Suvremena hrvatska psihološka drama, Gavranova Nora danas (2005.), analizirat će se iz književnoteorijskog emocionološkog aspekta. S obzirom da do sada u hrvatskoj znanosti o književnosti ne postoji ...pisani trag o znanstvenom radu iz područja književne emocionologije (suvremena književnoteorijska disciplina) u istraživanju hrvatske književnosti moderne i postmoderne, ovaj rad smatra se književnoznanstvenim emocionološkim prvijencem toga razdoblja. Uvodno će se prikazati teorijski okvir emocionologije s naglaskom na hrvatsku književnu znanost (godine 2012. tiskan je prvi hrvatski emocijski zbornik Poj željno). Veza između emocija i književnosti je imanentna (Brković, 2015.), a znanstveni interes rada usmjeren je na istraživanje funkcionalnosti (za)dane emocionalne kategorije dramskih likova u dramskome tekstu, u oblikovanju socijalne relacije, konkretno rodnih odnosa i literarne manifestacije emocija. Cilj je prikazati ulogu karakterističnih emocija (ljutnje, straha, tuge, radosti) u izgradnji identiteta dramskih likova Nore i Tonija (antilutke i lutka), a posebno s obzirom na rodnu stereotipizaciju. Metodologija je usmjerena na dramsku narativnu strukturu s integracijom metodoloških okvira afektivne naratologije i teorija konceptualne metafore. Analizirajući emocije kao ekspresiju osjećaja u književnom tekstu (Brković, 2015.), strategije reprezentacija emocija te recepciju emocija u suvremenoj hrvatskog drami, istražuju se suvremene koncepcije teorije književnosti ‒ emocionologije, uz doticaj kognitivne psihologije te neurobioloških i filozofskih teorija o emocijama. Novoosmišljenim pojmom emocijska metamorfoza u ovome radu želi se dati doprinos terminologiji emocionologije, koja je još uvijek neusuglašena i u razvitku (Robinson 2004, Keen 2011). Novim, emocijskim čitanjem književnog teksta sugerira se i ključ razumijevanja temeljnih odnosa (dramske) naracije, a unutar poetike suvremene (dramske) književnosti.
Gavran's Nora danas (2005), a contemporary Croatian psychological drama, is analysed from a literary-theoretical emotional point of view. Considering that this is the first scientific work of its kind about either world or Croatian modern and/or contemporary literature that deals with emotional studies as a contemporary literary discipline, a theoretical framework of emotional studies will be presented with an emphasis on Croatian literary science (the first Croatian emotional collection Poj željno was published in 2012). The connection between emotions and literature is immanent (Brković, 2015), and this paper focuses on researching the functionality of the (given) emotional category of the protagonist of a dramatic text in shaping social relations, specifically gender relations and literary manifestations of emotions. The aim is to show the role of typical emotions (anger, fear, sadness, joy) in building the identity of the dramatic protagonists Nora and Tony (anti-puppet and puppet), especially with respect to gender stereotyping. The methodology focuses on the dramatic narrative structure by integrating the methodological frameworks of affective narratology and the theory of conceptual metaphor. By analysing emotions as an expression
of feelings in a literary text (Brković, 2015), strategies of emotion representations and reception of emotions in contemporary Croatian drama, we explore contemporary concepts of literary theory - emotional studies, also touching upon cognitive psychology and neurobiological and philosophical theories of emotions. The newly conceived notion of emotional reversal in this paper seeks to contribute to the terminology of
emotionalism, which is still inconsistent as it is still being developed (Robinson 2004, Keen 2011). A new, emotional reading of a literary text also suggests the key to understanding the fundamental relations of (dramatic) narration within the poetics of contemporary (dramatic) literature.
The subject of analysis in the article is The Metamorphosis (1915) of Franz Kafka. The author attempts to capture various aspects of the Kafka space phenomenon in the context of the functioning of ...the wall / ceiling motif in this probably the most famous narrative of world literature. At the same time, the researcher treats Kafka’s work as an unsurpassed pattern of artistic scenery shaping: namely, which plasticity and concrete motifs and spatial relations make a kind of residuum of sublime, symbolic meanings, realizing fully only through the imagination of the recipient, in the course of contemplative reading and accompanying it aesthetic experience. The argument leads to the conclusion that in his parabolic, absurd, full of understatement (and yet surprisingly specific) piece of work, Kafka does not reveal the sense of the story of a hero transformed into an arthropod, but allows us to experience this sense and presage it – as the content of our own lives.
Before turning to the wonderful Saviour’s deeds, that he strives to praise in Paschale Carmen, Sedulius introduces his reader into the old testamental history of salvation. In the Book 1, which ...fulfils the functions of a preface to the poem, he recounts 18 miracles that took place before Christ was born, since the ages of the Patriarchs to the period of the Babylonian captivity. These relations appear to be separate, self-contained stories. The longest is devoted to the miraculous fate of the prophet Elijah (lines 170-187); in the shortest the poet tells about the Balaam’s donkey, an animal without speech, who spoke to its master with a human voice (lines 160-162). Miracles fascinate Sedulius as extraordinary events, which deny the laws of nature and contradict common sense. At that they are sometimes connected with a marvelous metamorphosis. God performs miracles in order to show to the mankind His might, providence and kindness; to educate human beings and to prepare them for the coming of Christ; to foretell cosmic redemption at the end of times. Telling about the old testamental miracles Sedulius tends to refer both to the unbelievers and to the believers the revealed truth. He also aims to awake in the readers’ hearts wonderment, gratitude, love and trust towards the Holy Trinity.
