This paper aims to analyse canto XIII of Dante’s Inferno, on the basis of Lee Edelman’s queer theory, outlined in his book No Future. In the first part, I draw inspiration from the metaphor used by ...Pier della Vigna to describe his relationship with Frederick II of Swabia, on the background of the courtly cultural horizon. In this relationship lies a short circuit between the love field and the political field, which is the direct cause of Piero’s suicide and of the articulation of the contrappasso in the wood of suicides. In the second part, I analyse the stigmatisation that the text addresses against the homo-social relationship between Piero and Federico. This relationship appears to be an anomaly for the teleological horizon of the Commedia. On the basis of what Edelman stated in No Future, one can look at Pier della Vigna as a queer character, marked by the affirmation of jouissance in the present and the rejection of a meaning based on procreative futurism.
Szkic stanowi próbę ulokowania poezji Krystyny Miłobędzkiej w kontekście ekopoetyki i sprawdzenia, czy tak ukierunkowane odczytanie otworzy liryczną twórczość poetki na nowe praktyki interpretacyjne, ...cieszące się coraz większym zainteresowaniem badawczym. W omówieniach dorobku autorki Anaglifów motywy i tematy przyrodnicze pojawiają się stosunkowo często, jednak do tej pory rzadko traktowane były jako główny, samodzielny przedmiot analizy. Szkic poprzez interpretację poszczególnych utworów pokazuje, w jaki sposób natura, w tym wypadku zwłaszcza pojawiające się pod różną postacią drzewa, na przestrzeni publikowanych kolejno tomów kształtują wyobraźnię pisarską Miłobędzkiej i wpisują się w wypracowany przez nią projekt poetycki, wykraczający poza ramy strategii literackiej, którego założenia pozwalają umieścić go w obszarze ekopoetyki.
Životinje u rječniku Matijević, Maja
Rasprave Instituta za hrvatski jezik i jezikoslovlje,
01/2021, Volume:
47, Issue:
2
Journal Article, Paper
Peer reviewed
Open access
U ovome radu analiziraju se prenesena značenja ostvarena u okviru konceptualne metafore ČOVJEK JE ŽIVOTINJA u hrvatskome jeziku te obrada tih značenja u hrvatskim jednojezičnim rječnicima. Metafora ...ČOVJEK JE ŽIVOTINJA najčešće se ostvaruje u pogrdnome značenju (riječima poput
krava
,
konj
,
koza
,
majmun
), no nerijetko i odmilja (npr. u
janje
,
mišić
,
pile
). Analizirana su ostvarenja te metafore u hrvatskome jeziku te je na primjerima iz odabranih općih jednojezičnih rječnika analizirana zastupljenost i usustavljenost tih značenja u rječničkoj obradi. Prikazana su i nezastupljena značenja i značenjski odnosi među njima te su odabrane riječi leksikografski obrađene, pa mogu poslužiti kao model obrade u rječniku.
This paper analyses transferred meanings that are established within the conceptual metaphor HUMAN IS ANIMAL in the Croatian language, and looks at the way these meanings are represented and defined in Croatian monolingual dictionaries. The metaphor HUMAN IS ANIMAL is most often manifested in negative or derogative meanings, as in lexemes such as
krava
(‘cow’),
konj
(‘horse’),
koza
(‘goat’),
majmun
(‘monkey’ or ‘ape’). However, it also regularly occurs in a positive context as a term of endearment, e.g. in
janje
(‘lamb’),
mišić
(‘little mouse’) and
pile
(‘chick’). This paper also examines the realizations of the metaphor in actual use, scrutinising the lexicographical representation and systematisation of its meanings. This is done by looking at specific examples from a select number of monolingual Croatian dictionaries. The unlisted, but nevertheless existing meanings are also included, with examples of semantic relations between these lexemes. In addition, certain lexemes are presented as finished dictionary entries, which could therefore serve as models of lexicographic work for future monolingual dictionaries of Croatian.
