Provider: - Institution: Institut National d'Histoire de l'Art - Data provided by Europeana Collections- 1826?- 19e siècle- Nombre de vues du document : 1- Date de numérisation : 2002- All metadata ...published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Michallon Coiny, Joseph (1795-1829) > Graveur; Cogniet, Léon (1794-1880) Image
Provider: - Institution: Institut National d'Histoire de l'Art - Data provided by Europeana Collections- 1822- 19e siècle- Nombre de vues du document : 1- Date de numérisation : 2002- All metadata ...published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: Institut National d'Histoire de l'Art - Data provided by Europeana Collections- s.d.- 19e siècle- Nombre de vues du document : 1- Date de numérisation : 2002- All metadata ...published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Date de numérisation : 2002- Nombre de vues du document : 1- All metadata published by Europeana are available free of restriction ...under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Michallon Coiny, Joseph (1795-1829). Graveur; D'après Cogniet, Léon (1794-1880) Image
Provider: - Institution: - Data provided by Europeana Collections- Date de numérisation : 2002- Nombre de vues du document : 1- All metadata published by Europeana are available free of restriction ...under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Date de numérisation : 2002- Nombre de vues du document : 1- All metadata published by Europeana are available free of restriction ...under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Landscape-painters in the Auvergne, 1800-1825.
During the 18th c., the Auvergne was an artistic desert, arousing little interest prior to the publication of some picturesque travellers’ accounts and ...to P.-M. Gault de Saint-Germain’s stay at Clermont between 1793 and 1801. From time to time, portrait painters such as J.-B. Isabey or other painters of historical subjects depicted the Puy-de-Dôme landscapes, but the Auvergne did not begin to attract artists on a regular basis until the influence of the books of B. Depping and H. Langlois, along with the triumph of lithography, had made itself felt. The year 1819 was a turning point and the beginning of an artistic fashion for the illustration of Auvergnat sites, particularly the Mont-Dore and Royat with their eminently romantic appeal. They were appreciated both by English water-colour artists and by French painters who exhibited at the Salons or who published albums of reproductions. During the 1830s the Auvergne acquired a reputation as the landscape artist’s favourite country. Gradually the landscape, at first a topographical record or the setting for some troubadour scene, became a valued genre in its own right.
Provider: - Institution: Institut National d'Histoire de l'Art - Data provided by Europeana Collections- 1919- 20e siècle- Nombre de vues du document : 22- Date de numérisation : 2013- Note : Fernand ...Lair-Dubreuil fut remplacé à son office en 1931, date possible de sa mort ; Georges Petit reprit la galerie fondée par son père Francis Petit en 1846 ; Rachetée suite à sa mort en 1920, elle ferma en 1933- Note de contenu : Contient 604 lots ; Un ordre des vacations se trouve en début de catalogue ; Les prix et les noms des acheteurs ont été ajoutés à la main- Note complémentaire : Les trois autres parties de la collection de Nicolas-Auguste Hazard ont été vendues du 1er au 3 (cf. VP 1919/431 et VP 1919/432), du 12 au 13 (cf. VP 1919/474) et du 29 au 30 décembre 1919 (cf. VP 1919/529)- Note complémentaire : Nicolas-Auguste Hazard (1834-1913) avait réuni dans sa propriété d'Orrouy, où il était le voisin et l'ami du comte Doria (protecteur du peintre Cals), une très importante collection de tableaux de l'école 1830 et de l'école impressionniste- Documents en rapport : Exemplaire illustré du catalogue de la vente de la première partie de la collection- Documents en rapport : Deuxième exemplaire annoté et non-illustré du catalogue de la vente de la première partie de la collection- Documents en rapport : Catalogue de la vente de la troisième partie de la collection les 12 et 13 décembre 1919- Documents en rapport : Catalogue de la vente de la quatrième partie de la collection les 29 et 30 décembre 1919- Langue du document : Français- Lieu de publication : Paris- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
