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Večsmernost začetkov slovenske operne ustvarjalnosti = The multiple directions of the beginnings of Slovene opera creativityBarbo, MatjažČlanek obravnava operno uprizarjanje na Slovenskem na prelomu iz 18. v 19. stoletje, pri čemer se osredotoča na delo F. B. Dusíka in tri operna dela, za katera lahko ob upoštevanju novih dejstev ... trdimo, da jih je napisal v času svojega bivanja v Ljubljani: Sultan Wampum, Eugen der zweyte oder Der Held unserer Zeit in Die Lederers Tochter oder Der weibliche Kadet. V Ljubljani so bila dela tudi izvedena. Četudi so zvrstno označena kot opere, so bila po zasnovi morda bližje singspielom z govorjenim dialogom. Tako bi se na prvi pogled zdelo, da ob hkratnem vse bolj rednem gostovanju nemških opernih impresarijev, ki od zadnjega desetletja 18. stoletja naprej povsem zasenčijo sicer prej običajnejše italijanske družbe, sodijo v krog vse izrazitejšega vključevanja nacionalnega momenta. Vendarle podobnost s farso, ki se ji Dusík pozneje rad posveča, prej opozarja na splošni estetski zasuk časa. Tako tudi ta dela opozarjajo na presenetljivo kontinuiranost uprizarjanja opernih del ter redno sodelovanje domačih glasbenikov pri tem, kar oblikuje podobo bogate glasbeno-gledališke produkcije tega obdobja na Slovenskem.Source: Muzikološki zbornik = Musicological annual. - ISSN 0580-373X (Let. 43, št. 2, 2007, str. 59-66)Type of material - article, component partPublish date - 2007Language - slovenianCOBISS.SI-ID - 36259170
Author
Barbo, Matjaž
Topics
Dusík, Franz Benedikt, 1766-1816 |
slovenska opera |
singspiel |
nacionalna zavest |
Slovene opera |
Singspiel |
national consciousness
source: Muzikološki zbornik = Musicological annual. - ISSN 0580-373X (Let. 43, št. 2, 2007, str. 59-66)
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Barbo, Matjaž | 12243 |
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