U pristupu kajkavskoj lirici Ernesta Fišera autor polazi od fenomena imenovanog kao povratak kući odnosno zavičajnom, materinskom jeziku. Pritom se oslanja na filozofiju jezika Wilhelma von Humboldta ...i njen utjecaj na suvremenu filozofiju i lingvistiku. Za Fišerovu kajkavsku poetiku značajna je Humboldtova teza da jezik ne valja držati nečim mrtvim i načinjenim već daleko više začinjanjem. Važno mjesto u članku ima relacija Fišer – Galović.
SUMMARY: In his approach to Ernest Fišer’s Kajkavian lyrics, the author proceeds from the phenomenon of the poet’s returning home, i.e., returning to his homeland, mother tongue. He thereby follows Wilhelm von Humbolt’s philosophy and its influence on contemporary philosophy and linguistics. Significant for Fišer’s Kajkavian poetics is Humbolt’s thesis that language should not be considered as something dead and final, but more as being in the process of conceivment. An important segment in the article is about the relationship between Fišer and Galović.
Uz kajkavske stihove Mirne Weber, autor nastavlja tematizirati pojmove 'doživljaj' i 'doživljavanje' iz članka Uz obljetnicu Božice Jelušić, Kaj br. 1-2, 2021., posebno s osloncem na misao Wilhelma ...Diltheyja. Ukazuje na moderni racionalizam kao na pozadinu distanciranja od pojma doživljaj u novijoj teoriji književnosti. U tom kontekstu osvjetljava se kajkavska lirika Mirne Weber kao autentična lirika doživljaja.
Alongside with the Kajkavian verses by Mirna Weber, the author continues to deal with the notion of experience and experiencing in the article
Uz obljetnicu Božice Jelušić
, Kaj 1-2, 2021, relying especially on the ideas of Wilhelm Dilthey. Modern rationalism is indicated as being behind the distancing from the idea of experience in the more recent theory of literature. The Kajkavian lyrics of Mirna Weber are highlighted In such context as being authentic experience poetry.
Članak je svojevrsna
poslanica
pjesnikinji Božici Jelušić, ususret obljetnici. Uz nekoliko njenih kajkavskih pjesama i
okoli
njih autor tematizira ponajprije ljubav i istinu; u Božičinoj kajkavskoj ...lirici sadržan je zahtjev za istinom, a iz ljubavi ona izrasta i u njoj nam se otvara. Ovaj rad je u uskoj vezi sa studijom
Kajkavski svjetogled Božice Jelušić
objavljenom u Kaju br. 5-6, 2019., i na određeni način njen nastavak, pa i dopuna glede nekih motiva.
The paper is a kind of epistle to the poet Božica Jelušić in connection with the oncoming anniversary. The author focuses primarily on love and truth relating to several of her Kajkavian-dialect-based poems and around them. Božica's Kajkavian lyrics require the truth; she grows out of love and reveals herself in it. This work is tightly linked with the study
Kajkavski svjetogled Božice Jelušić
(Božica Jelušić's Kajkavian world view) published in Kaj no. 5-6, 2019, and in a way, it is also a certain continuance, even a kind of supplement as to certain motifs.
U pjesništvu Božice Jelušić estetske vrijednosti neodvojive su od *ethosa; njeno pjevanje upravo je jezik ethosa. Fran Galović, Ivan Golub i Božica Jelušič pjesnički su trolist bitno određen jezikom ...i zavičajem. Njihovo pjesništvo, međutim, nije zavičajno samo u isključivo sadržajnom nego i u smislu temeljnog iskustva svijeta. Lirika prirode Božice Jelušić bitno je ekološka, u izvornom značenju grčke riječi *oikos = kuća/dom; čovjek je u prirodi pri sebi samom.
The aesthetic values in the poetry of Božica Jelušić are inseparable from *ethos; her canorous poetry is, in fact, the language of ethos. Fran Galović, Ivan Golub, and Božica Jelušić are a threesome of poets essentially defined by language and homeland. However, their poetry is not exclusively native as to content, but also in their basic sense of experiencing the world. Božica Jelušić’s lyrics linked with nature are substantially ecological, in the primary meaning of the Greek word *oikos = house/home; a human in natural environment is at home with himself.
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Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
U pristupu kajkavskoj lirici Ernesta Fišera autor polazi od fenomena imenovanog kao povratak kući odnosno zavičajnom, materinskom jeziku. Pritom se oslanja na filozofiju jezika Wilhelma von Humboldta ...i njen utjecaj na suvremenu filozofiju i lingvistiku. Za Fišerovu kajkavsku poetiku značajna je Humboldtova teza da jezik ne valja držati nečim mrtvim i načinjenim već daleko više začinjanjem. Važno mjesto u članku ima relacija Fišer – Galović.
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
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