The semiotic problem of flowers is not merely the province of specialists. It is a shared object of analysis in a wide range of human sciences: literature, history, anthropology, religious studies. ...The value of flowers depends on their position in the system of the culture in question. This system can be identified with the semiotics of the natural world of the considered culture. Depending on the context, each feature of the flower can be relevant to manifest a meaning. For this reason, flowers constitute a poetic repertoire of ready-made elements and syntagmas, an imaginary which can be used in literature and in any other semiotic system to convey rhetoric effects. As they are inserted in narrative structures, these effects can further transform their value. These shifts of value entail functional changes which can be reconstructed by the researcher and can be useful to investigate the relationship between different cultures and different epochs. Flowers and plants are important elements of many religious traditions, also because they play a crucial role in cosmogonies and myths of the origin. From the analysis of the case studies considered, a radical opposition and a constant oscillation between a concrete and a metaphoric/symbolic use of plants emerges. Another significant aspect is the presence of miracle accounts, in which the concrete dimension of plants is filled of supernatural references. In fact miracles put in communication two different dimensions: visible and invisible. Many of the considered tales reveal an etiologic aspect, with the aim to explain the origin of places and plants on the basis of supernatural events.
Prendendo a campione tre testi famosi, accomunati da significative costanti morfologiche e tematiche (Ariosto per il Cinquecento italiano, Góngora per il Seicento spagnolo, Mandeville per il ...Settecento inglese), il contributo mira a fornire un quadro tipologico-comparativo del «genere europeo» della satira in versi. Non soltanto il bersaglio si modifica a seconda delle condizioni storico-sociali – basti pensare alla distanza che separa la corte estense dall’«alveare» sociale della Londra sbeffeggiata nella Favola delle api – , ma si trasforma anche l’«immagine dell’io» offerta dai diversi autori; e soprattutto mutano gli stili adoperati, in uno spettro di variazioni che va dall’argomentazione ampia degli ariosteschi capitoli in terzina alle sferzanti agudezas gongorine.
Mitos yang dicipta melalui metafora mempunyai unsur tersirat untuk tujuan pengabsahan, iaitu mengesahkan kedudukan raja dan kerajaan Melayu sebagai sebuah kerajaan yang hebat dan berdaulat. Mitos ini ...juga bertindak mengesahkan asal usul raja-raja Melayu sebagai susur galur keturunan yang mulia dan dihormati. artikel ini memberikan fokus pada analisis makna metafora yang disampaikan oleh pengarang Melayu tradisional melalui kisah mitos kegagahan badang. analisis dilakukan dengan menggunakan pendekatan teori Relevans (tR), iaitu Rangka Rujuk Silang (RRS) dan konsep ad hoc. data yang digunakan diambil daripada teks Sulalat al-Salatin (1997). daripada sejumlah 26 data mitos yang dikeluarkan daripada teks, tiga data digunakan dalam analisis ini. dapatan kajian menunjukkan bahawa mitos kegagahan badang membawa makna pengabsahan terhadap kedaulatan, kemerdekaan dan pengiktirafan yang diterima oleh susur galur raja dan kerajaan Melayu. Kisah yang dianggap mitos dan bersifat selapis ternyata mempunyai lapisan metafora yang tersirat maknanya. Makna sebenar metafora pengabsahan ini hanya dapat diinterpretasikan melalui analisis yang bersifat teoretis dan berpada. Melalui analisis yang dilakukan, didapati pengarang Melayu tradisional mempunyai kebijaksanaan dalam penyampaian mesej secara kiasan melalui mitos yang tersulam bersama sejarah.
