O presente artigo busca investigar aspectos relativos à organização de composições cênicas através da análise de dois espetáculos, Questo Buio Feroce (2006) e Vangelo (2016), do encenador italiano Pippo Delbono. O objetivo do estudo é apresentar os aspectos da colagem e do encenador-performer como princípios composicionais que são um indicativo a uma cena inclusiva.
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