The Repertoire and the Reception of Tartini's (1692–1770) Music in Slovenia brings a detailed survey and an analysis of the archived sonorous material of Tartini's opus: concerts, sonatas, trio sonatas etc. The main source of the mentioned research starting-points and archives was the Sound Archive of RTV Slovenija. However, there are some additional sources, including concert programs, museums, libraries, discographies, electronic media networks, soloists, ensembles, orchestras as well as other relevant sources. On the basis of the scientific results the presence of (all) Tartini’s works at concerts, recordings and discography was established. Several comparisons were made with the analysis: what is the relation between domestic (Slovene) and foreign such presence of Tartini’s music?