This scientific article describes design planning and development of the business database application “Laundry“ for an association named “Terra“ in the city of Rijeka. The idea for a business
...application came during a conversation with the “Oaza“ association employee in Rijeka. Application design planning was preceded by interviewing people which was indispensable in order to make a list of user requirements.These user requirements were needed for developing a relational database in Clarion, Entity – relationship model and for relation model. This article contains pictures as examples of the most important parts of the application made in Clarion program with a matching description. The work resulted in a complete application for the business system association “Terra’s Laundry“ in Rijeka. When the application was done, the meeting was arranged so that the application could be presented to “Terra’s Laundry’s“ employees. At the presentation of the application the employees were expected to comment and say what should be changed, added or removed from the application. In line with what was said at the meeting, the application was modified and finally it was ready to be installaled on the “Terra’s Laundry“ main computer. It was also necessary to install a program for automatic backup in order to make its security copy on daily basis.
This paper examines, from the perspective of philosophy of media, our comprehension of space in the context of media culture and entertainment industry. The notion of space, while being based on ...Kant’s assumptions of unity and infinity of pure spatiality, will be discussed mostly regarding its technological genesis and applications within the domains of arts and contemporary media. Consequently, we will look into the phenomena of virtual space (VR) and augmented space (AR). After the period during which they were treated as “technological attractions”, they are being increasingly used by creative industries – VR cinema, partly theatre, and video games. Their fate is thus related to the commercial exploitation which, reversibly, leads to their complexification and multiplication, as well as the further development carried out for profit. The paper attempts to address – from the critical standpoint – these transformations of their primary roles: from technological attraction, through artistic media, to the resource for commercial exploitation.
Autor u članku donosi rezultate podmorskih arheoloških istraživanja u uvali Pocukmarak na otoku Silbi, gdje je izvršeno pet istraživačkih kampanja. Radi se o kamenom nasipu – gatu koji je činio manje ...pristanište u uvali, dok su u neposrednom zaleđu uvale raniji istraživači primijetili materijalne ostatke iz antičkog i kasnoantičkog vremena. Kasnoantičko pristanište sastoji se od kamenog nasipa u koji su ugrađeni kameni sarkofazi. Osim kamene građe, u temelju kamenog nasipa pronađeni su i ostatci drvene građe koja je služila kao temelj na dijelu gdje se nasip pruža preko pješčanog dna. Analiza 14C odredila je vrijeme sječe drvene građe za gradnju gata u razdoblje od 425. do 595. godine.
This paper deals with two installation projects created by William Forsythe and Ryoji Ikeda for a mutual exhibition, thus focusing on the participatory and performative context of these artistic ...projects. Both installations are deeply performative, as they ask the audience to create their own choreographic mode of participation. This participation demand is, furthermore, examined both in the context of installation art history and in the context of Rancière’s writings on the problems of emancipation in artistic regimes. Finally, this paper offers a specific view on the problems of techno-performance, as well as on the concepts of participation and perception in such mega-installation processes.
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
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