Algerian migration to France began at the end of the 19th century, but in
recent years France's Algerian community has been the focus of a shifting public
debate encompassing issues of unemployment, ...multiculturalism, Islam, and terrorism.
In this finely crafted historical and anthropological study, Paul A. Silverstein
examines a wide range of social and cultural forms -- from immigration policy,
colonial governance, and urban planning to corporate advertising, sports, literary
narratives, and songs -- for what they reveal about postcolonial Algerian
subjectivities. Investigating the connection between anti-immigrant racism and the
rise of Islamist and Berberist ideologies among the second generation
(Beurs), he argues that the appropriation of these cultural-political
projects by Algerians in France represents a critique of notions of European or
Mediterranean unity and elucidates the mechanisms by which the Algerian civil war
has been transferred onto French soil.
What Ails France? is a provocative but constructive critique of the French model of technocratic, elite leadership. Brigitte Granville applies an economist's vision to the monetary and fiscal ...pathologies flowing from this ideologically motivated technocratic rule, reflected in Europe's flawed monetary union, runaway indebtedness, and chronically high structural unemployment.
Political moderation is the touchstone of democracy, which could not function without compromise and bargaining, yet it is one of the most understudied concepts in political theory. How can we ...explain this striking paradox? Why do we often underestimate the virtue of moderation? Seeking to answer these questions, A Virtue for Courageous Minds examines moderation in modern French political thought and sheds light on the French Revolution and its legacy.
A passionate account of how the gulf between France's metropolitan elites and its working classes are tearing the country apartChristophe Guilluy, a French geographer, makes the case that France has ...become an "American society"-one that is both increasingly multicultural and increasingly unequal. The divide between the global economy's winners and losers in today's France has replaced the old left-right split, leaving many on "the periphery."As Guilluy shows, there is no unified French economy, and those cut off from the country's new economic citadels suffer disproportionately on both economic and social fronts. In Guilluy's analysis, the lip service paid to the idea of an "open society" has emerged in France as a smoke screen meant to hide the emergence of a closed society, walled off for the benefit of the upper classes. The ruling classes in France are reaching a dangerous stage, he argues; without the stability of a growing economy, the hope for those excluded from growth is extinguished, undermining the legitimacy of a multicultural nation.
World War I gave colonial migrants and French women unprecedented access to the workplaces and nightlife of Paris. After the war they were expected to return without protest to their homes-either ...overseas or metropolitan. Neither group, however, was willing to be discarded.
Between the world wars, the mesmerizing capital of France's colonial empire attracted denizens from Africa, the Caribbean, and the United States. Paris became not merely their home but also a site for political engagement.Colonial Metropolistells the story of the interactions and connections of these black colonial migrants and white feminists in the social, cultural, and political world of interwar Paris. It explores why and how both were denied certain rights, such as the vote, how they suffered from sensationalist depictions in popular culture, and how they pursued parity in ways that were often interpreted as politically subversive.
A world-famous ballerina's dramatic lifeDancing Past the Light cinematically illuminates the glamorous and moving life story of Tanaquil "Tanny" Le Clercq (19290), one of the most celebrated ...ballerinas of the twentieth century, describing her brilliant stage career, her struggle with polio, and her important work as a dance teacher, coach, photographer, and writer.Born in Paris, Le Clercq became a principal dancer with the New York City Ballet at age 19 and a role model for aspiring dancers everywhere. Orel Protopopescu recounts Le Clercq's intense marriage to the company's renowned choreographer George Balanchine, for whom Le Clercq was a muse, the prototype of the exquisite, long-limbed "Balanchine ballerina." Enhanced with a wealth of previously unpublished photos, personal letters, and sketches by Balanchine, this book offers an intimate portrait of Le Clercq's dancing life and her relationship to the man who was both her mentor and husband. It delves into her friendships with other dancers as well, including a longtime rival for her affections, choreographer Jerome Robbins. Le Clercq contracted polio while on tour in Europe at age 27 and would never dance again. This book offers a rare account of how Le Clercq grappled with a fate considered unimaginable for a ballerina and began to share her love of dance as a writer and dance teacher. It also highlights Le Clercq's role in the struggles for racial equality and disability rights. Her art was her vehicle: she and Arthur Mitchell made history as the couple in New York City Ballet's first interracial pas de deux at City Center in 1955 and later she taught from a wheelchair at his Dance Theatre of Harlem.With insights from interviews with her friends, students, and colleagues, Dancing Past the Light depicts the joys and the dark moments of Le Clercq's dramatic life, celebrating her mighty legacy.
By exploring how children and their families became unprecedented objects of governmental policy in the early decades of France's Third Republic, Sylvia Schafer offers a fresh perspective on the ...self-fashioning of a new governmental order. In the aftermath of the Franco-Prussian War, social reformers claimed that children were increasingly the victims of their parents' immorality. Schafer examines how government officials codified these claims in the period between 1871 and 1914 and made the moral status of the family the focus of new kinds of legislative, juridical, and administrative action. Although the debate on moral danger in the family helped to articulate the young republic's claim to moral authority in the metaphors of parenthood, the definition of "moral endangerment" remained ambiguous. Schafer shows how public authorities reshaped their agenda and varied their remedies as their schemes for protecting morally endangered children broke down under the enduring weight of this ambiguity.
Drawing on insights from feminist theory, literary studies, and the work of Michel Foucault, Schafer reveals the cultural complexity of civil justice and social administration in both their formal and everyday incarnations. In demonstrating the centrality of ambivalence as a condition of liberal government and governmental representations, she fundamentally recasts the history of the early Third Republic and, more widely, issues a powerful challenge to conventional views of the modern state and its history.
Originally published in 1997.
ThePrinceton Legacy Libraryuses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The concept of madness as a challenge to communities lies at the core of legal sources. This book considers how communal networks, ranging from the locale to the realm, responded to people who were ...considered mad. The madness of individuals played a role in engaging communities with legal mechanisms and proto-national identity constructs, as petitioners sought the king's mercy as an alternative to local justice. The resulting narratives about the mentally ill in late medieval France constructed madness as an inability to live according to communal rules. Although such texts defined madness through acts that threatened social bonds, those ties were reaffirmed through the medium of the remission letter. The composers of the letters presented madness as a communal concern, situating the mad within the household, where care could be provided. These mad were usually not expelled but integrated, often through pilgrimage, surveillance, or chains, into their kin and communal relationships.
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