Narratives enable readers to vividly experience fictional and non-fictional contexts. Writers use a variety of language features to control these experiences: they direct readers in how to construct ...contexts, how to draw inferences and how to identify the key parts of a story. Writers can skilfully convey physical sensations, prompt emotional states, effect moral responses and even alter the readers' attitudes. Mind, Brain and Narrative examines the psychological and neuroscientific evidence for the mechanisms which underlie narrative comprehension. The authors explore the scientific developments which demonstrate the importance of attention, counterfactuals, depth of processing, perspective and embodiment in these processes. In so doing, this timely, interdisciplinary work provides an integrated account of the research which links psychological mechanisms of language comprehension to humanities work on narrative and style.
By placing comics in a lively dialogue with contemporary narrative theory, The Narratology of Comic Art builds a systematic theory of narrative comics, going beyond the typical focus on the ...Anglophone tradition. This involves not just the exploration of those properties in comics that can be meaningfully investigated with existing narrative theory, but an interpretive study of the potential in narratological concepts and analytical procedures that has hitherto been overlooked. This research monograph is, then, not an application of narratology in the medium and art of comics, but a revision of narratological concepts and approaches through the study of narrative comics. Thus, while narratology is brought to bear on comics, equally comics are brought to bear on narratology.
How do readers experience literary narrative? Drawing on narrative theory, cognitive science, and the philosophy of mind, this book offers a principled account of the dynamics underlying readers' ...responses to narrative. Through its interdisciplinary approach,this study combines close readings of literary texts and theoretical discussion in ways that shed light on the deep connection between narrative, literary fiction, and human experience.
Au début des années 1960, Ernesto De Martino projetait une vaste recherche comparative sur les représentations culturelles de la fin du monde et de la sortie des temps historiques. Il s'agissait de ...transformer les diagnostics portés au début du xxe siècle sur la crise ou le déclin de l'Occident en symptômes pour penser la singularité que les sociétés occidentales héritent du christianisme. Les principes méthodologiques adoptés par cette recherche inachevée éclairent la genèse savante d'une narration apocalyptique mondialisée qui s'est fixée, en France, dans un village des Pyrénées.
The pity of partition Jalal, Ayesha
2013., 20130221, 2013, 2013-02-21, Letnik:
5
eBook
Saadat Hasan Manto (1912-1955) was an established Urdu short story writer and a rising screenwriter in Bombay at the time of India's partition in 1947, and he is perhaps best known for the short ...stories he wrote following his migration to Lahore in newly formed Pakistan. Today Manto is an acknowledged master of twentieth-century Urdu literature, and his fiction serves as a lens through which the tragedy of partition is brought sharply into focus. InThe Pity of Partition, Manto's life and work serve as a prism to capture the human dimension of sectarian conflict in the final decades and immediate aftermath of the British raj.
Ayesha Jalal draws on Manto's stories, sketches, and essays, as well as a trove of his private letters, to present an intimate history of partition and its devastating toll. Probing the creative tension between literature and history, she charts a new way of reconnecting the histories of individuals, families, and communities in the throes of cataclysmic change. Jalal brings to life the people, locales, and events that inspired Manto's fiction, which is characterized by an eye for detail, a measure of wit and irreverence, and elements of suspense and surprise. In turn, she mines these writings for fresh insights into everyday cosmopolitanism in Bombay and Lahore, the experience and causes of partition, the postcolonial transition, and the advent of the Cold War in South Asia.
The first in-depth look in English at this influential literary figure,The Pity of Partitiondemonstrates the revelatory power of art in times of great historical rupture.
Not a Big Deal asks how texts might work to unsettle
readers at a moment when unwelcome information is rejected as fake
news or rebutted with alternative facts. When readers already
recognize ..."defamiliarizing texts" as a category, how might texts
still work toward the goals of defamiliarization? When readers
refuse to grapple with texts that might shock them or disrupt their
extant views about politics, race, or even narrative itself, how
can texts elicit real engagement? This study draws from philosophy,
narratology, social neuroscience, critical theory, and numerous
other disciplines to read texts ranging from novels and short
stories to graphic novels, films, and fiction broadcasted and
podcasted-all of which enact curious strategies of disruption while
insisting that they do no such thing. Following a model traceable
to Toni Morrison's criticism and short fiction, texts by Kyle
Baker, Scott Brown, Percival Everett, Daniel Handler, David Robert
Mitchell, Jordan Peele, and Colson Whitehead suggest new strategies
for unsettling the category-based perceptions behind what Everett
calls "the insidious colonialist reader's eye which infects
America." Not a Big Deal examines problems in our
perception of the world and of texts and insists we do the same.
The aim of this article is to defend the narrative potential of depiction against different strands of skepticism that proceed from the lack of temporal order in a single static image: such images, ...it has been argued, cannot represent the temporal components of narratives – i.e. action(s) and/or causal relations between temporally ordered actions or events. Contemporary philosophers of depiction have strongly challenged the strand of skepticism that focuses on the representation of action(s), but the strand which focuses on the representation of causal relations may seem to be intractable. Yet, I will argue, it rests on a rather partial conception of causation that unduly directs attention to the dimension of time rather than to the dimension of space – the uncontested domain of depiction
Narrative-based practice Brophy, Peter
Routledge eBooks,
2009., 2009, 20160722, 2009-02-01, 2016-07-22
eBook
Odprti dostop
The telling of stories lies at the heart of human communication. In this important new book Peter Brophy introduces and explains the concept of story-telling or narrative-based practice in teaching, ...research, professional practice and organizations. He illustrates the deficiencies in evidence-based practice models, which focus on quantitative rather than qualitative evidence, and highlights the importance of narrative by drawing on insights from fields as disparate as pedagogy, anthropology, knowledge management and management practice. This book is essential reading for professionals, scholars and students in the many disciplines currently using evidence-based practice, such as information management, health, social policy, librarianship and general management.
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