Provider: - Institution: - Data provided by Europeana Collections- Bibliogr. w przypisach- Tyt. nagł- Bibliogr. w przypisach- Tyt. nagł- All metadata published by Europeana are available free of ...restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
There are two modes of establishing a relationship with space. One is, partly general and partly idiosyncratic, manner in which the past makes itself manifest in the present of the life of the human ...individual. The other is a most profound and intimate connection with a place which is possible when we begin to feel situated in a given space, i.e. when standard historical and aesthetic lines of connecting prove inadequate. L’anima della Calabria (1950) and Segreti di Puglia (1951), two travelogues in a series of Italia celebre e sconosciuta, explore the two distinctly different regions of Italy investigating the perception of landscape, its rootedness in history and mythology as well as various practices of everyday life they have generated over centuries. Thus, the region becomes more than a series of interesting sights and historical monuments baedekers record and advertise for tourists. Instead, we deal with deconstruction of such ready-made cultural products and, in the effort of “mental exercise”, we not only transit through but are also situated in places which reveal their provisional, metamorphic character, their unfinishedness, becoming thus a challenge to our moral sense. Hence, exercising memory and mind, allenamento della memoria e della mente morphs into allenamento morale e sociale.
Članak nastoji pružiti pravac za promišljanje normativnog prostora otpornosti s ciljem
stvaranja plodnog međudisciplinarnog dijaloga o dobrobiti i zdravlju. Ukazat ću na
epistemološku i vremensku ...pristranost otpornosti kao na dva neophodna problema s kojima se treba pozabaviti kada se otpornost razmatra kao dinamički životni proces. Vjerujem da je ovo pravovremeno istraživanje s obzirom na nekoliko pokušaja koji se trenutno provode kako bi se oblikovao pojam zdravlja i dobrobiti u odnosu na otpornost (Rockström i sur., 2009).
Oxford Approaches to Classical Literature (Series Editors: Kathleen Coleman and Richard Rutherford) introduces individual works of Greek and Latin literature to readers who are approaching them for ...the first time. Each volume sets the work in its literary and historical context, and aims to offer a balanced and engaging assessment of its content, artistry, and purpose. A brief survey of the influence of the work upon subsequent generations is included to demonstrate its enduring relevance and power. All quotations from the original are translated into English. Ovid’s Metamorphoses have been seen as both the culmination of and a revolution in the classical epic tradition, transferring narrative interest from war to love and fantasy. This introduction considers how Ovid found and shaped his narrative from the creation of the world to his own sophisticated times, illustrating the cruelty of jealous gods, the pathos of human love, and the imaginative fantasy of flight, monsters, magic, and illusion. Elaine Fantham introduces the reader not only to this marvelous and complex narrative poem, but to the Greek and Roman traditions behind Ovid’s tales of transformation and a selection of the images and texts that it inspired.
Prebrze dvadesetostoljetne pretpostavke o smrti slikarstva temeljile su se dobrim dijelom na odmjeravanju s mimetičkim kapacitetima novih medija. Novi mediji, međutim, revidirali su svoju ...„objektivnost“, a slikarstvo se oslobodilo mimetizma. Stoljećima su se slike (mentalno) unosile u biće gledatelja; danas se biće gledatelja (tehnološki) unosi u sliku. Slikarstvo Nives Kavurić-Kurtović zaobišlo je sve te teze i antiteze. Njezino polje vida prethodi vidljivu svijetu. Ono se osvjetljuje iz početne tame i prostire se u magmi preobrazbe. Putujućom crtom, plutajućim prostorom, utišanom bojom, dramatičnim odnosom (moglo bi se reći: kolorizmom) crno-bijelog, važnošću (poetičnog) unosa verbalnog medija, Nives Kavurić-Kurtović vlastitom vivisekcijom oslikava patnju svijeta, ostvarujući opus bez usporedbe i u svjetskim relacijama.
U članku se prate pjesničke metamorfoze Tonča Petrasova Marovića kojima je ishodište istovremeno u zavičajnom ( antropološko-fenomenološko-eshatološko-mistološko-religiozno-pjesničkom) nasljeđu i ...mijenama u suvremenoj/onodobnoj pjesničkoj produkciji kojoj pripada i sam pjesnik, i to kao insularni specifikum u otklonu od krugovaško/razlogovaških grupacija, a na tragu vlastitoga samo/potvrđivanja upitno stigmatiziranih poetika kojima pripada hrvatski književni naraštaj njegova vremena.
U ovom se radu analizira proces metamorfoze glavnoga lika u postindustrijskoj stvarnosti oponiranjem urbane ruralnoj sredini te preobražaju lika kroz određivanje vlastitoga identiteta u procesu ...sazrijevanja. U sustavu, kojega karakterizira gubitak tradicionalnih vrijednosti, čime onemogućuje pozitivno poistovjećenje s mitskim karakterima, lik se osvrće oko sebe u pokušaju pronalaženja odgovora i rješenja za vlastitu bezličnost, uz naglašen prijezir prema konvencijama i društvenom konformizmu. Ostvarenjem utopističke ideje stvaranja vlastitog mikrokozmosa započinje i simboličko stvaranje novoga života, čime se događa metamorfoza i započinje postupak mentalnog razdvajanja. Naglašeni su kreacija i prokreacija kao propulzivni elementi vlastitoga sazrijevanja i razdvajanja od svog simbionta.
PDF