Dalam berita terdapat penggunaan leksikal dan frasa yang taksa dan berbentuk metafora namun masih mampu diproses dengan mudah oleh kognisi pembaca. Kajian ini mengaplikasikan konsep ad hocpenyempitan ...dan konsep ad hoc peluasan yang terdapat dalam Teori Relevans yang diperkenalkan oleh Barsalou (1987). Dengan menggunakan data yang diperoleh daripada portal Malaysiakini, pengkaji menganalisis makna sebenar yang dihajati oleh penulis Malaysiakini dalam leksikal menghidupkan dan melindungi, serta frasa mata pencarian. Hasil kajian menunjukkan bahawa penggunaan konsep ad hoc penyempitan berjaya menemukan sebanyak enam inferens bagi leksikal menghidupkan dan 13 inferens bagi leksikal melindungi yang dapat dikategorikan kepada empat bentuk. Penggunaan konsep ad hoc peluasan pula berjaya menghasilkan sehingga tiga andaian implikatur bagi frasa mata pencarian. Maka, terbukti bahawa setiap leksikal dan frasa mempunyai makna sebenar yang dihajati oleh penulis. Ketaksaan makna akan dapat dikesan melalui analisis konsep ad hoc penyempitan dan konsep ad hocpeluasan ini.
Conceptual metaphors: phenomena of the mind or cognitive constructs? Part II The author reviewed experimental studies of language metaphor, starting with the pioneer publication of Roman Jakobson ...from 1965. It has been shown that experimental studies confirm the postulates of G. Lakoff’s and M. Johnson’s cognitive theory of metaphor to varying degrees (more or less). The author also presents the results of a psycholinguistic experiment involving 280 respondents. The experiment based on the verbal-nominal constructions of the modern Polish language showed low consistency of answers, as well as the lack of arguments that the interpretation of metaphorical expressions (i.e. with the participation of polysemant) by respondents is not based on so-called conceptual metaphors.
Platone e il mare Casertano, Giovanni
Archai (Brasília, Distrito Federal, Brazil),
03/2020
29
Journal Article
Peer reviewed
Open access
Come si pone Platone di fronte al mare? Dalla lettura dei suoi dialoghi emerge una visione complessa, e che tocca vari campi delle sue riflessioni. Platone ne sente il fascino e allo stesso tempo ne ...avverte i pericoli, non solo quelli connessi alla navigazione, ma anche quelli morali, che derivano dalla presenza nei porti di uomini di varie provenienze, per lo più con atteggiamenti volgari e sboccati; e poi quelli legati alla ricchezza dei beni in essi accumulati, con la necessaria e conseguente corruzione dei costumi. E sembra che ci sia in Platone, da un lato, una nostalgia del passato, di quando la città era piccola, e la vita era semplice, legata fondamentalmente all’agricoltura, con pochi bisogni. Ma, dall’altro lato, e allo stesso tempo, è ben cosciente che il commercio marittimo è ormai strettamente legato alla crescita e all’evoluzione della città, ed escogita una serie di provvedimenti miranti al contenimento di quei pericoli. Platone parla di tutto questo, e di altro ancora, nel suo “stile” unico ed inimitabile, mescolando ragionamenti logici con metafore, analogie, immagini (alcune delle quali bellissime e poetiche). Una delle metafore più belle, e sviluppata in una serie di originali considerazioni, è quella tra il mare ed il discorso: il mare è come il discorso, o, se si vuole, il discorso è come il mare, pieno di pericoli ma assolutamente indispensabile per la vita in comune tra gli uomini.
Setiap entitas bisnis adalah Amanah Tuhan kepada hambanya, dikarenakan manusia adalah Khalifatullah fil ardh atau ‘Abd Allah (hamba Allah) yang seharusnya memahami akan pentingnya sebuah ...Pertanggungjawaban Sosial dan Lingkungan bukan hanya untuk kelangsungan hidup para pelaku bisnis melainkan juga untuk kelangsungan hidup mahkluk disekitarnya. Oleh karena itu, perlunya memahami aspek manusia yang memiliki andil penting dalam keputusan akuntansi, hingga menyebabkan dalam beberapa dekade terakhir manajemen dan akuntan professional mengidentifikasi kebutuhan tambahan informasi ekonomi yang tidak dapat disampaikan oleh sistem akuntansi atau tidak dilaporkan dalam pelaporan keuangan. Informasi yang dimaksud adalah informasi ekonomi yang tidak selalu bersifat keuangan. Menurut mereka bahwa informasi sesungguhnya akan memberikan makna informasi yang lebih banyak untuk pengambilan keputusan.
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