Ce travail analyse certaines innovations lexicales qui reflètent les changements communicatifs et cognitifs vécus par la société face aux innovations technologiques.
Despite considerable interest in online content creation there has been comparatively little academic analysis of the distribution of such practices, both globally and among social groups within ...countries. Drawing on theoretical frameworks used in digital divide studies, I outline differences in motivation, access, skills, and usage that appear to underlie and perpetuate differences in online content creation practices between social groups. This paper brings together existing studies and new analyses of existing survey datasets. Together they suggest online content creators tend to be from relatively privileged groups and the content of online services based on their contributions may be biased towards what is most interesting or relevant to them. Some implications of these findings for policymakers and researchers are considered.
El trabajo parte del diseño de una actividad piloto de Flipped Learning basada en el uso del mash-up. A partir del análisis cuantitativo y cualitativo de los resultados recabados se evaluará su ...potencial eficacia en la promoción de la concienciación social desde las aulas. El planteamiento de dicha propuesta pretende integrar las dinámicas intercreativas que marcan la rutina digital de millennials y centennials para el desarrollo de una metodología de aprendizaje de tipo cooperativo, experiencial y de servicio. En el caso que nos ocupa, se planteó a los estudiantes que indagaran la presencia del feminismo en Internet para la posterior elaboración de un montaje audiovisual original a partir de materiales preexistentes en la red. De este modo, se pretendía desarrollar su competencia creativa como produsuarios, al tiempo que ejercitaban su empatía hacia una realidad concreta con el fin de contribuir a una socialización inclusiva en entornos conectivos. El estudio aporta información de interés sobre la cultura popular digital en relación a la representación actual de la mujer en el imaginario colectivo online y también en lo relativo al modo en que las nuevas generaciones reformulan dichos referentes a través de la lógica apropiacionista presente en las dinámicas socio-comunicativas cotidianas.
New media discourses are often engulfed by a variety of claims that emphasize their specificity. We can find the formulation of strong claims of novelty and uniqueness, in combination with processes ...of forgetfulness in relation to the societal roles of old media technologies. This article starts with a discussion on (new) audience theory, mapping and structuring the diversity of audience articulations with a focus on two of its main dimensions: the active/passive and the interaction/participation dimension. This mapping will then be used to problematize and critique the strong claims of novelty and uniqueness that 'new' participatory technologies have generated. Moreover, this theoretical mapping will also show that audience theory turns out to be quite stable in its capacity to facilitate the understanding of the diversity of relations between humans and media technology. Three claims are scrutinized: the shift from one-to-many to many-to-many communication; the re-articulation of the audience into the 'produser'; and the convergence of top-down business with bottom-up production and consumption practices. Each of these claims is critically evaluated, in combination with a case study discussion that shows the complexities and contradictions of these claims. These three case studies are the BBC's Video Nation project in the UK, a reception study of nine films on the Belgian online video-sharing platform 16plus, and formal participatory (alternative and community media) organizations.
AbstrakTujuan penelitian ini adalah untuk mengkaji perlindungan hukum terhadap hak terkait produser fonogram atas mechanical rights fonogram yang dikomersilkan oleh pihak lain dalam ranah Hukum Hak ...Cipta di Indonesia. Isu hukum yang sering terjadi adalah mechanical rights milik produser fonogram sering dilanggar oleh pihak lain yang bukan pemegang mechanical rights atau tidak mendapatkan ijin secara langsung dari pemegang mechanical rights. Penelitian ini menggunakan metode penelitian hukum. Mechanical rights fonogram terkait dengan penggandaan atau reproduksi fonogram. Produser fonogram mempunyai hak eksklusif untuk memberi ijin reproduksi langsung atau tidak langsung fonogramnya, dengan berbagai cara atau bentuk. Mechanical rights identik dengan Hak Terkait yang merupakan hak eksklusif produser fonogram. Undang-Undang Hak Cipta di Indonesia mampu memberikan perlindungan hukum terhadap hak terkait produser fonogram atas mechanical rights fonogram yang dikomersilkan oleh pihak lain.Abstract
The purpose of this study was about to examine the legal protection of neighboring rights producers of phonograms on phonograms of mechanical rights which commercialized by other parties in the realm of copyright law in Indonesia. Legal issues that often occurs is mechanical rights belong producers of phonograms often violated by others who are not holders of mechanical rights or do not get permission directly from the holders of mechanical rights. This study uses legal research. Mechanical rights on phonograms relating to procurement or reproduction of a phonogram. Producers of phonograms shall enjoy the exclusive right of authorizing the direct or indirect reproduction of their phonograms, in any manner or form. Mechanical rights on phonograms synonymous with Neighboring Rights is an exclusive right of producers of phonograms. Copyright Law in Indonesia able to provide legal protection of neighboring rights producers of phonograms on phonograms of mechanical rights which commercialized by other parties.
Spatial data infrastructures, which are Internet-based mechanisms for the coordinated production, discovery, and use of geospatial information in the digital environment, have diffused worldwide in ...the last two decades. Currently, there are about one hundred spatial data infrastructures at the national level and many other at supra- and sub-national levels. These contemporary spatial data infrastructures operate with two main assumptions: formal organizations are the producers and suppliers of geospatial information; users are the passive recipients of information. The recent phenomenon of volunteered geographic information departs from these assumptions. In this paper, we argue that reconceptualizing the user of a spatial data infrastructure can accommodate this new phenomenon. Such a reconceptualization creates a middle ground between spatial data infrastructure and volunteered geographic information, which has important implications for future research.
Este artículo da una revisión al tema del usuario de las TIC, desde su rol activo como consumidor y generador de contenido, así como los efectos de la participación de los ciudadanos en los procesos ...de comunicación y marketing de una marca comercial a través de la Web. Se analiza la evolución del prosumidor mediado por las TIC y el moldeamiento de su comportamiento alrededor de las marcas que sigue y consume, tomando la Web como plataforma superior para el desarrollo de esta simbiosis usuario-empresa. Se revisa la bibliografía e investigaciones desarrolladas alrededor de la participación de los ciudadanos en la construcción propia y alteración de contenidos pertenecientes a las marcas y su difusión masiva empleando medios digitales.
The user-generated wiki encyclopedia Wikipedia was launched in January 2001 by Jimmy Wales and Larry Sanger. Wikipedia has become the world's largest wiki encyclopedia, and behind many of its entries ...are interesting stories of creation, or rather
, since Wikipedia is produced by a large number of contributors. Using the slogan “the free encyclopedia that anyone can edit” (
), Wikipedia invites everyone to participate, but the participants do not necessarily represent all kinds of individuals or interests – there might be an imbalance affecting the content as well as the perspective conveyed. As a phenomenon Wikipedia is quite complex, and can be studied from many different angels, for instance through the articles’ history and the edits to them.
This paper is based on a study of Featured Articles from the Swedish Wikipedia. Three articles,
Free will,
Fell, and
, are chosen from a list of
that belongs to the subject field
. The articles’ development has been followed from their very first versions in 2003/2004 to edits made at the end of 2012.
The aim is to examine the creation, or
, processes of the articles, and the collaborative production. The data come from non-article material such as revision history pages, article material, and some complementary statistics. Principally the study has a qualitative approach, but with some quantitative elements.
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