In a famous Parisian chess café, a down-and-out, HIM, accosts a former acquaintance, ME, who has made good, more or less. They talk about chess, about genius, about good and evil, about music, they ...gossip about the society in which they move, one of extreme inequality, of corruption, of envy, and about the circle of hangers-on in which the down-and-out abides. The down-and-out from time to time is possessed with movements almost like spasms, in which he imitates, he gestures, he rants. And towards half past five, when the warning bell of the Opera sounds, they part, going their separate ways. Probably completed in 1772-73, Denis Diderot’s Rameau’s Nephew fascinated Goethe, Hegel, Engels and Freud in turn, achieving a literary-philosophical status that no other work by Diderot shares. This interacti ve, multimedia edition offers a brand new translation of Diderot’s famous dialogue, and it also gives the reader much more. Portraits and biographies of the numerous individuals mentioned in the text, from minor actresses to senior government officials, enable the reader to see the people Diderot describes, and provide a window onto the complex social and political context that forms the backdrop to the dialogue. Links to musical pieces specially selected by Pascal Duc and performed by students of the Conservatoire national supérieur de musique et de danse de Paris, illuminate the wider musical context of the work, enlarging it far beyond its now widely understood relation to opéra comique. This new edition includes: Introduction, Original text, English translation, Embedded audio-files, Explanatory notes, Interactive material.
"In a famous Parisian chess café, a down-and-out, HIM, accosts a former acquaintance, ME, who has made good, more or less. They talk about chess, about genius, about good and evil, about music, they ...gossip about the society in which they move, one of extreme inequality, of corruption, of envy, and about the circle of hangers-on in which the down-and-out abides. The down-and-out from time to time is possessed with movements almost like spasms, in which he imitates, he gestures, he rants. And towards half past five, when the warning bell of the Opera sounds, they part, going their separate ways. Probably completed in 1772-73, Denis Diderot’s Rameau’s Nephew fascinated Goethe, Hegel, Engels and Freud in turn, achieving a literary-philosophical status that no other work by Diderot shares. This interactive, multi-media and bilingual edition offers a brand new translation of Diderot’s famous dialogue, and it also gives the reader much more. Portraits and biographies of the numerous individuals mentioned in the text, from minor actresses to senior government officials, enable the reader to see the people Diderot describes, and provide a window onto the complex social and political context that forms the backdrop to the dialogue. Links to musical pieces specially selected by Pascal Duc and performed by students of the Conservatoire national supérieur de musique et de danse de Paris, illuminate the wider musical context of the work, enlarging it far beyond its now widely understood relation to opéra comique. This new edition includes: - Introduction - Original text - English translation - Embedded audio-files - Explanatory Notes - Interactive Material"
One of the most well-known texts written about art and also an exceptional phenomenon in 18th-century writing on art. Very soon after publication (1795) it was circulated internationally and by the ...beginning of Romanticism it had already become a classic of art commentary. It sums up a period of several years of Diderot’s life, in a large part devoted to the arts, preceded by years of deliberations on the physiological determinants of the reception of art and by studies on the psychology of creativity.
In a famous Parisian chess café, a down-and-out, HIM, accosts a former acquaintance, ME, who has made good, more or less. They talk about chess, about genius, about good and evil, about music, they ...gossip about the society in which they move, one of extreme inequality, of corruption, of envy, and about the circle of hangers-on in which the down-and-out abides. The down-and-out from time to time is possessed with movements almost like spasms, in which he imitates, he gestures, he rants. And towards half past five, when the warning bell of the Opera sounds, they part, going their separate ways. Probably completed in 1772-73, Denis Diderot's Rameau's Nephew fascinated Goethe, Hegel, Engels and Freud in turn, achieving a literary-philosophical status that no other work by Diderot shares. This interactive, multi-media edition offers a brand new translation of Diderot's famous dialogue, and it also gives the reader much more. Portraits and biographies of the numerous individuals mentioned in the text, from minor actresses to senior government officials,enable the reader to see the people Diderot describes, and provide a window onto the complex social and political context that forms the backdrop to the dialogue. Links to musical pieces specially selected by Pascal Duc and performed by students of the Conservatoire nationale de musique, Paris, illuminate the wider musical context of the work, enlarging it far beyond its now widely understood relation to opéra comique.
In Diderot's brilliant and witty dialogue two acquaintances discuss art, music, education and society. A key work of the French Enlightenment, in this sparkling new translation it is paired with ...Diderot's First Satire, providing context for Rameau's Nephew, the 'second satire'. - ;'unless you know everything, you really know nothing'. Diderot's brilliant and witty dialogue begins with a chance encounter in a Paris caf--eacute--; between two acquaintances. Their talk ranges broadly across art, music, education, and the contemporary scene, as the nephew of composer Rameau, amoral and bohemian, alternately shocks and amuses the moral, bourgeois figure of his interlocutor. Exuberant and highly entertaining, the dialogue exposes the corruption of society in Diderot's characteristic philosophical exploration. The debates of the French Enlightenment speak to us vividly in this sparkling new translation, which also includes the First Satire , a related work that provides the context for Rameau's Nephew, Diderot's 'second satire'. -.
This article focuses on the distribution and interpretation of resumption in Jordanian Arabic with respect to a well-known distinction: weak (clitics and doubled pronouns) versus strong (strong ...pronouns and epithets) resumption. We propose an analysis of resumption and reconstruction that relates two major asymmetries with respect to that distinction, (i) strong resumption banning QP antecedents in non-island contexts, contrary to weak resumption, and (ii) strong resumption banning reconstruction in strong island contexts, contrary to weak resumption. Our main conclusion is that weak (functional) resumptives support two distributive readings, either bound variable or e- type, whereas strong (lexical) resumptives can only get an e-type interpretation. The asymmetries stated above then just follow from further constraints on the two distributive readings.
It is widely considered that, for Higgs boson searches at the CERN Large Hadron Colider, WH and ZH production where the Higgs boson decays to bb are poor search channels due to large backgrounds. We ...show that at high transverse momenta, employing state-of-the-art jet reconstruction and decomposition techniques, these processes can be recovered as promising search channels for the standard model Higgs boson around 120 GeV in mass.
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