Traditional interpretations of the 1950s have emphasized how American anti-communists deployed censorship and the blacklist to silence dissent, particularly in the realm of foreign policy. Yet those ...efforts at
repression did not always succeed. Throughout the early years of the Cold War, a significant number of writers and performers continued to express controversial views about international relations in Hollywood films, through the new medium of televi-sion,
on the Broadway stage, and from behind the scenes.
By promoting superpower cooperation, decolonization, nuclear disarmament, and other taboo causes, dissident artists such as Lillian Hellman, Arthur Miller, Rod Serling, Dalton Trumbo, Reginald Rose, and Paddy Chayefsky managed both to stretch the boundaries of Cold War ideology and to undermine some of its basic assumptions. Working at times under assumed names and in some cases outside the United States, they took on the role of informal diplomats who competed with Washington in repre-senting America to the world.
Ironically, the dissidents’ international appeal eventually persuaded the U.S. foreign policy establishment that their unconventional views could be an asset in the Cold War contest for “hearts and minds,” and their artistic work an effective means to sell Ameri-can values and culture abroad. By the end of the 1950s, the Eisenhower administration not only appropriated the work of these talented artists but enlisted some of them to serve as official voices of Cold War cultural diplomacy.
For most of the twentieth century, the Conservative Party engaged in an ongoing struggle to curb the power of the trade unions, culminating in the radical legislation of the Thatcher governments. ...Yet, as this book shows, for a brief period between the end of the Second World War and the election of Harold Wilson's Labour government in 1964, the Conservative Party adopted a remarkably constructive and conciliatory approach to the trade unions, dubbed 'voluntarism'. During this time the party leadership made strenuous efforts to avoid, as far as was politically possible, confrontation with, or legislation against, the trade unions, even when this incurred the wrath of some Conservative backbenchers and the Party's mass membership. In explaining why the Conservative leadership sought to avoid conflict with the trade unions, this study considers the economic circumstances of the period in question, the political environment, electoral considerations, the perspective adopted by the Conservative leadership in comprehending industrial relations and explaining conflict in the workplace, and the personalities of both the Conservative leadership and the key figures in the trade unions. Making extensive use of primary and archival sources it explains why the 1945-64 period was unique in the Conservative Party's approach to Britain's trade unions. By 1964, though, even hitherto Conservative defenders of voluntarism were acknowledging that some form of official inquiry into the conduct and operation of trade British unionism, as a prelude to legislation, was necessary, thereby signifying that the heyday of 'voluntarism' and cordial relations between senior Conservatives and the trade unions was coming to an end.
L'evoluzione delle facoltà professionali degli atenei dell'Emilia Romagna e del mercato professionale sono analizzati attraverso l'andamento degli iscritti, delle lauree e dei risultati degli esami ...di abilitazione nel primo ventennio repubblicano. Ne emerge un quadro complessivo in cui a prevalere sono le continuità (culturali, formative e professionali) con il passato, né l'aumento della popolazione studentesca anticipa le grandi trasformazioni, di genere e di dimensioni, degli anni settanta.
1968 Gassert, Phillipp; Klimke, Martin
2018, 2019-10-15
eBook
It was a year of seismic social and political change. With the wildfire of uprisings and revolutions that shook governments and halted economies in 1968, the world would never be the same again. ...Restless students, workers, women, and national liberation movements arose as a fierce global community with radically democratic instincts that challenged war, capitalism, colonialism, and patriarchy with unprecedented audacity. Fast forward fifty years and 1968 has become a powerful myth that lingers in our memory. Released for the fiftieth anniversary of that momentous year, this second edition of Philipp Gassert's and Martin Klimke's seminal 1968 presents an extremely wide ranging survey across the world. Short chapters, written by local eye-witnesses and historical experts, cover the tectonic events in thirty-nine countries across the Americas, Europe, Asia, Australia, Africa, and the Middle East to give a truly global view. Included are forty photographs throughout the book that illustrate the drama of events described in each chapter. This edition also has the transcript of a panel discussion organized for the fortieth anniversary of 1968 with eyewitnesses Norman Birnbaum, Patty Lee Parmalee, and Tom Hayden and moderated by the book's editors. Visually engaging and comprehensive, this new edition is an extremely accessible introduction to a vital moment of global activism in humanity's history, perfect for a high school or early university textbook, a resource for the general reader, or a starting point for researchers.
