Media Spectacle Kellner, Douglas
2003, 20030829, 2004-01-14, 2003-08-29, 20020101
eBook
During the mid-1990s, the O.J. Simpson murder trial dominated the media in the United States and were circulated throughout the world via global communications networks. The case became a spectacle ...of race, gender, class and violence, bringing in elements of domestic melodrama, crime drama and legal drama. According to this fascinating new book, the Simpson case was just one example of what the author calls 'media spectacle' - a form of media culture that puts contemporary dreams, nightmares, fantasies and values on display. Through the analysis of several such media spectacles - including Elvis, The X Files, Michael Jordan, and the Bill Clinton sex scandals - Doug Kellner draws out important insights into media, journalism, the public sphere and politics in an era of new technologies.
In this excellent follow up to his best selling Media Culture, Kellner's fascinating new volume delivers an informative read for students of sociology, culture and media.
Douglas Kellner's Media Spectacle and the Crisis of Democracy: 9/11, the War on Iraq, and Election 2004 investigates the role of the media in the momentous political events of the past four years. ...Beginning with the role of the media in contested election of 2000, Kellner examines how corporate media ownership and concentration, linked with a rightward shift of establishment media, have disadvantaged the Democrats and benefited George W. Bush and the Republicans. Exploring the role of media spectacle in the 9/11 attacks and subsequent Terror War in Afghanistan and Iraq, Kellner documents the centrality of media politics in advancing foreign policy agendas and militarism. Building on his analysis in Media Spectacle (Routledge 2003), Kellner demonstrates in detail how conflicting political forces ranging from Al Qaeda to the Bush administration construct media spectacles to advance their politics. Two chapters critically engage the role of the media in the buildup to the Iraq war and the media-centric nature of Bush's Iraq invasion and occupation. Final chapters delineate the role of the media in the highly contested and significant 2004 election campaign that many believe to be one of the key political struggles of the contemporary era. Criticizing Bush's unilateralism, Kellner argues for a multilateral and cosmopolitan globalization and the need for democratic media to help overcome the current crisis of democracy in the United States.
In this article, I argue that concern with the public sphere and the necessary conditions for a genuine democracy can be seen as a central theme of Jurgen Habermas's work that deserves respect and ...critical scrutiny in the contemporary moment, when throughout the world liberal democracies are in crisis. My study intends to point to the continuing importance of Habermas' problematic of the public sphere and its relevance for debates over democratic politics and social and cultural life in the present age, in an era in which the Occupy Movements, Black Lives Matter, #MeToo, the Trump Resistance Movement, and Ukraine and Palestine Solidarity groups use social media to struggle against multiple forms of oppression. At stake is delineating a concept of the public sphere which facilitates maximum public participation and debate over the key issues of the contemporary era and which consequently promotes the cause of radical democracy and social transformation.
Solomon Northup’s testimonial 12 Years a Slave (1853) tells the heart-wrenching story of how a free black man living in New York was captured by slave traders and forced to live as a slave on ...southern plantations in the 1840s under inhuman and oppressive conditions. Writing up and publishing his experiences, Northup presents a searing portrayal of the evils of slavery that influenced abolitionist arguments and movements in the pre-Civil War period as debates over slavery intensified, leading to the bloodiest war in American history. The horrors of slavery created a crisis of humanity in the United States in which a class of Americans participated in slave-holding, a practice that was seen in some parts of the country as causing a crisis of humanity in which millions were subjected to inhuman living working and living conditions. While the U.S. constitution and American revolution had produced “liberty and justice for all,” and proclaimed equal rights before the law obviously the system of slavery created a crisis for U.S. constitutional democracy that led to a Civil War that almost tore the country apart. Hollywood cinema has traditionally been reluctant to portray the horrors of slavery, providing idealizations of slavery in films like Birth of a Nation (1915) and Gone with the Wind (1939), and tending to ignore it during the highly charged post-World War II period that featured an intensifying powerful Civil Rights movement. Steve McQueen’s 2013 film provides a powerful cinematic rendition of Northup’s 12 Years a Slave and has been affirmed as one of the one most powerful films on slavery ever produced, a film being nominated for and winning multiple awards as I write in winter 2014. In this article, I will contrast Gordon Parks’ relatively unknown PBS “American Experience” film of 1984 Solomon Northup’s Odyssey with McQueen’s film, although I open with a look back at Steven Spielberg’s Amistad (1997), which presents a 1839 slave revolt on a ship bound to the Americas and the subsequent trial of the rebels. The Amistad rebellion and trial, like Northup’s book, influenced the abolitionist movement and is a significant, although often forgotten moment in U.S. history. Hence, the current discussions of McQueen’s highly acclaimed film provide the opportunity for a look backwards at a painful moment in U.S. history and for discussion of different modes of cinematic representation of slavery and how a crisis of humanity in the U.S. has received different modes of cinematic representation. Accordingly, I will contrast Spielberg’s film with Parks’ and McQueen’s presentations of slavery in their versions of Northup’s 12 Years a Slave. Although Spielberg’s Amistad contains many features of dominant American ideology and an individualist Hollywood narrative which informs Spielberg’s liberal cinema, it is perhaps the most modernist and one of the most compelling of Spielberg’s films that deserves a second look and comparison with Park and McQueen’s 12 Years a Slave. I will, however, first examine Amistad which provides a broader panorama of the system and complex effects of slavery in U.S. life and history than Parks’ powerful narrative of Northup’s book and McQueen’s more concentrated and intense focus on the horrors of slavery in 12 Years a Slave. I contrast Parks’ use of classical realist modes of representation with McQueen’s aestheticized and modernist version. Juxtaposing different cinematic representations of slavery and cinematic renditions of Northup’s slave testimony, I show how McQueen’s film provides a modernist version of Northup’s text that forces the audience to experience the horrors of slavery and crisis of humanity, while Parks uses a conventional realist narrative to tell Northup’s story and depict the institutions of slavery. These films, I believe, are among the best English-language cinematic efforts to engage the “peculiar” and arguably monstrous American institution of slavery that continues to shape our history today into the Obama era.Palabras clave: Esclavitud; Crisis de la humanidad; Narrativas de la crisis; Hollywood; Steven Spielberg; Steve McQueen Keywords: Slavery; Crisis of Humanity; Narratives of Crisis; Hollywood; Steven Spielberg; Steve McQueen
Media literacy education is not as advanced in the USA as in several other English speaking areas, such as Great Britain, Canada, and Australia. Despite decades of struggle since the 1970s by ...individuals and groups, media education is still only reaching a small percentage of K-12 schools in the US. While some major inroads have been made, such as getting elements of media literacy included in most of the 50 state's educational standards and the launching of two national media education organizations, most teachers and students in the USA are not aware of issues involved in media literacy education. In this paper we set forth some models of media literacy, delineate key concepts of critical media literacy, and then examine some of the most active organizations in the USA and differences in their goals and pedagogy.
The book documents how Trump's rise to global celebrity and now political power is bound up with his use of media spectacle and how his use of authoritarian populism has created a mass movement ...beyond his presidency and a danger to the traditions of U. S. democracy as well as economic security and world peace.
This contribution serves as an invitation to a renewed exploration of Herbert Marcuse’s critical theory. It discloses his continued relevance for critical social theory and politics in the ...contemporary moment and why Marcuse should not be condemned to the dustbin of history but should be appropriated and developed in our contemporary conditions in which crises are multiplying.
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