Digitalna kultura realizira samu sebe društvenim skokovima, a ne samo praćenjem ritma linearnog toka razvoja tehnologije. Promjena globalne kulturne paradigme prihvaća se trenutno i bez rezervi, kako u slučajevima prva dva skoka (y2k milenijski bug i web 2. 0), tako i trećem, post – Covid-19. Komunikacija uživo, kao i drugi uobičajeni aspekti ljudske izvedbe uživo, postaje virtualizirana. Proces se razvija i održava pomoću obrazaca tradicionalne umjetničke izvedbe uživo, a poznatih iz dramaturgije kazališta i performansa. Takvi obrasci ugrađeni su u tehnologiju digitalne komunikacije otprije. Pozicija ljudskog izvođačkog tijela u novim okolnostima postaje predmet zanimanja strojne civilizacije. Bitka ljudi za održavanjem identiteta vodi se izvedbom i u post – Covid-19 diskursu, slično bitkama koje se povijesno vode s nad-sustavima moći. Digital culture realizes itself by social leaps, not following the linear flow of technology development. The change of the global cultural paradigm is accepted immediately and without reservations, both in the cases of the first two jumps (y2k millennial bug and web2.0), as in the third post-covid-19. Live communication, like other common aspects of human live performance, is becoming virtualized. The process is developed and maintained using patterns of traditional live artistic performance, known from theater dramaturgy and performance. Such patterns have been incorporated into digital communication technology before. The position of the human performing body in new circumstances becomes the subject of interest of machine civilization. The battle of people to maintain identity is led by performance in Post-covid-19 discourse as well, similar to the battles historically fought with super-systems of power.