Swinging City Rycroft, Simon
2011, 20160309, 2010, 2011-01-01, 2016-03-09, 20110101
eBook
This book works with two contrasting imaginings of 1960s London: the one of the excess and comic vacuousness of Swinging London, the other of the radical and experimental cultural politics generated ...by the city's counterculture. The connections between these two scenes are mapped looking firstly at the spectacular events that shaped post-war London, then at the modernist physical and social reconstruction of the city alongside artistic experiments such as Pop and Op Art. Making extensive use of London's underground press the book then explores the replacement of this seemingly materialistic image with the counterculture of underground London from the mid-1960s. Swinging City develops the argument that these disparate threads cohere around a shared cosmology associated with a new understanding of nature which differently positioned humanity and technology. The book tracks a moment in the historical geography of London during which the city asserts itself as a post-imperial global city. Swinging London it argues, emerged as the product of this recapitalisation, by absorbing avant-garde developments from the provinces and a range of transnational, mainly transatlantic, influences.
Britain's relationship with the Gulf region remains one of the few unexplored episodes in the study of British decolonization. The decision, announced in 1968, to leave the Gulf within three years ...represented an explicit recognition by Britain that its 'East of Suez' role was at an end. This book examines the decision-making process which underpinned this reversal and considers the interaction between British decision-making, and local responses and initiatives, in shaping the modern Gulf. Using sources previously unavailable to scholars, Britain's Revival and Fall in the Gulf is a valuable addition to the studies on the modern Gulf.
Simon Smith was brought up in Kent and studied at Royal Holloway, University of London. In 1994, he became a British Academy Postdoctoral Research Fellow and since his appointment to the History Department at Hull University in 1997, he has lectured in international history.
Preface and Acknowledgements Abbreviations Introduction 1. Responsibility without Power: British Policy towards the Gulf, 1950-67 2. Defence Reviews, Devaluation, and Britain's Departure from the Gulf 3. The Failure of the Federal Idea in the Gulf, 1950-68 4. Unity and Division in the Lower Gulf: The Emergence of the United Arab Emirates 5. Conflict and Co-operation: Anglo-American Relations in the Gulf from the Nationlization of Anglo-Iranian to the Yemeni Revolution 6. The 'Special Relationship' and the withdrawal from East of Suez Conclusion Bibliography
Lucky Strikes and a Three Martini Lunch: Thinking About Televisions Mad Men explores the attributes of the AMC series that allow it to be such a popular and vital contribution to contemporary ...cultural discourse. Set in the 1960s in New York, the Emmy and Peabody-winning series Mad Men follows the competitive, seductive, and oftentimes ruthless lives of the men and women of Madison Avenues advertising agencies. Many alluring and captivating qualities constitute the Mad Men experience: the wa.
In 1968-69, Columbia University became the site for a collision of American social movements. Black Power, student power, antiwar, New Left, and Civil Rights movements all clashed with local and ...state politics when an alliance of black students and residents of Harlem and Morningside Heights openly protested the school's ill-conceived plan to build a large, private gymnasium in the small green park that separates the elite university from Harlem. Railing against the university's expansion policy, protesters occupied administration buildings and met violent opposition from both fellow students and the police._x000B__x000B_In this dynamic book, Stefan M. Bradley describes the impact of Black Power ideology on the Students' Afro-American Society (SAS) at Columbia. While white students--led by Mark Rudd and Students for a Democratic Society (SDS)--sought to radicalize the student body and restructure the university, black students focused on stopping the construction of the gym in Morningside Park. Through separate, militant action, black students and the black community stood up to the power of an Ivy League institution and stopped it from trampling over its relatively poor and powerless neighbors._x000B__x000B_Comparing the events at Columbia with similar events at Harvard, Cornell, Yale, and the University of Pennsylvania, Bradley locates this dramatic story within the context of the Black Power movement and the heightened youth activism of the 1960s. Harnessing the Civil Rights movement's spirit of civil disobedience and the Black Power movement's rhetoric and methodology, African American students were able to establish an identity for themselves on campus while representing the surrounding black community of Harlem. In doing so, Columbia's black students influenced their white peers on campus, re-energized the community's protest efforts, and eventually forced the university to share its power.
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