Glasbeno avtonomno in uporabno sodita med časovno zamejene ideje in kategorije, ki jih je težko enopomensko opredeliti. Razmislek sooča možna pojmovanja in razlagalne okvire na področju ...individualnega ustvarjalnega procesa ter v življenju glasbe v družbenem prostoru 19. stoletja, hkrati pa poskuša zaznati mejo, ki naj bi zaznamovala stvarno in ne le ideološko utemeljeno razliko med še vedno estetsko pomembnim/sprejemljivim in umetniško nepomembnim.
The Urban Diversity Final Publication is a representation of Urban Diversity project that lasted between 2017 and 2020. The project's aim was a creative connection of migrant entrepreneurs and their ...families in Ljubljana and Graz, and to help encourage and promote diversity in both cities. There are already some support and aid programs for self-employment and business establishment for migrants, however both cities also trace obstacles that abate migrant entrepreneurs from being creative and integrate into the society. These obstacles can be found on different levels, and are not easy to define or remove, while they also represent a large issue for migrant entrepreneurs and the host society, which stuns their potential and its own economic and social progress. The results and achievements in the publication present the good practice of removing social obstacles that already exist elsewhere in Europe.
Fang Dongmei (1899–1977) je eden osrednjih predstavnikov druge generacije modernega konfucijanstva, četudi se sam nikoli ni izrecno izrekel samo za konfucijanca, temveč je vselej poudarjal, da je po ...duši poleg tega tudi daoist in budist. Vsekakor je teoretski doprinos tega, na zahodu še vedno precej neznanega modernega filozofa k moderni kitajski filozofiji vreden podrobnejše obravnave. Pričujoči članek se osredotoča predvsem na analizo in interpretacijo ontoloških in epistemoloških vidikov njegove filozofije, pri čemer so v ospredju njegovi koncepti celostne harmonije, konfucijanskega moralnega sebstva, ustvarjalne ustvarjalnosti, enotnosti dejstev in vrednot, ter razuma in intuicije.
Zdi se, da je prevladujoči pristop h kariernemu in zaposlitvenemu svetovanju v Sloveniji pristop socialne učinkovitosti, za katerega se izkazuje, da je preveč enostranski. Delavnica »Drugače« ...udeležence nagovarja predvsem prek pristopov osebnega razvoja (vključno s konstruktivizmom) in socialnega rekonstruktivizma. Naslanja se na sodobna znanstvena in strokovna dognanja: novejše teorije motivacije, vključitev ustvarjalnosti posameznika v proces kariernega svetovanja, časovne perspektive, kreiranje lastnega življenja, pomen čustev. Udeleženci se je udeležujejo z veseljem, svetovalci jo radi vodijo. Udeleženci bolje spoznajo sami sebe in naredijo nekatere transformacije v svojih stališčih, doživljanju, prepričanjih in aktivnostih.
Analiza se osredotoča na delo beograjskih umetnikov, združenih v kolektive, v katerih praksa skupnega bivanja postane alternativni način družbenih odnosov. Njihove skupne akcije so priložnost za ...preučevanje poti radikalne domišljije na dveh ravneh: prvič, z upoštevanjem načel kolektivne ustvarjalnosti, ki delujejo skozi različne oblike umetniške in družbeno-kulturne produkcije, sistematično usmerjene v razvoj družbenih imaginarijev; drugič, z oblikovanjem kolektiva, usmerjenega v produkcijo same družbenosti, ki se razvija in preizkuša skozi prakse. Pri tem prenosu z ravni umetniške na raven družbene produkcije so lahko ključna orodja (samo)refleksije. (Samo)refleksija je v enaki meri varuh enakosti in nastanka. Če domišljija ni zgolj duševni odziv na realnost, lahko postane gonilo nove prakse: materialna manifestacija določenih odnosov, njihovo preizkušanje v realnosti in hkratno izvajanje na poti k novim oblikam kolektivnosti in morda kolektivne avtonomije.
The analysis is focused on the work and actions of drag artists from Belgrade gathered in collectives, in which the practice of commoning becomes an alternative mode of social relations. Their joint actions provide an opportunity to examine the paths of radical imagination on two levels: firstly, by following the principles of collective creativity, which operate through different forms of artistic and socio-cultural production, systematically targeting the development of social imaginaries; secondly, by creating a collective, aimed at the production of sociability itself which are evolved and tested through practices. In this transposition from the level of artistic production to the level of social production, the tools of (self-)reflection can be crucial. (Self-)reflection is equally a guardian of equality and emergence. Provided that the imagination is not reduced to reactive mental representations, this becomes the drive of practice: the material manifestation of certain relations, their testing, in reality, their growing and simultaneous performing, on the path towards new forms of collectivity, and perhaps collective autonomy.
Extensive work is a result of four year research within the international project Women's Creativity since the Modern Movement, and brings new insights into women in architecture, construction, ...design, urban planning and landscape architecture in Europe and in the rest of the world. It is divided into eight chapters that combine 116 articles on topics: A. Women’s education and training: National and international mappings~B. Women’s legacy and heritage: Protection, restoration and enhancement~C. Women in communication and professional networks~D. Women and cultural tourism~E. Women’s achievements and professional attainments: Moving boundaries~F. Women and sustainability: City and Landscape~G. Women ‘as subjects’: Documentation, methodology, interpretation and enhancement~SG. Design drawings.
Analiza se osredotoča na delo beograjskih umetnikov, združenih v kolektive, v katerih praksa skupnega bivanja postane alternativni način družbenih odnosov. Njihove skupne akcije so priložnost za ...preučevanje poti radikalne domišljije na dveh ravneh: prvič, z upoštevanjem načel kolektivne ustvarjalnosti, ki delujejo skozi različne oblike umetniške in družbeno-kulturne produkcije, sistematično usmerjene v razvoj družbenih imaginarijev; drugič, z oblikovanjem kolektiva, usmerjenega v produkcijo same družbenosti, ki se razvija in preizkuša skozi prakse. Pri tem prenosu z ravni umetniške na raven družbene produkcije so lahko ključna orodja (samo)refleksije. (Samo)refleksija je v enaki meri varuh enakosti in nastanka. Če domišljija ni zgolj duševni odziv na realnost, lahko postane gonilo nove prakse: materialna manifestacija določenih odnosov, njihovo preizkušanje v realnosti in hkratno izvajanje na poti k novim oblikam kolektivnosti in morda kolektivne avtonomije.
Studies on the knowledge society and regional innovation systems and their contribution to economic growth are already well established in research literature. This book ('Geographical Perspectives ...on the Knowledge Society in Slovenia') is based on a geographical analysis of connections between technological knowledge, competitiveness factors, and economic effects. It proceeds from the hypothesis that economic effectiveness in a region originates from the quality of human capital, in which innovations are the precondition for social progress, competitiveness, and developmental success. This article analyzes the spatial expansion of the knowledge society based on socioeconomic and development indicators in Slovenia. The key finding is that these areas are unevenly distributed. The high share of centers of national importance and neighboring suburban municipalities in emerging urban regions stands out in particular. Areas with a high percentage of creative professions are more innovative and their economic and social development is more successful.
Global scientific literature widely deals with analysis of regional innovative systems and their contribution to economic growth. Modern theories and empirical researches indicate strong correlation ...between the technical progress, creative human resources, toleration and capital investments. New investments are basic but not sufficient condition for balancing the developmental stimulation. Capital, linked with investment activities, natural (material) resources and human resources (work, knowledge, information) are main driving forces of the economic progress. New forms of investments today are strongly connected with population educational structure and knowledge, therefore investments do not occur everywhere, simultaneously and equally.