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Gledališče zatiranih kot oblika artivističnega gledališča v SlovenijiPolajnar, Barbara, kulturologinjaGledališče zatiranih je gledališka metoda, ki daje glas tistim, ki ga nimajo. Metoda oder uporablja kot prostor za diskusijo o mnogokrat prezrtih družbenih tematikah. Gledališče zatiranih izvira iz ... Brazilije - gledališčnik in aktivist Augusto Boal je metodo zastavil v 50. letih prejšnjega stoletja, v naslednjih desetletjih pa se je razvila kot artivistični odgovor na takratno politično stanje; državo je zaznamovalo obdobje vojaške diktature, ki je Braziliji vladala med letoma 1967 in 1985. V Sloveniji se v obliki delavnic, usposabljanj, predstav in festivalov gledališče zatiranih kontinuirano pojavlja od leta 2010. Prispevek na treh primerih uporabe gledališča zatiranih v KUD Transformator obravnava adaptacije in razvoj metode gledališča zatiranih kot umetniško-aktivističnega gledališča. V prvih primerih predstavljamo razvoj novih gledaliških praks gledališča zatiranih (tehnika improforum in projekt predstav za otroke Moje prav(lj)ice) , tretji primer, projekt Resilient Revolt , pa se kaže kot uspešen način gledališkega pristopa k problematiki okoljevarstva na mednarodni ravni.Source: Amfiteater : revija za teorijo scenskih umetnosti = journal of performing arts theory. - ISSN 1855-4539 (Letn. 8, št. 1, 2020, str. 282-297)Type of material - article, component partPublish date - 2020Language - slovenianCOBISS.SI-ID - 22496771
Author
Polajnar, Barbara, kulturologinja
Other authors
Zajec, Urška
Topics
gledališče zatiranih |
artivizem |
družbene spremembe |
politično gledališče |
sistemsko zatiranje |
skupnost |
Theatre of the Oppressed |
artivism |
social changes |
political theatre |
systemic oppression |
community
source: Amfiteater : revija za teorijo scenskih umetnosti = journal of performing arts theory. - ISSN 1855-4539 (Letn. 8, št. 1, 2020, str. 282-297)
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Polajnar, Barbara, kulturologinja | |
Zajec, Urška |
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