The paper discusses the linguistic, stylistic and educational potential of the novel Vreme kokoški (2013) by Dobrilo Nenadić, part of whose oeuvre can be used to introduce native literature. The ...problem of student familiarization with the cultural heritage of the immediate community opens up, in order to build awareness of the values of one's own culture along with European values in education. The goal is to shed light on the peculiarities of the novel Vreme kokoški from a linguo-stylistic perspective, as well as to examine the possibilities of utilizing this novel in high school education to encourage students to become familiar with their native heritage. A qualitative research analysis was conducted using the technique of content analysis 1) on the corpus of scientific literature dealing with the works of Dobrilo Nenadić, as well as (2) on the corpus of one of the writer's works. This analysis showed that the application of native narrative prose in high school classes and extracurricular activities will enable: (1) students to become familiar with the idiolect of the native writer; (2) teachers to design student activities for researching native language heritage using a specific text. It is concluded that Nenadić's novel Vreme kokoški (2013), thanks to its linguistic and stylistic features and educational values, represents a stimulating work for secondary school teaching, especially for various extracurricular activities in the Serbian language.
Abstract
An aesthetic and epistemological departure from ocular centrism has occurred in the wake of current technological evolutions and the posthuman turn. The sonic exploration of the ...more-than-human takes artists and philosophers beyond anthropomorphism to reveal the hidden patterning of life forms and yet-unfathomed universes. The conflation of nature(s) with culture(s) is one shift that takes place when thinking with sounds and rhythm and studying our environments. On an ontological level, a reordering of subject and object occurs when encountering the reciprocal relationship of
sounding
. What if culture is actually nature? How does technology connect with botany, and what does it mean to engage the environment with the expanded tactility of the ear? This essay observes current inter-species practices in sound art by revisiting philosopher Susanne Langer’s theory of an embodied and embedded mind. Her “new key” in philosophy emphasizes music as a
dynamic sound-pattern
to conceptualize a semiology of artistic forms that renders human
feeling
in regard to non-human antecedents. This serves as a tool to trace the preconceptual substrata of mind, leading us through process-oriented studies of nature and psychophysical affect. Thinking with Langer involves the interconnection of natural systems, behavioural patterns, and human expression, which emerges in art.
Koprsko primorje je najbolj obiskano turistično območje v Sloveniji. Velik turistični obisk vpliva tudi na značilnosti prometa na tem območju. Analiza podatkov o dnevnem številu vozil za števna mesta ...prometa na tem območju je pokazala, da so spremembe v obsegu prometa v veliki meri povezane z razpoložljivostjo prostega časa in vremenom. Kljub temu so glede intenzivnosti in opaznosti tovrstnih vplivov znotraj območja precejšnje razlike, saj se na njem prepletajo vplivi turizma, drugih gospodarskih dejavnosti in lokalnega prebivalstva.
Kmetijske in rokodelske novice so izhajale tedensko, urejal jih je Janez Bleiweis. Namenjene so bile najprej v pomoč kmetom in obrtnikom, kasneje pa so objavljale prispevke s področja leposlovja, ...konservativne politike, kulture in dopisov iz raznih krajev. Pomembne so bile predvsem zaradi utrjevanja slovenskega knjižnega jezika, splošnega sprejema gajice in nasploh zaradi vsestranskega kulturnega razvoja slovenskega naroda. Časnik se nadaljuje pod naslovom Novice kmetijskih, rokodelnih in narodskih reči
Bachground: Sample classification and registration have been recognized as important and time-consuming processes in laboratories. There is increasing pressure on laboratories to automate processes ...due to intense workload and reduce manual procedures and errors. The aim of the present study was to evaluate the positive effects of an automatic tube registration and sorting system on specimen processing.
Methods: An automatic tube registration and sorting system (HCTS2000 MK2, m-u-t AG, Wedel, Germany) was evaluated. Turnaround time (TAT), rate of sample rejection and unrealized tests were examined 12 months pre- and post-implementation of the automatic tube sorting and registration system.
Results: The mean TAT of routine chemistry immunoassay, complete blood cell count (CBC) and coagulation samples were significantly improved (P<0.001). The number of rejected samples and unrealized tests was insignificantly decreased post-implementation of the system (0.4% to 0.2% and 4.5% to 1.4%, respectively) (P>0.05).
Conclusions: By reducing delays and errors in the preanalytical processing and sorting of samples, significant improvements in specimen processing were observed after implementation of the system. These results suggest that an automatic tube registration and sorting system may also be used to improve specimen processing in a higher-volume core laboratory.
