ci avec la création littéraire.
“Dictionary” literature and “literary” dictionaries
Three decades ago the first conference on the links between French lexicography and literature in the 19
th
and 20
th
centuries took place. The author, designer and one of the two organizers of the conference, draws up an assessment of the research done on the varied relations writers have with dictionaries. He then focuses on the “literary” aspect given to some dictionaries by different analysts. The combination of a critical analysis of these appreciations and an analysis of the French post-Second-World-War lexicographic production leads to somewhat reduced scope of interactions between lexicography and literary creation.
L’objectif de la présente étude consiste à vérifier comment se dessine la présence des appellations, communes et spécialisées, liées à la couleur bleue dans les neuf éditions du
Dictionnaire de ...l’Académie Française
, un des plus importants dictionnaires usuels, ayant pour mission de présenter les mots de langue commune. La liste de départ fut construite manuellement à la base du
Glossaire des matériaux de la couleur
de Bernard Guineau (2005). De 188 termes désignant le bleu (noms de couleurs, pigments et colorants), 57 sont présents dans le DAF, dont 32 sont des termes de « couleurs matières » (Charnay et de Givry, 2011). Or, cette présence augmente pour ainsi dire d’une édition à l’autre, ainsi que la façon de définir un mot change avec, d’un côté, l’accroissement des savoirs et des connaissances, et de l’autre, l’interpénétration des langages et des terminologies. Dans le présent article, nous fournissons des statistiques et des exemples qui montrent comment changent le statut des mots étudiés et la perspective qu’adoptent les lexicographes vis-à-vis du lexique spécialisé.
The story of a color seen through a dictionary. On the example of BLUE color terms in the nine editions of the Dictionary of the French Academy
. The objective of the present study is to verify the presence of common and specialized names related to the color blue in the nine editions of the Dictionary of the French Academy, one of the most important dictionaries in the world, whose mission is to present the words of common language. The starting list was constructed manually on the basis of Bernard Guineau’s
Glossaire des matériaux de la couleur
(2005). Of 188 terms designating blue (names of colors, pigments and dyes), 57 are present in the DAF, of which 32 are terms of “material colors” (Charnay and de Givry, 2011). Now, this presence increases, so to speak, from one edition to another, as well as the way of defining a word changes a lot with, on the one hand, the increase of knowledge and know-how, and on the other hand, the interpenetration of languages and terminologies. In this article we provide statistics and examples that show how the status of the words changes and the perspective that lexicographers adopt towards the specialized lexicon.
The paper presents some results of the study of precedent names of a Chinese cultural space and describes the main methods of fixing and circulating precedent names (PN) in a modern Chinese ...discourse. According to the author, the main ways include epithets-invariants of the perception of referents of precedent names in dictionaries and textbooks, and, therefore, in the minds of the Chinese who went to school; special dictionaries and collections with images of PN referents (more often these are historical personalities) and very brief encyclopedic information about them; adapted chapters from precedent texts with headings in the form of precedent names-eventonyms in books for children and teenagers; phraseological units and set expressions of Chinese language of all types which are connected with the precedent phenomena; frame works; precedent names, precedent texts. The author believes that epithets represented by phraseological units, phraseological units as such, name variants and precedent texts can be attributed to primary basic methods. These methods show the specifics of the Chinese cultural space and serve the basis for PN preservation, fixation and translation. Special dictionaries and collections, adapted texts of chapters from classic novels with names in the form of PN eventonyms and frame works are secondary derived methods and tools that demonstrate the great demand of the Chinese linguistic and cultural community for precedent names and are based on language-saved knowledge of PN and other precedent phenomena.
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