This book traces translation and interpreting practices in the Habsburg Empire’s (1848-1918) administration, courts and diplomatic service, and takes account of the “habitualised” translation carried ...out in everyday life. It then details the flows of translation among the Habsburg crownlands and between these and other European languages, with a special focus on Italian–German exchange. Applying a broad concept of “cultural translation” and working with sociological tools, the book addresses the mechanisms by which translation and interpreting constructs cultures, and delineates a model of the Habsburg Monarchy’s “pluricultural space of communication” that is also applicable to other multilingual settings. German version of the book: http://e-book.fwf.ac.at/o:18
Das Buch befasst sich mit der Übersetzungs- und Dolmetschpraxis der Habsburgermonarchie zwischen 1848 und 1918 in der Verwaltung, bei Gericht, im diplomatischen Dienst und als tägliche Alltagspraxis. Analysiert werden ebenso die Übersetzungsströme zwischen den einzelnen Sprachen der Kronländer und mit Ländern außerhalb der Monarchie; der Fokus dieser Untersuchungen wird schließlich auf die Übersetzungen aus dem Italienischen gelegt. Unter Anwendung des Konzepts der „kulturellen Übersetzung“ und auf Pierre Bourdieu basierender translationsoziologischer Methoden untersucht das Buch die kulturkonstruierenden Mechanismen von Translation und skizziert einen „plurikulturellen Kommunikationsraum der Habsburgermonarchie“, der auch auf andere mehrsprachige Räume anwendbar ist. Deutsche Version des Buches: http://e-book.fwf.ac.at/o:18
Decorative handcrafts are commonly associated with traditional femininity and unthreatening docility. However, the artists connected with interwar Vienna’s “female Secession” ...created craft-based artworks that may be understood as sites of feminist resistance. In this book, historian Megan Brandow-Faller tells the story of how these artists disrupted long-established boundaries by working to dislodge fixed oppositions between “art” and “craft,” “decorative” and “profound,” and “masculine” and “feminine” in art.
Tracing the history of the women’s art movement in Secessionist Vienna—from its origins in 1897, at the Women’s Academy, to the Association of Austrian Women Artists and its radical offshoot, the Wiener Frauenkunst—Brandow-Faller tells the compelling story of a movement that reclaimed the stereotypes attached to the idea of Frauenkunst , or women’s art. She shows how generational struggles and diverging artistic philosophies of art, craft, and design drove the conservative and radical wings of Austria’s women’s art movement apart and explores the ways female artists and craftswomen reinterpreted and extended the Klimt Group’s ideas in the interwar years. Brandow-Faller draws a direct connection to the themes that impelled the better-known explosion of feminist art in 1970s America. In this provocative story of a Viennese modernism that never disavowed its ornamental, decorative roots, she gives careful attention to key primary sources, including photographs and reviews of early twentieth-century exhibitions and archival records of school curricula and personnel.
Engagingly written and featuring more than eighty representative illustrations, The Female Secession recaptures the radical potential of what Fanny Harlfinger-Zakucka referred to as “works from women’s hands.” It will appeal to art historians working in the decorative arts and modernism as well as historians of Secession-era Vienna and gender history.
A term specifically found in European politics, social concertation refers to cooperation between trade unions, governments and employers in public policy-making.Social Concertation in Times of ...Austerityinvestigates the political underpinnings of social concertation in the context of European integration. Alexandre Afonso focuses on the regulation of labor mobility and unemployment protection in Austria and Switzerland, two of Europe's most prosperous countries, and he looks at nonpartisan policymaking as a strategy for compromise. With this smart, new study, Afonso powerfully enters the debate on the need for a shared social agenda in post-crisis Western Europe.
Multiculturalism has long been linked to calls for tolerance of cultural diversity, but today many observers are subjecting the concept to close scrutiny. After the political upheavals of 1968, the ...commitment to multiculturalism was perceived as a liberal manifesto, but in the post-9/11 era, it is under attack for its relativizing, particularist, and essentializing implications. The essays in this collection offer a nuanced analysis of the multifaceted cultural experience of Central Europe under the late Habsburg monarchy and beyond. The authors examine how culturally coded social spaces can be described and understood historically without adopting categories formerly employed to justify the definition and separation of groups into nations, ethnicities, or homogeneous cultures. As we consider the issues of multiculturalism today, this volume offers new approaches to understanding multiculturalism in Central Europe freed of the effects of politically exploited concepts of social spaces.
The Viennese cafe was a key site of urban modernity around 1900. In the rapidly growing city it functioned simultaneously as home and workplace, affording opportunities for both leisure and ...intellectual exchange. This volume explores the nature and function of the coffeehouse in the social, cultural and political world of fin-de-siecle Vienna. Just as the cafe served as a creative meeting place within the city, so this volume initiates conversations between different disciplines focusing on Vienna 1900. Contributions are drawn from the fields of social and cultural history, literary studies, Jewish studies and art, and architectural and design history. A fresh perspective is also provided by a selection of comparative articles exploring coffeehouse culture elsewhere in Eastern Europe.
An innovative study of the coalition between Imperial Germany and Austria-Hungary during the First World War. Jan Vermeiren pays particular attention to the cultural and social dimension of the ...special relationship between Berlin and Vienna and investigates the impact of the wartime alliance on German national identity. Focusing on the attitudes taken by governmental circles, politically active groups, and the broader public towards their 'fellow' Germans in the Habsburg Monarchy, Vermeiren provides a reassessment of German war ideology and nationalism and also presents many new insights into German-Slav and German-Hungarian relations in the period. Based on an impressive array of primary sources, the book is a valuable addition to the field of international history and will appeal to scholars of German and Central European history, historians of the First World War, and readers with an interest in the complex relationship between war and society.
Assessing the impact offin-de-siecleJewish culture on subsequent developments in literature and culture, this book is the first to consider the historical trajectory of Austrian-Jewish writing across ...the20thcentury. It examines how Vienna, the city that stood at the center of Jewish life in the Austrian Empire and later the Austrian nation, assumed a special significance in the imaginations of Jewish writers as a space and an idea. The author focuses on the special relationship between Austrian-Jewish writers and the city to reveal a century-long pattern of living in tension with the city, experiencing simultaneously acceptance and exclusion, feeling "unheimlichheimisch"(eerily at home) in Vienna.
After the Anschluss (annexation) in 1938, the Nazis forced Austrian Chancellor Kurt Schuschnigg to resign and kept him imprisoned for seven years, until his rescue by the Allies in 1945. ...Schuschnigg’s privileged position within the concentration camp system allowed him to keep a diary and to write letters which were smuggled out to family members.
Drawing on these records, Prison Elite paints a picture of a little-known aspect of concentration camp history: the life of a VIP prisoner. Schuschnigg, who was a devout Catholic, presents his memoirs as a confession, expecting absolution for any political missteps and, more specifically, for his dictatorial regime in the 1930s. As Erika Rummel reveals in fascinating detail, his autobiographical writings are frequently unreliable.
Prison Elite describes the strategies Schuschnigg used to survive his captivity emotionally and intellectually. Religion, memory of better days, friendship, books and music, and maintaining a sense of humour allowed him to cope. A comparison with the memoirs of fellow captives reveals these tactics to be universal.
Studying Schuschnigg’s writing in the context of contemporary prison memoirs, Prison Elite provides unique insight into the life of a VIP prisoner.
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