Uvod: Klasifikacija i registracija uzoraka u laboratorijama prepoznate su kao važni i dugotrajni procesi. Laboratorije su pod sve većim pritiskom da automatizuju postupke zbog velikog obima posla i smanje manuelne procedure i greške. Cilj ove studije bio je da se procene pozitivni efekti jednog sistema za automatsko registrovanje i sortiranje uzoraka na njihovu obradu.
Metode: Ocenjivali smo sistem za automatsko registrovanje i sortiranje uzoraka (HCTS2000 MK2, m-u-t AG, Wedel, Nemačka). Ukupno vreme za obradu uzorka (turnaround time), stopa odbacivanja uzorka i nerealizovani testovi obradeni su 12 meseci pre i posle implementacije sistema za automatsko sortiranje i registrovanje uzoraka.
Rezultati: Srednje ukupno vreme obrade uzoraka za rutinske hemijske imunoeseje, kompletnu krvnu sliku i koagulaciju bilo je značajno bolje (P<0,001). Broj odbačenih uzoraka i nerealizovanih testova bio je smanjen, iako ne značajno, posle implementacije sistema (sa 0,4% na 0,2%, odnosno sa 4,5% na 1,4%) (P>0,05).
Zaključak: Zahvaljujući ređim slučajevima kašnjenja i redim greškama prilikom preanalitičke obrade i sortiranja uzoraka, uočena su značajna poboljšanja u obradi uzoraka posle implementacije ovog sistema. Naši rezultati pokazuju da se sistemi za automatsko registrovanje i sortiranje mogu koristiti radi poboljšane obrade uzoraka i u centralnim laboratorijama sa velikim obimom posla.
Aerotunelska ispitivanja protivoklopne avio-bombe (PTAB) se vrše se da bi se odredili aerodinamički koeficijenti u režimima podzvučnog i transoničnog strujanja. U istim režimima strujanja ispituje se ...i vreme armiranja mehanizma upaljača avio-bombe, koje direktno zavisi od uslova opstrujavanja protivoklopne avio-bombe. Krajnji cilj ispitivanja je definisanje pouzdane metode za određivanje vremena armiranja upaljača u aero-tunelu, čime se isključuju skupa letna ispitivanja. Za potvrdu metode predviđena je i verifikacija istih karakteristika protivoklopne avio-bombe u realnim letnim uslovima, nakon aerotunelskih ispitivanja. / Wind tunnel testing of an aircraft anti-armor bomb (PTAB) is performed to determine its aerodynamic coefficients at subsonic and transonic flow regimes. In the same regimes, the fuze mechanism arming time is tested, directly depending on the local flow field around the anti-armor bomb. The objective of this investigation is to define a reliable method of determining the fuze mechanism arming time. A verification of the same characteristics of the anti-armor bomb in real flight conditions will be taken into consideration to approve the method after wind tunnel testing. / Испытания в аэродинамической трубе противотанковых авиабомб (ПТАБ) проводятся с целью определения аэродинамического коэффициента в режиме дозвукового и околозвукового течения. В тех же режимах течения проходят и испытания необходимого времени для срабатывания механизма зажигания авиабомбы, которое зависит от условий обтекания противотанковой авиабомбы. Конечной целью данных испытаний является разработка точных методов определения времени срабатывания механизма зажигания в аэродинамической трубе, так как их применение позволит существенно снизить расходы, за счет исключения дорогостоящих летных испытаний. Проверка соответствия примененного метода и характеристик противотанковой авиабомбы будет проведена в реальных летных условиях, после проведения испытаний в аэродинамической трубе.
Turizem je močno povezan z vremenom in s podnebjem ter z njegovim spreminjanjem. V tej raziskavi smo skušali na podlagi podatkov o dnevnem številu obiskovalcev izbranih različnih tipov turističnih ...točk v Sloveniji ugotoviti, kakšna je pravzaprav povezanost med posameznimi vremenskimi parametri in številom obiskovalcev. Njihovi odzivi pa nam dajejo vpogled v to, kako bi, preko spremenjenih vremenskih vzorcev, podnebne spremembe lahko vplivale na gibanje števila turistov in rekreativcev.
The previous goal of this research was to show that epic time does not have
to function exclusively as “closed”, nor to hold “the island position” put
against the other epochs, the opinion that ...prevailed in recent times when
Serbian folk epic and Russian epic folk songs (byliny) were compared. The
main method of this research is semiological, but when the reseached mingled
with scientific, linguistic, literary scientific, antropological and other
types of knowledge (different methodological points of departure), it
inevitably took interdisciplinary character and lead to methodological
pluralism. The main point of this research was to figure out the way in which
time in a poetic narrative (narrative time) relates to the real (historical,
i.e., objective) time, as well as the way it functions as biographical time
of the character determined by sociocultural facts in which a variation
exists, connected to different age identities. The starting point from which
biological and social time measures is the birth of a hero. His birth as well
as his origin is highly unusual. The period of childhood lasts relatively
shortly. The liminal phase of the child is abandoned with his first
achievement, or heroic marriage. The adolescent then acquires a new status –
status of young warrior. Once the status of warrior is acquired, the hero
spends the rest of his life in constant confirmation, more with every battle.
