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Reading a feminist epistemology in Margaret Atwood's MaddAddamRingo, Rano ; Sharma, JasmineThis paper proposes an epistemological interpretation of Margaret Atwood's MaddAddam (2013). Set in a post-anthropocene world, Atwood's biopunk work indicates the rise of posthumanism after the ... "Waterless Flood" that proves apocalyptic. This interpretation is attempted through emphasis on the protagonist Toby's practice of epistemic writing and her art of storytelling. Divided into two major sections, the article illustrates a revival of an epistemological feminist subculture. The first section discusses the significance of a feminist standpoint in unravelling posthuman reality. It describes Toby's epistemological endeavor to enlighten the Crakers and enrich their bioengineered minds with the story of their creation. The second section builds upon the idea of bisexual writing and Toby as its prime pro-generator and practitioner. The conclusion remarks on the relevance of feminist epistemology in integrating the two communities in the post-anthropocene.Source: Atwood at 80 (Vol. 17, no. 1, 2020, str. 111-124)Type of material - article, component part ; adult, seriousPublish date - 2020Language - englishCOBISS.SI-ID - 71856387
Author
Ringo, Rano |
Sharma, Jasmine
Topics
Atwood, Margaret, 1939- |
Literarne študije |
"MaddAddam" |
Canadian literature |
feminism |
epistemology |
standpoint |
posthumanism |
bisexual |
bisexual |
kanadska književnost |
feminizem |
epistemologija |
stališče |
posthumanizem |
biseksualnost
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Ringo, Rano | ![]() |
Sharma, Jasmine | ![]() |
Source: Personal bibliographies
and: SICRIS
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