Provider: - Institution: - Data provided by Europeana Collections- Tatjana Gros s prijateljicama (prva z leve je Zvonka Falkner).- All metadata published by Europeana are available free of ...restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Tatjana Gros pred zrcalom.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 ...Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Tatjana Gros na snegu.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 ...Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain ...Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Jaka Čop se je rodil 26. oktobra 1911 na Jesenicah. Bil je alpinist, po poškodbi pa se je začel intenzivneje ukvarjati s planinsko ...fotografijo, predvsem črno-belo. Njegove fotografije lahko občudujemo v več knjigah. Skozi pravljico o Zlatorogu je predstavljal lepote planinskega sveta šolskim otrokom po Sloveniji. Za svoje delo je prejel več priznanj. Umrl je 5. januarja 2002 na Rodinah, kjer je živel po upokojitvi. Njegovo zapuščino hrani Gornjesavski muzej Jesenice.Fotografija prikazuje Jaka Čopa (drugi z leve) z družbo Za Akom (Gozd Martuljek). Bivak 3 Za Akom se nahaja na poraščeni vzpetini ob robu Krnice Za Akom. Od bivaka, v katerem lahko prenoči 8 ljudi. Za razgled se je vredno spustiti 5 minut na prostrana prodišča, s katerih se nam odpre lep pogled na severna ostenja Martuljških gora.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Fotografija s podpisom Tatjane Gros.- All metadata published by Europeana are available free of restriction under the Creative ...Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Tatjana Gros ob avtu v črnem plašču.- All metadata published by Europeana are available free of restriction under the Creative ...Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Tatjana Gros doma za klavirjem (Nad mlini 1, Novo mesto).- All metadata published by Europeana are available free of restriction ...under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Črno-bela fotografija prikazuje odnašanje ruševin mestnega obzidja med rušenjem Vrat Zhengyang (Zhengyangmen 正陽門) v Pekingu, bolj ...znanih pod imenom Prednja vrata (Qianmen 前門), leta 1915.
Fotografija je 444. od 449 fotografij Pekinga in okolice v albumu, ki ga je Ivan Skušek ml. kupil med bivanjem v Pekingu (1914–1920). V ročnem popisu albuma je fotografija imenovana Demolieren des Tsien-Men: Abtragen der Mauer.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
Provider: - Institution: - Data provided by Europeana Collections- Črno-bela fotografija prikazuje detajl na stojalu armilarne sfere v starem pekinškem observatoriju Beijing Gu Guanxiangtai 北京古觀像台. ...Vsi instrumenti so pospremljeni z izjemno bogatimi dekoracijami, predvsem motiva cesarskega zmaja z oblaki. Ta motiv je od blizu prikazan na tej fotografiji. Podoben motiv najdemo na vsej arhitekturi, ki je bila v cesarjevi uporabi od Prepovedanega mesta (Gugong 故宫 oziroma Zijincheng 紫禁城) do Nebeškega templja (Tiantan 天壇). Instrumente, ki jih je še danes mogoče videti v muzeju na istem mestu, so povečini izdelali jezuiti v 17. in 18. stoletju.
Stari pekinški observatorij je eden redkih do danes ohranjenih observatorijev iz časa pred izumom teleskopa. Področje obsega 10.000 kvadratnih metrov z glavno opečnato ploščadjo, veliko 40 krat 40 metrov in visoko 15 metrov. Observatorij je danes muzej, odprt za javnost. Zgrajen je bil v času cesarja Kangxija (vladal 1661–1722) – na temeljih predhodnika iz 12. stoletja. Prenova je potekala pod budnim očesom flamskega jezuita in misijonarja, očeta Ferdinanda Verbiesta (1623–1688). Leta 1900 so ga izropali francoski osvajalci, a so leta 1902 instrumente vrnili »na svoje mesto«. Leta 1956 je observatorij postal muzej.
Fotografija je 170. od 449 fotografij Pekinga in okolice v albumu, ki ga je Ivan Skušek ml. kupil med bivanjem v Pekingu (1914–1920). V ročnem popisu albuma je fotografija imenovana Sternwarte: Ständer des Mond-Kalenders.- All metadata published by Europeana are available free of restriction under the Creative Commons CC0 1.0 Universal Public Domain Dedication. However, Europeana requests that you actively acknowledge and give attribution to all metadata sources including Europeana
