U radu se govori o pricama Šestinski kišobran Nade Iveljic i to na temelju bajkovitih
motiva, koji su podijeljeni unutar cetiri skupine: struktura price (bajke), postojanje dvaju
oprecnih svjetova, ...ljudske vrijednosti i eticnost te carobni predmeti, rijeci, pretvorbe i tajne;
kao i na temelju motiva baštine koji su u radu prikazani «od istoka prema zapadu do krajnjeg
juga Hrvatske»: narodne predaje, legende, anegdote, pucka vjerovanja, narodni obicaji i stari
zanati, proizvodi i rukotvorine, zemljopisne posebnosti. Nada je Iveljic jedna od zacetnica
modernih bajki, odnosno bajkovitosti u djecjoj prozi u drugoj polovici 20. stoljeca. Za
navedenu je knjigu autorica nagradena nagradom Grigor Vitez, koja potvrduje autoricin status i
popularnost u hrvatskoj književnosti.
The aim of this work is to study the relationship of Kalmyk bogatyr tales and historical and heroic traditions, since these genres of oral lore have a similar structure and principles of ideological ...and artistic organization. Common to them are the central image of the hero-defender, the traditional motives associated with it, ideological and aesthetic content and socio-historical determination. The main attention of the work is concentrated on traditional fairy-tale motifs that were used in the depiction of the epic hero of historical traditions. In this work, we rely on the fact that the motive is a typical, indecomposable unit of folklore. The following fabulous motifs were analyzed: the motive of the “low” hero, the motive of maturity and heroism, the motive of matchmaking and the ransom of the bride, the motive of miraculous healing. Comparing the motives, the author of the work comes to the following conclusion: the motives characteristic of the bogatyr tales are preserved in the traditions. However, since the content of the legend is accepted by the listener and the narrator as a real historical event, some motives undergo a certain transformation due to the genre specificity of the work.
Исследование посвящено лейтмотивным элементам в образах хранителя очага в новеллах Теодора Шторма. В статье показано, как происходит комбинирование и взаимодействие идиллических и сказочных мотивов. ...Для немецкой культуры исследуемый образ является выражением «немецкости» и получает положительные оценки. Образы хранителей очага связаны с эпохой бидермайера, которая реабилитировала право быть обычным, невыдающимся человеком. Идиллические мотивы играют важную роль в образах хранителей очага, так как они являются мерилом достойного образа жизни и всего того, что считается правильным и общепринятым. Однако эти образы могут быть недостаточно выразительными и трафаретными из-за своего образцового статуса.
Urban text is a phenomenon that has been studied in both domestic and foreign literary studies. Representatives of the Tartu-Moscow semiotic school Yu.M. Lotman, B.M. Gasparov, V.N. Toporov, etc. are ...at the origin of the study of the image of the city and urban texts in literary studies, which began only in the 1970s. Intensive study of the specifics of the text in literary theory was developed in the structuralist concepts of R. Bart, Ts. Todorov and Yu. Kristeva. However, despite the large number of scholarly works on the topic of urban text, texts from a different perspective, namely the texts of a military city in the 30s and 40s having its difficult time when cultural monuments were erased from the face of the earth and old traditions remained to live among ruins and maimed destinies, remained unexamined. This is why the article looks at the urban text, namely the Berlin text, the picture of which is painted by Yu. Semenov in his novel “Seventeen Moments of Spring”, telling about the activities of the Soviet intelligence officer Isayev-Stierlitz in Nazi Germany in 1945. The aim is therefore to study the Berlin text in a novel through the prism of fairytale poetics, applying historical and literary, cultural and historical, and typological research methods. Berlin, against the background of which the events in Semenov’s novel unfold, is presented in a very concise way, without any emphasis on architectural monuments or historical sites of the city, without anything that the citizens of Berlin liked and that has lost its value since its rapid militarisation. On the contrary, none of the characters in Semenov’s novel have any particular attachment to the city, it has already been lost, as each of them understands its doom resulting from the end of the war. At the same time, it is in this city where the Soviet intelligence officer will have a difficult task: to do everything possible to reach those at the top of Nazi Germany who are planning separate negotiations with the allies and to disrupt them. His activities on the verge of human ability are viewed through the prism of a fairy tale (by V. Propp), where Isaev-Stierlitz acts as a fairytale character operating in Berlin, on its outskirts and outside the country. A safe house in a forbidden forest on the outskirts of the city, crossing the border into Switzerland through a “transfer corridor”, the moment when he returns in the role of a “knowing know-nothing” that gives a note of incompleteness to the novel, are the parts of the fairytale motive of the Berlin text. If the moment of the crossing the border is the axis of a magical fairy tale, then in the Berlin text of Yu. Semenov’s novel “Seventeen Moments of Spring” the doom of the city and its imminent death is nothing more than the embodiment of a “vertical text” (by A. Eremenko) that is woven into the novel and forms its fairytale meaning. As the novel’s finale approaches, the Berlin text loses its meaning. The war is so powerful that the taste of victory after the completed task is being replaced by a sense of devastation for both Stierlitz and the huge capital, which has promised to be no more, no less, the capital of the world, now partially in ruins, surviving its last days
Provider: - Institution: - Data provided by Europeana Collections- This manuscript contains the following titles: "Ýmisleg sagnabrot", "Tólf ættkvíslir Ísraels og plágur", "Sjö heimsins furðuverk", ..."Kötludraumur", "Margrétarsaga", "Hrólfs saga kraka", "Þorsteins þáttur bæjarmagns", "Bærings saga fagra", "Kvæði" and more.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- This manuscript contains the following titles: "Kvæðabók séra Gissurar Sveinssonar", "Inngangur skrifara" and "Nokkur fornkvæði"- ...All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- This manuscript contains the following titles: "Efnisyfirlit", "Völuspá", "Hávamál", "Vafþrúðnismál", "Grímnismál", "Skírnismál", ..."Hárbarðsljóð", "Hymiskviða", "Lokasenna" and more.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- This manuscript contains the following titles: "Formáli", "Geisli", "Ólafs ríma Haraldssonar", "Hyndluljóð", "Gesta Hammaburgensis ...Ecclesiae Pontificum", "Sigurðar þáttur slefu", "Hversu Noregur byggðist", "Ættartölur konunga og konungatöl í Noregi", "Eiríks saga víðförla" and more.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
В статье анализируются архаические корни калмыцкого эпоса «Джангар» на материале песни «О Хара Кинесе», входящей в него, а также тувинского сказания «Хунан-Кара». Предметом анализа выступила ...категория волшебных помощников — чудесных способностей эпических героев, а также помощников-людей, животных и пр. персонажей, помогающих им.Сравнительно-сопоставительный анализ песни «О Хара Кинесе» раннего Багацохуровского цикла калмыцкого эпоса с тувинским сказанием «Хунан-Кара» подтверждает, что песнь основана на ядерных архаических образованиях предшествовавших эпических систем. Эпосы выделяют на первый план персонифицированные способности героев, нежели конкретных волшебных помощников. Герои обладают свойством превращаться в паршивого мальчишку, владеют волшебными предметами. Все они восходят к архаическому обряду инициации.
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