Adulthood, therefore, functions as an unmarked (usual) maturity identity of
the hero. By handing down his heroic symbols (the horse and the weapon) to
his son, the hero renounces his status and becomes old. His leaving is
accomplished in two ways – by changing the surrounding – becoming an advisor
or a sage – or by dying whereby the unusual hero, in compliance with the the
plots of the hero's death poems, faces unusual death. Bounded by birth and
death, biography of an epic hero in a particular plot actualizes one of the
(usually most important) moments of his life (the first conflict, marriage,
etc.) weaving around this point the temporal foundation of the poem. Time in
oral folk epic creates a very compound system of relations – both in
extra-poetic reality and within the “epic time”. The first type of
relationship is achieved with breaking through the barrier of the (recent)
past in chronicle modeled poems, by introducing the narrators alter ego, a
narrator – participant (i.e., by introducing the internal perspective of the
text). Unlike the previous – mobility (before all – mutual approximation) of
different biographical times of the characters who share mutual past –
enabled different characters whose historical prototypes are severed by
several centuries to act together. Appearance of particular characters in
particular plots could be conditioned by historical setting, as well as by
the fund of knowledge in the tradition, which create the role (sphere of
interest) that the hero is going to play. Independently on the category of
character, time in the poem reflects the agrarian calendar (a year is divided
into two periods – summer and winter, i.e., St. George's and St. Demitrius'
periods). These holidays split the yearly cycle, and all the duties were
performed within that period – by connecting to certain saints – patrons of
certain activities. That was also the time for paying taxes. This caused the
hayducks to plunge the collectors, which was heroized into new plots. Since
these holidays enabled winning a great fortune, activities of the hayducks is
bounded by these holidays and proverbially expressed: St. George's day –
meeting of hayducks, St. Demitrus' Day – hayducks' goodbye. Sacred character
of these holidays and the sacrifice as a symbol, spring and winter, birth and
death (in winter shelter, with unfaithful concealers) were interwoven into
the epic narrative. Transposed onto the plane of daily cycle, symbolism of
life and death was connected to the sun's movement, its rise, and occasional
fade-away. Daily, weekly and annual cycles (the passing of time), constitute
concepts of achieved time (past) and unachieved time (future), whereof past
motivates previous events (their source and cause). The future opens new
perspectives for further events and the destiny of the heroes, leaves clues,
speaks the language of symbols (signs – omens, forebodings, and dreams), or
displays images from prophetic books. The past was also enriched by the
inserted episodes (i.e., the pre-fable) from the life of the heroes, and the
future even crossed the boundaries of the plot and announced important epic
biographies (like Marko Kraljević's). The rhythm of moving forward and
backward broke the temporal framework of narrative time. The time of the poem
is, in that way, invaded outwardly (towards the performing time), tending
towards the final points that time measuring can express – the End of Time
and The Judgment Day. Therefore time cannot be reduced to the sequence of
isolated events, “locked” in the epic “history”. On the contrary – time in an
epic poem functions as a complex network of relations, multiply overlapping
and fruitfully interweaving different dimensions of the poem. Having as a
fact that overall human experience is featured by narrativness and
conceptualizes as a tale, it is logical that it does not pass homogeneously,
but it “thickens” and “thins”. That tale can develop in continuity – from the
beginning to the end, successively, or can flow with interruptions –
diffusely and discontinuously. In both cases, shifts of narrative structure
and development of the plot are accompanied by the change of location,
connected with temporal succession of events. In that way, succession of
aggregate spatial and temporal markers builds coordinates of song's reality.
On the contrary, their abandonment, or random order, leads towards
discontinuity of the temporal structure (i.e., forking of the fable) and, in
the end, towards its (fable's) disintegration. Finally, it is possible that
nothing happens (periods of uninformative sequences of the plot). By
introducing the technique of “idle” time (sickness, imprisonment, waiting,
overnight stays, length of marital proposal, etc.) uninformative parts of the
plot are reduced. Therefore, this technique has a function of connecting the
narrative cores, keeping the hero in the spot all the time. Close to this is
the happy-end, which “freezes time” in idyllic scenery of hero's happiness
and accomplishment, but also the scene of permanent unhappiness of the dead's
relatives, in the ballad, which intensifies the feeling about the
irreparability of the loss of the close ones. Thanks to the subjective
experience of time – with its conceptualization – time is shaping to the
taste of the listeners. Narrative time can “fly” or “drag” or “linger”, run
in circles or eagerly progress towards the end of the plot (Lihačov), which
influenced the process of its creation. The whole past diminishes the
importance of single events, tends to bring them on the same level, with no
reconciliation or clear time perspective. Events themselves become autonomous
in relation to the flow of empirical time and go on together with the story.
