The publication of volume 12 of the Catalogus translationum et commentariorum has opened up a vast field of new manuscript material dealing with the medieval commentary tradition on Ovid’s Metamorphoses. Among the important French commentaries briefly discussed therein is Brussels, KBR 2100. The commentary was produced in northern France in the mid-thirteenth century and to date has received little detailed scholarly attention. In this article, I discuss the varied approaches adopted by the commentator in explicating Ovid’s text. The commentary contains some material in common with Arnulf of Orléans and the Vulgate Commentary. But it also adopts several quite unique approaches to glossing the text, including a fondness for outlining Ovid’s rhetorical flourishes and interpreting the text from a very Christian perspective.