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  • Magical realism in A monster calls and The ocean at the end of the lane : magistrsko delo
    Poštrak, Monja
    Magical realism as a literary mode has been the cause of numerous debates since the publication of One Hundred Years of Solitude by the Colombian author Gabriel García Márquez in 1967, which the ... majority of critics consider to be the first magical realist novel. Magical realism has been frequently confused with fantasy and is still considered by some as the latter's branch. Though there is no unified definition of magical realism, critics have agreed upon some of the most common characteristics. The present thesis makes use of Wendy B. Faris's theoretical framework on the mode's characteristics and applies it to A Monster Calls by Patrick Ness and The Ocean at the End of the Lane by Neil Gaiman. In both novels, marvellous happenings are incorporated seamlessly into a realistic narrative, which is the basic definition of magical realism. The events are presented matter-of-factly; thus, readers perceive them as realistic. Both novels also contain the primary characteristics that define magical realism as a literary mode, according to Faris. A Monster Calls has been adapted into a movie as well as translated into Slovene as Sedem minut čez polnoč. In the translation, magical realism retains its characteristics, since it is mainly a content based literary mode. In the movie, however, visual representations of the irreducible element, i. e. the yew tree monster, offer the viewers an opportunity to perceive it as ordinary.
    Type of material - master's thesis ; adult, serious
    Publication and manufacture - Maribor : [M. Poštrak], 2018
    Language - english
    COBISS.SI-ID - 24041992

Library Call number – location, accession no. ... Copy status
Miklošič Library FPNM, Maribor D MAG 821ANG POŠTRAK M. Magical
IN: 320180096
available - reading room
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