Therefore, the singing about the past events is insensitive to the
“objective” changes of time, and different narrative sequences accordingly
relate in temporal and spatial coordinates in most various ways. In the
conclusion we may say that well-known (or imaginary) episodes from the lives
of famous people are shaped into their own temporality, and passed down
during generations, according to the poetics of singing.
Prvobitni cilj ovog istraživanja bio je pokazati da epsko vreme ne mora
funkcionisati kao isključivo kao „zatvoreno“, niti zauzimati „ostrvski
položaj“ u odnosu na druge epohe, kako se to obično smatralo, pri
neopravdanoj analogiji srpske epike i ruskih biljina. Osnovna metoda ovog
istraživanja je semiotička, a kada se istraživanje ukrštalo s naučnim,
lingvističkim, književnonaučnim, antropološkim, i drugim saznanjima
(različitim metodološkim polazištima), neminovno je poprimalo
interdosciplinarni karakter i vodilo je ka metodološkom pluralizmu. Predmet
istraživanja bio je razmotriti kako se vreme u pesmi (narativno vreme)
konstituiše u poređenju s realno postojećim (istorijskim, tj. objektivnim)
vremenom, kao i to kako ono funkcioniše na ravni biografskog vremena lika,
određenog pre svega sociokulturnim realijama društva u kome varijanta
egzistira, vezanim za različite uzrasne identitete. Početna tačka od koje se
dalje samerava biološko i socijalno vreme je rođenje junaka, koje je, po
pravilu, nesvakidašnje, kao, uostalom, i njegovo poreklo. Detinjstvo traje
srazmerno kratko, a prevazilaženje liminalnog statusa deteta ostvaruje se
prvim podvigom, odnosno junačkom ženidbom, čime se junaku adolescentu
obezbeđuje novi status – mladog ratnika. Kada jednom osvoji status ratnika,
glavni junak ostatak života provodi u njegovom stalnom potvrđivanju i
dokazivanju, iz jednog podviga u drugi. Zrelo doba, stoga, funkcioniše kao
nemarkirani (uobičajeni) uzrasni identitet junaka. Predavanjem junačkih
atributa (konja i oružja) sinu, junak se odriče svog statusa i prelazi u
kategoriju starih lica. Izlazak iz ratničkog statusa ostvaruje se na dva
načina – promenom delokruga – ulaskom u delokrug savetnika (mudraca), ili
odlaskom u smrt, pri čemu će neobičnom junaku, saobrazno sižeima pesama o
smrti junaka, odgovarati „neobična“ smrt. Ograničena rođenjem i smrću,
biografija epskog junaka, u konkretnom sižeu, aktualizovaće jedan od (obično
najvažnijih) trenutaka iz života lika (prvi sukob, ženidbu i sl), pletući oko
ove tačke vremensku armaturu pesme. Pritom, vreme u usmenoj epici gradi vrlo
složen sistem relacija – kako sa vanpoetskom stvarnošću, tako i u pogledu
vremenskog približavanja različitih, međusobno vremenski udaljenih događaja i
likova unutar „epskog vremena“. Prvi tip odnosa postiže se razbijanjem rampe
prema (nedavnoj) prošlosti u pesmama hroničarskog modela, uvođenjem
Magajnov večer v Vremah 26. marca 1993Na predvečer 30-letnice smrti dr. Bogomirja Magajne (1904–1963) so domačini iz Vremske doline 26. marca 1993 obudili in počastili spomin na priljubljenega ...rojaka, zdravnika, specialista za duševne bolezni, in pisatelja poetičnorealističnih, psiholoških novel, tudi s tematiko NOB (narodnoosvobodilnega boja), ki se ga je bil aktivno udeležil (Zaznamovani, Odmev korakov, idr.). In seve tudi kot priljubljenega mladinskega pisatelja (Brkonja Čeljustnik idr.). Kot gosta so v prvo vrsto posadili dr. Zoltana Jana in mene, oba sva pisala o pisateljevem delu, med naju pa še enega domačina, rojenega v Vremah, mladega pesnika Franceta Magajno (Poezija mlade ljubezni, idr.). France Magajna se je imenovala tudi starejši Bogomirjev brat (1895–1971), avtor humoristično naravnanih Žalostnih zgodb o veselih Kraševcih. Priimek Magajna je v tistih krajih pogost. (sf)
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